Sequart Content Tagged:

Grant Morrison

Magazine content related to Grant Morrison (page 2 of 11)

RSS for RSS feed for Grant Morrison

A Sandman Miscellany: Sandman Overture #5 Review

One of the difficult aspects of reviewing Neil Gaiman’s bookend of his long developed Sandman conceptual universe is making heads and tails of the myriad pathways that intertwine in the grand narrative. [more]

Nameless #4: The Logic of a Nightmare

After four issues, I can safely say that I’m still not really sure what’s going on in Nameless. Just as I get, or at least seem to get, a handle on the proceedings, reality shifts… [more]

Eating Brains: Zombies and Dystopianism

In 2013 I was at SDCC meeting Julian Darius for the first time. After a long, harrowing comic-con experience we both went to the Comic Book Legal Defense Fund after party. There were famous people… [more]

Five Reasons Why Comics Scholarship is Important

Before getting into comics, I had no idea where to start, or how to approach comics as a body of work. Over the course of several decades comics have diversified into a multi-headed beast. There… [more]

“Our Sonnet’s End Attained, Awaits The Hearse Let’s Raise Our Gaze From Verse… To Multiverse!”: Multiversity #2, Superjudge

Grant Morrison, and to some extent the metaphysics of the DC Multiverse, have a very Gnostic flavour with an affinity for Manichean Dualism. Universe A and Universe B, The Invisibles and the Archons, Apokolips and… [more]

Portraits In Alienated British Youth Circa 1989-90, Part Five: Aim For The Head (Of State)

The fourth and final installment—this time un-numbered, as we’re through counting down to the day and find ourselves at it—of St. Swithin’s Day begins with the most painfully obvious line you could imagine: “today’s the… [more]

“Text Is Vulnerable To Criticism.”:The Multiversity: Ultra Comics #1

Well. Here we are. The penultimate issue of the Multiversity event. If we are to take anything away from this issue it is the realization that, contrary to my initial impressions and predictions, the greater… [more]

Portraits In Alienated British Youth Circa 1989-90, Part Four: Way Too Calm Before The Storm

First off, apologies to those of you who may be following this series for the delay between our last segment and this one. I wanted to wrap up on my OMAC retrospective here at Sequart… [more]

Nameless #3 Balances Sanity and Madness

The new issue of Nameless is a step up in scale and in pacing from the previous issues, There’s some plot momentum happening and certain dramatic elements seem to be moving into place for a… [more]

Sifting Through the Ashes: Analyzing Hellblazer, Part 22

Issue 25 “Early Warning” Writer: Grant Morrison Art, Colors, & Cover: David Lloyd Letters: Tom Frame As stated before, over the 300 issue run Hellblazer would be written by many of the comic industry’s biggest… [more]

Can You Read The Raven’s Speech: Multiversity Mastermen #1 Splendour Falls

Firstly, dear reader, my apologies for the delay. This write up has been one of the toughest but also one of the most enjoyable thus far. The more I reread Mastermen the more I realize… [more]

Nameless #2: All Spaced Out

While the first issue of Nameless explored dream territory and the kind of dark modern-day occultism of Sandman or Constantine, the second issue literally takes right off into space, going to Event Horizon territory and… [more]

“I’m Making Dream Art”: Further Thoughts on Nameless #1

There are at least two ways to write Lovecraftian horror. One is to take the various elements of the Cthulhu mythos and tell your own story within that framework. Another way is to use various… [more]

Sifting Through the Ashes: Analyzing Hellblazer, Part 19

Issue #21 “The God of All Gods” Writer: Jamie Delano Art: Mark Buckingham, Alfredo Alcala Colors: Lovern Kindzierski Letters: Elitta Fell Cover: Dave McKean Continuing directly from the previous issue, “The God of All Gods”… [more]

Batman #1—The Ultimate Batman Comic

Batman’s co-creator Bill Finger crafted in 32 pages every single tone and approach to his character that would follow in 75 years. Batman #1 is the single greatest Batman comic ever produced. [more]

DC is Re-Branding (or De-Branding) Its Universe. So What?

Note: This is a “companion editorial”—of sorts—to the “Marvel Is Rebooting Its Universe. So What?” piece I wrote for Sequat on Wednesday, January 21st. Apparently there’s something of a PR war going on between the… [more]

About Face: Character and Portrayal in Snyder’s Batman

DC’s decision to essentially relaunch and, therefore, reboot its output three years ago met with as much praise as it did criticism. Despite proceeding in the wake of Grant Morrison’s seven year labyrinthine run, one… [more]

“…Of Past Times and Beginnings. Before The Before.”: The Multiversity Guidebook #1 Maps and Legends

One of the things that appeals to me most about comics is the breadth, depth and scope of their world building. Their longevity far outweighing that of say even the most consistently broadcast of television… [more]

Grant Morrison’s Nameless #1

When a story, in any medium, is told using the “language of dreams,” that’s usually a signal for the author to take his or her hands off the narrative wheel and let the story spin… [more]

Amazon Killed the Comic-Book Store

Author’s Note: The following editorial is intended to highlight the ramifications of digital distribution, the overhead in producing printed comics, and what changes this could bring to the industry as brick and mortar publishing companies, including DC and Marvel, increasingly… [more]

J.M. DeMatteis and His Neglected Contribution to the Revival of DC

“Has our world become so twisted, so violent, that this is the kind of hero we produce?” Lois Lane, in a different world, types on her computer a new story and reveals to the world… [more]

Portraits In Alienated British Youth Circa 1989-90, Part Three: Every Day Is Like Sunday

I can’t stand Morrissey, but when I was between the ages of, say, 16 and 19, I thought he was pretty cool—which is precisely what I was supposed to think, given that his music has… [more]

Portraits In Alienated British Youth Circa 1989-90, Part Two: Trident Makes Its Mark—But Ultimately Gets Speared

In August of 1989, a modest little anthology series with some serious “A-list” talent appeared on British comic store shelves and, presumably, at a few newsstands (or newsagents, as they’re called across the pond) as… [more]

On All-New Miracleman Annual #1

One of the oddities of Marvel finally reprinting Miracleman is the relative lack of interest it’s generated. We’re talking about a work regarded as being as important as Watchmen in super-hero comics history (and arguably even more… [more]

Portraits In Alienated British Youth Circa 1989-90, Part One: Introduction

Maybe it was something in the water—or something in the air—or just something floating around in the larger cultural zeitgeist of the time—but whatever the reason behind it all may have been, from the late… [more]