Unlike the first double-sized issue of Ultimate Spider-Man, the second and third issues move at a much slower clip. At the end of Ultimate Spider-Man #2, Norman Osborn tells his scientists that he is testing… [more]
Continued from last week. Laughter can be used to reveal prejudice before the mind has the chance to stifle it. But the Millar of the period gave no sign that he disapproved of his own heartless… [more]
We’ve begun discussing chapter ten, the conclusion of Book One (parts one, two, three, and four), of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter.
Since its onset, Robert Kirkman’s Walking Dead comic book series has focused on the survival of one man, former police officer Rick Grimes, and the group of people he keeps company with. Starting with Walking… [more]
Most Superhero comics are based around two things: character-based drama and fight scenes. Many even forgo the former for the latter, under the horrible impression that they’re the same thing. This is in part due… [more]
It’s a rare thing to watch a reality in the process of its own formation. It’s like observing a building being created row by row: block by block. But in this case it’s more like… [more]
Continued from last week. But Millar’s work for Fleetway often went far beyond casual, unthinking sexism. As the months passed and the examples of this piled up, he gave every impression of being a died-in-the-wool misogynist.… [more]
We’ve begun discussing chapter ten, the conclusion of Book One (parts one, two, and three), of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter.
I hated it. There, I said it, and like an alcoholic (“My name is Chris and I have a problem”), it feels good to get it off my chest. When I opened up the pages… [more]
The construction motif returns on page one of this issue as Metalek attacks Metropolis and destroys a tenement building in the process. Metalek is an artificial intelligence that looks like construction equipment and was first… [more]
Investigating the corpus of Gaiman’s literary contributions draws fruitful results when contemplating his creative process. Earlier works often foreshadow later ones, the latter being throwbacks to ideas at their genesis, now fully developed theses. American… [more]
Ultimate Spider-Man #1 is one of the most important comics issues of the 21st century. The series was the brainchild of Marvel publisher Bill Jemas, who wanted to create a Marvel universe that was accessible… [more]
Continued from last week. The image of Millar as a tykish, daring and promising newcomer was wearing through by the end of 1992. What had at first seemed like boyish ambition, conspicuous potential and a novice’s… [more]
We’ve begun discussing chapter ten, the conclusion of Book One (parts one and two), of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter.
Previously we looked at Tyrant’s letter pages, issue one, issue two, issue three, and issue four. Steve Bissette’s Tyrant leaves us with more questions than it does answers. The series came to a crashing conclusion with… [more]
Continued from last week. Despite years of cold shoulders and rejection letters, Millar’s determination to write for the major players in the American comics industry never seems to have wavered. In particular, he continued to long… [more]
We’ve begun discussing chapter ten, the conclusion of Book One, of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter.
In issue number 301 of The Comics Journal, there are articles critiquing two major spiritual works in the graphic tradition. One of these works is R. Crumb’s Book of Genesis, the other Dave Sim’s Cerebus. While the latter… [more]
After taking an issue off to visit Earth 23 and President Superman, Morrison returns the narrative back to Maxim Zarov (also known as Nimrod the Hunter) who was last seen killing a T-Rex at the… [more]
Through the Sandman, one recurring theme endures that tempers the fantasy offered by Gaiman and his titular protagonist. This is deconstructing the fantastic and popularizing ancient tales into pedestrian tongues. He is contextualizing tales culturally… [more]
Continued from last week. The Spider wasn’t the only long-unseen British superhero to be radically reworked by Millar in Vicious Games. He also briefly laid claim to Tri-Man, who’d been a far more conventional example of the… [more]
We’ve previously introduced Miracleman and discussed all but the final chapter of Book One. We now continue this critical examination with chapter ten (written by Alan Moore, illustrated by Alan Davis) of this celebrated but long-unavailable series that… [more]
Walking Dead #20 opens with Rick Grimes and his group of survivors in unfamiliar territory. For the first time in the series’ short history, the group has emerged victorious when faced with circumstances that threatened… [more]
Previously we looked at Steve Bissette’s most experimental issue of Tyrant. The final published issue of Tyrant opens with yet another spectacular nature drawing. Steve Bissette draws the rocky remains of a riverbed, a trickle of… [more]
Continued from last week. Fifteen months would pass until March 1992′s 2000 AD Action Special and the next of Millar’s superhero stories to see print. A stillborn revamping of the Sixties British superhero The Spider, it… [more]