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Analytic articles, whether historical or literary, scholarly or popular. Views expressed are not necessarily those of Sequart.

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39514The Older Generation’s Farewell: The Hunger Dogs (Part 1)

To examine how comics changed in 1986, we should begin by looking at what comics were like in 1985.

27“By Demons Driven!”: Alan Moore’s Swamp Thing, Issue #27

Saga of the Swamp Thing #27 “By Demons Driven!” Cover date: August 1984. Writer: Alan Moore. Penciller: Steve Bissette. Inker: John Totleben. Letterer: John Costanza. Colorist: Tatjana Wood. Cover: Steve Bissette and John Totleben. Editor:… [more]

mega-city-one-from-dredd-2012Building a Better Dredd: The Smart Narrative Choices of Dredd

Earlier, we discussed how Dredd is faithful to its source material, to the extent that it could be described as a violent morality play. Today, I’d like to discuss the film’s narrative choices, because I… [more]

john--stewart-green-lantern-538730_201_300Afrofuturism as an Extension of the Black Arts Movement

The term Afrofuturism was coined in 1995 by cultural critic Mark Dery in his essay “Black to the Future.”

image 1Meet the Magus 9, Gods and Demons: From Hell Part I

In subject matter, history, and art style, From Hell stands apart from other works written by Alan Moore, but that hasn’t made it obscure, rather notorious.

Image-Youngblood 1 CoverSharpening the Image: Rob Liefeld’s Youngblood, the Man and the Comic that Started It All (Part 2)

While one certainly should not judge a book by its cover, applying this adage to the cover of a comic book can be problematic.

ST26a“A Time of Running”: Alan Moore’s Swamp Thing, Issue #26

Saga of the Swamp Thing #26 “A Time of Running” Cover date: July 1984 Writer: Alan Moore. Penciller: Steve Bissette. Inker: John Totleben. Letterer: John Costanza. Colorist: Tatjana Wood. Cover: Steve Bissette and John Totleben.… [more]

twoOn the Ethics of How and Why Hank Pym Created a Wasp (Part 2)

By design and chance, Tales to Astonish #44 had presented a fledgling romance between Pym and Van Dyne which had the potential to constantly and plausibly generate both conflict and reconciliation over and over again.… [more]

JLA: Heaven's LadderOn Mark Waid and Bryan Hitch’s JLA

With Grant Morrison’s departure from JLA in 2000, DC made the absolute best decisions possible for the title’s new creative team. As writer, DC chose Mark Waid. Waid had written Kingdom Come (which had inspired… [more]

41986, The Year That Changed Comics: Introduction, Part 2

Over the course of the coming months, Sequart will be serializing chapters from my forthcoming book, currently titled 1986: The Year That Changed Comics, here on their website.

Flex_Mentallo_Vol_1_3Grant Morrison’s Day-Glo Years: Flex Mentallo, Part 3: “Dig the Vacuum”

Issue 3 of Flex Mentallo brings us into the “dark age” of super-hero comics, starting with the Dark Knight parodying cover, which even features faux autographs from the creators.

one creatureOn Stan Lee and H.E. Huntley’s the Wasp and Ant-Man (1963 to 1966)

Suddenly, Ant-Man’s wife was dead.

Justice League of America #71 (May 1969)On Denny O’Neil and Dick Dillin’s Justice League of America

While many celebrate Gardner Fox’s inaugural run on Justice League of America, comparatively few appreciate the run that immediately followed it: that of Dennis “Denny” O’Neil and penciler Dick Dillin (who had illustrated Fox’s final two… [more]

batman_kaneBill Finger, Batman, and the Future of America

New York City, 1938. A young cartoonist named Bob Kane is attending a party where he serendipitously crosses paths with a fellow Dewitt Clinton High School alumni by the name of Bill Finger. Kane had… [more]

Image-Youngblood LiefieldSharpening the Image: Rob Liefield’s Youngblood, the Man and the Comic that Started it All

By many accounts, it was Rob Liefield who initiated talks about forming Image Comics and encouraged other rock star artists of the late 1980s and early 1990s into breaking away from the mainstream to form… [more]

ST25a“The Sleep of Reason”: Alan Moore’s Swamp Thing, Issue #25

Saga of the Swamp Thing #25: “The Sleep of Reason” Cover date: June 1984 Writer: Alan Moore. Penciller: Steve Bissette. Inker: John Totleben. Letterer: John Costanza. Colorist: Tatjana Wood. Cover: Steve Bissette and John Totleben.… [more]

eight repititionX-Men #1-19 by Stan Lee, Jack Kirby, et al (1963-66), Part 2

In the wake of their first public appearance, the X-Men appear to have been briefly embraced by the American people. Having defeated Magneto’s attempt to seize the U.S. military base of “Cape Citadel”, Cyclops and… [more]

Super Powers V2 #6On Super Powers (second series), by Paul Kupperberg and Jack Kirby

The six-issue, second Super Powers mini-series from 1985, written by Paul Kupperberg, penciled by Jack Kirby, and inked by Greg Theakston, has been almost completely ignored by critics.

Dark Knight Returns1986, The Year That Changed Comics: Introduction

In discussions of graphic novels, three works that are regularly cited as landmarks of the medium are Alan Moore and Dave Gibbons’s highly acclaimed Watchmen, Art Spiegelman’s Pulitzer Prize-winning Maus, and Frank Miller’s Batman: The… [more]

Flex Mentallo 02Grant Morrison’s Day-Glo Years: Flex Mentallo, Part 2: “My Beautiful Head”

Each issue of Flex Mentallo is loosely aligned with an era of comics, and the second issue takes us into the Silver Age. The Silver Age was notable for crazy experimentation

Another Suburban Romance 04Meet the Magus, Part 8: Transforming Perception in Another Suburban Romance

Quite a few of Moore’s works don’t merely feature transformative themes but display a capacity for transformation themselves. By taking on new forms, they lead what could be described as parallel or alternate lives.

X-Men 01X-Men #1-19 by Stan Lee, Jack Kirby, et al (1963-66), Part 1

In a profoundly reactionary society, even a gentle and sincere challenge to the status quo can be read as a significant marker of dissent.

The Weird #2On The Weird, by Jim Starlin and Bernie Wrightson

The 1988 four-issue mini-series The Weird — written by Jim Starlin, with art by legendary comics artist Bernie Wrightson and inks by Dan Green — isn’t told from the Justice League’s point of view. Rather,… [more]

Image Founders 2007Sharpening the Image: Introduction

Comic readers from Gen X and (older members of) Gen Y remember 1992 as a sort of zeitgeist for comics.  Change was in the air in all strata of the field

24c“Roots”: Alan Moore’s Swamp Thing, Issue #24

Saga of the Swamp Thing #24: “Roots” Cover date: May 1984. Writer: Alan Moore. Artists: Steve Bissette and John Totleben. Colorist: Tatjana Wood. Letterer: John Costanza. Cover: Tom Yeates. Editor: Len Wein.