Magazine Archives for:
The covers to most comics are a mixed bag. There are some that look so atrocious they would make Warren Ellis puke up his Red Bulls and shepherd’s pies. The cover, after all, is just… [more]
Whenever a critic speaks of any popular work as possessing a “mythology”—a term often applied to serial, fictional narratives—the most common objection is that popular fiction is too “low”—as in, “created for the lowest common… [more]
Continuity can be a good thing.
Ok, so here’s a fun one.
After its three-page thematic introductory sequence, Holy Terror shifts to the Fixer chasing Cat Burglar across Empire City’s rooftops. It’s a sequence not without its charms, including a few powerful images. It depicts an eccentric, hard-boiled… [more]
Alan Moore’s early professional work (such as Maxwell the Magic Cat, Roscoe Moscow, and The Stars My Degradation) was firmly rooted in comedy, which may seem at odds with the more later dramatic work he became… [more]
In Part 2 of this discussion of editor / writer Stan Lee’s contribution to the creative process in the era of Silver-Age Marvel Comics, I argued that Lee had done far more than just dialogue… [more]
Marvel is branching out into legitimate publishing and I couldn’t be more excited.
I was speaking to a friend of mine recently who lives primarily in Thailand but has been staying in the U.S. temporarily, and I asked her if she was familiar with Superman.
It’s hard for me to describe the mixture of pleasures and pains, both of them quite intense, that I feel reading Holy Terror. The pleasure tends to be artistic, primarily visual. The pain tends to… [more]
Guests Kevin Thurman and David Balan discuss the future of the comics form, and the implications of digital comics.
The title of Moore’s second strip for Sounds Magazine, The Stars My Degradation, owes its inspiration to a famous science-fiction novel by Alfred Bester, The Stars My Destination (1956). In the novel, Gully Foyle is… [more]
In my last article, I discussed how Watchmen #2 was successful as an individual comic book issue by satisfying the reader with a complete chunk of story.
It’s often said that a hero is only as good as his villain. I think.
While Mark Millar was experimenting with narrative during his return to the Ultimates, Jason Aaron was exploring the inner-workings of Captain America in his mini-series Ultimate Captain America.
Captain America: the First Avenger—henceforth abbreviated to Captain—is a fairly entertaining film that illustrates both the advantages and disadvantages of applying real-world verisimilitude to comic-book superheroes.
No one seems to get Frank Miller. Despite the flurry of digital ink spilled over him, most critics seem to be left scratching their heads. Indeed, the entire body of Frank Miller criticism can now… [more]
From the first few pages of Batman #655, “Building a Better Batmobile,” Grant Morrison makes it abundantly clear to his readers that this is not your typical Batman story, nor should it be read like… [more]
Let’s talk death.
A word of advice before going into this series: ignore the “Death of Spider-Man” banner at the top and you’ll be just fine.
In the previous installment of “Stan Lee, Presented,” I argued that Stan Lee had functioned as a “truly creative editor” during his tenure as editor/writer at Marvel Comics.
We’ve previously looked at The Fever of Urbicande‘s prologue (and some of that prologue’s implications), as well as chapters one, two, and three (in two parts). This time, we’ll begin to look at chapter four,… [more]
After a successful premiere at the Napa Valley Film Festival, Warren Ellis: Captured Ghosts is now screening worldwide! If you’re a fan of Warren Ellis and live within driving distance of any of the below… [more]
Sequart & Respect’s Chris Claremont Kickstarter campaign has entered its final days, and two exciting donation reward levels have been added: Would you like to ask Chris Claremont a question and have it possibly end… [more]
Superman Annual #11 is a comic that stands as a classic for all the right reasons.