Sequart Content Tagged:
Will Eisner
Magazine content related to Will Eisner (page 1 of 2)
The Lost Work of Will Eisner Adds to an Impressive Legacy
Available now from Locust Moon, The Lost work of Will Eisner gives us a glimpse into the evolution of both an artist and a medium. The collection presents two strip-based comics runs from the master… [more]
Frank Miller’s Daredevil Saga, Part 2: Enter Elektra!
Frank Miller’s most iconic creation at Marvel Comics makes her debut; and will Daredevil save Bullseye, and should he? [more]
Great Jimmy Corrigan: An Analysis of Comic Book Techniques Featured in the Acclaimed Graphic Novel
It is always comforting when one stumbles upon a comic that is less advertised than those seen at the LCS. It is a time when one purchases a book that’s only source of marketing has… [more]
Breaking the Silence: How Comics Visualize Sound
Of all the elements defining comics, the most paradoxical is that it is a silent medium that nonetheless has sound represented. Comics are in the peculiar position of needing to imply sounds through images, making… [more]
Don’t Ignore the Art: Reviewing and Commenting on Comics, Part 1
What’s the difference between a comic book and a novel? The answer seems pretty obvious, doesn’t it? Yet, it still confounds me to no end that someone will take the time to write a review… [more]
F.J. DeSanto on Will Eisner
I was speaking with director (and Sequart alum) Patrick Meaney about our Will Eisner Week plans, and he said, “You guys should hit up [Grant Morrison: Talking with Gods and Warren Ellis: Captured Ghosts executive… [more]
Making Love the Will Eisner Way: Intercourse Discourse in A Contract with God
In Will Eisner’s Contract with God, sex is is a struggle for power. [more]
The Long Influence of Will Eisner
In any medium there are great, influential works that no one actually partakes of. In film this mantle falls on the shoulders of directors like Carl Theodor Dreyer, Fritz Lang, and Abel Gance. They made… [more]
Writing About Comics the Will Eisner Way
In 1985, decades after his first comic book, Will Eisner wrote Comics and Sequential Art, his treatise about how comic books work. The first of three books (Graphic Storytelling and Visual Narrative and Expressive Anatomy… [more]
A Brief History of the Spirit
Many articles have been written about The Spirit, but the best man to recount his origins was his creator. “When we started,” Will Eisner told The Comics Journal in one of the many interviews he… [more]
Sing Me a Sweet Song: Eisner’s Tragic Love Triangle
The lamentable times we find ourselves in are rife with class disparity and injustice. The rich get richer, the poor get poorer, and cheap, ambling diatribes against these injuries grow more and more cliché. The… [more]
Will Eisner and the Ethics of Care
Remembering Will Eisner – and borrowing from Michael Chabon – Art Spiegelman said that the Jews have always been known as the People of the Book, but now they were also the People of the… [more]
“A Will Eisner Reader”: Your Introduction to a Master
To me, he’s always “Mr Eisner”. I’m sure he would have told me to call him “Will”, but something in my upbringing would have prevented me from being so informal. He could just as easily… [more]
Frimme and His God: Eisner’s Meditations on Suffering
Will Eisner, like Walt Disney or Orson Welles, is a household name in his field of expertise. He pioneered his work with such love and dedication that few have contested his reputation as the man… [more]
To the Heart of Will Eisner
Some of you may remember that back in January, when I first started writing this weekly column, we conducted a poll of Sequart contributors who ranked the greatest works and most important creators in comics… [more]
It’s Will Eisner Week!
This week is the sixth annual Will Eisner Week, in which the Will and Ann Eisner Family Foundation helps organize events promoting the late and legendary comics creator, as well as the comics medium and free… [more]
On Canons, Critics, Consensus, and Comics, Part 3
This week marks the final installment of our search for a comics canon. As I mentioned in the first column, I recently conducted a survey of the people who contribute to Sequart. A total of 25… [more]
On Canons, Critics, Consensus, and Comics, Part 2
As I explained in last week’s column, I recently asked my fellow Sequart contributors to answer the following question: “What are the 10 greatest works in the history of the comics medium, and who are the… [more]
1986: Will Eisner on Old Age (Part 2)
In the final issue of Will Eisner’s Quarterly, published in 1986, Eisner wrote and drew three comics stories that each deal with a protagonist in the last decades of his life. In the previous installment,… [more]
1986: Will Eisner on Old Age (Part 1)
Towards the end of The Hunger Dogs, Jack Kirby, a longtime veteran creator of comics, turned his attention to the oldest members of his cast: the evil Darkseid, who is finally toppled from power, and… [more]
1986, The Year That Changed Comics: Introduction, Part 2
Over the course of the coming months, Sequart will be serializing chapters from my forthcoming book, currently titled 1986: The Year That Changed Comics, here on their website.
1986, The Year That Changed Comics: Introduction
In discussions of graphic novels, three works that are regularly cited as landmarks of the medium are Alan Moore and Dave Gibbons’s highly acclaimed Watchmen, Art Spiegelman’s Pulitzer Prize-winning Maus, and Frank Miller’s Batman: The… [more]
Life on Another Planet: Because the Options Here Don’t Look Great
The notion of discovering intelligent life on another planet and discovering new worlds in space might initially seem to be an exciting field of exploration rife with optimism.