This is the beginning of a series of articles on classic works of the DC Universe. It is the contention of this series that the DC Universe has been around long enough and has produced… [more]
Death is not welcomed in DC, but occasionally, and fortunately, an opportunity arises to talk about death and its greater significance in the DC timeline.
As Jack Kirby’s The Hunger Dogs draws to its close, the arcs of two of its major characters, Orion and Esak, are resolved, as shown in the previous installment.
Having found his way to “India, land of mystic entanglement” in the hope of having the “Ancient One” heal his hands, the still entirely cynical Strange discovered that magic really did exist.
Previously, we’ve discussed and dismissed the charges that Alan Moore or Grant Morrison ripped off anyone in any serious way. We next discussed the timeline of Grant Morrison’s career, including his hiring at DC. We… [more]
There is a growing confusion of what to make of the archetypal Hero / Villain dichotomy in the postmodern world.
Saga of the Swamp Thing Annual #2 “Down Amongst the Dead Men” 1985. Writer: Alan Moore. Artists: Steve Bissette & John Totleben. Editor: Karen Berger. Colorist: Tatjana Wood. Letterer: John Costanza.
Who’d pitch a character such as Steve Ditko and Stan Lee’s Doctor Strange to one of the Big Two today?
Last time, we discussed the anxiety of influence and the silliness of thinking that Moore ripped off Superfolks or that Morrison ripped off Moore. This time, I’d like to look at why these charges persist… [more]
In dystopian literature things generally go out with a bang, a revolution, a euthanasia, but not so in Hard Boiled.
For years, the character of Talia Al Ghul was essentially Batman’s version of a Bond-girl.
On November 7th, the latest volume in the continuing saga of Marvel’s Merc with the Mouth hit the shelves with “Marvel Now!” Deadpool #1, and the issue is wonderful.
It’s long been no secret, to those who paid attention, that Alan Moore and Grant Morrison — arguably the medium’s two most influential writers — don’t get along. But it’s been a slow simmer of… [more]
Sometimes I feel the world we live in is a tad boring.
We’ve begun discussing chapter eight (parts one, two, three, four, and five) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we conclude our exploration of that chapter.
The obvious choice for me this week, in my unending and inane quest to compare everything that happens in my life or in my brain to something I’ve seen happen in a comic, would be… [more]
Imagine being back in elementary school, wearing a well-loved shirt with a classic 1940-esque Batman symbol.
The last son of Krypton is alone.
Saga of the Swamp Thing #30 “A Halo of Flies” Cover date: November 1984. Writer: Alan Moore. Artists: Stephen Bissette and Alfredo Alcala. Colorist: Tatjana Wood. Letterer: John Costanza. Editor: Karen Berger.
We’ve begun discussing chapter eight (parts one, two, three, and four) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter.
It’s Saturday, Halloween weekend in New York City, and I’ve elected to stay inside all day and write about super-heroes.
Many of our comic book heroes are orphans.
Spot. The Spot.
As we have seen, in The Hunger Dogs, the graphic novel in which Jack Kirby resolved his “Fourth World” saga, Kirby’s optimistic vision of the early 1970s turned dark and ominous.
We’ve begun discussing chapter eight (parts one, two, and three) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter. (We’ve also previously introduced Miracleman and discussed chapters one, two, three, four, five, six, and seven, as well… [more]