Sequart Content Tagged:
Magazine content related to Grant Morrison (page 8 of 11)
Fantastic Four: 1234 was written at the tail end of Morrison’s Day-Glo Years, during his brief period writing for Marvel in the early 2000s.
Artist J.H. Williams III is one of the most innovative and acclaimed comics artists working today.
The Mystery Play is another short-form Morrison work from the “adult comics” era of the early ’90s.
During the early ’90s, Grant Morrison was wrapping up his acclaimed runs on Doom Patrol and Animal Man and moving away from mainstream super-heroics.
NOTE: Rather than start chronologically in the early ’90s, I chose to begin my exploration of Grant’s Day-Glo Years with a work that best exemplifies the themes, motifs, and energy of that era of his career
I’ve spent a lot of time over the past few years writing about Grant Morrison, talking about Grant Morrison, and making a film about Grant Morrison, and it’s now time to continue that work with… [more]
May 4th was Avengers day here in the states, and I actually managed to see the film three times in the first 24 hours of its release.
I’m sitting at a little coffee shop in Springfield, Missouri, called the Brown Egg with my comics spread out on the table. As the waitress delivers my pancakes, she remarks, “That looks really cool,” as… [more]
While R.I.P. could be argued to be a game of chess between Batman and Dr. Hurt, the game of dominoes is at the forefront of Batman & Robin.
In the footnotes for the first volume of Batman & Robin, Grant Morrison discusses the strange coincidence of the third issue’s cover resembling an image of the Joker that Brian Bolland had done years previous.
Alan Moore’s done it. Jack Kirby and Stan Lee did it. Osamu Tezuka did it. Grant Morrison did it so regularly and intently that he gave it a name.
Once the transformation into the Batman of Zur-En-Arrh is complete, the comparisons to the Joker are apparent and numerous.
The most controversial storyline in Morrison’s Batman run, R.I.P. is the psychological destruction of the Dark Knight.
While the Black Glove doesn’t actually make an appearance until later in the series, the presence of Dr. Hurt can be felt in the very first issue as Batman throws the Joker into a dumpster… [more]
While Dick Grayson and Damian Wayne were busy learning how to adjust to their new identities, a secret war was being waged between Dr. Thomas Hurt and the Joker.
Like traditional literature, graphic novels and comics approach the science fiction genre in a variety of different ways, and this should come as no surprise given the various approaches to sequential art in the United… [more]
While Damian’s name can be interpreted as “to tame,” it can also be interpreted as “to conquer,” which seems to be Talia’s reasoning for his name when she says in issue #7, “Damian will stride… [more]
While Dick Grayson’s growth as Batman is certainly one way of interpreting Batman and Robin, one shouldn’t forget the “Robin” part of the title.
The very idea of Batman having a son was criticized before Damian ever made his first appearance.
The first six issues of Grant Morrison’s Batman and Robin expertly put Dick Grayson in a position that readers weren’t used to seeing him in – one of vulnerability.
Sequart Research & Literacy Organization’s celebrated Grant Morrison: The Early Years and Our Sentence is Up: Seeing Grant Morrison’s The Invisibles are both now available on Kindle.
There is no one who could make a better foil for Dick Grayson than Jason Todd.
A new series launching from Image Comics in April titled America’s Got Powers will tell the tale of superheroes competing in an American reality show for a place on a superhero team.
In all great works of literature, the hero must have a foil; that special character designed to enhance the inherent heroic qualities of the protagonist.
Continuity can be a good thing.