I’ve wanted to watch a live-action Green Lantern movie ever since I was ten years old, so to say that I was excited for this film is a gross understatement.
In which we continue our look, begun here, at the first year of the Batman’s existence.
Assuming we recognize the very real and pressing need for a comprehensive digital comics policy, several issues still remain that must be solved, before we can envision what such a policy would look like.
We all know it’s the future. We all know we’re behind the gun. Playing catch up. And scared. But we’ve been here before.
Since DC has publicly stated that its line-wide relaunch is partially to increase the diversity of its line, it’s worth asking how the relaunched titles stack up in this regard, including some hard quantitative analysis… [more]
Beyond its super-hero offerings, DC’s relaunch includes its “dark” magic titles, which incorporates some Vertigo characters into the DCU, and also a few non-super-hero, non-supernatural titles. How do these stack up, as part of an… [more]
In addition to its more obvious “big guns,” DC’s relaunch includes a bunch of other super-hero offerings, including a promising new Aquaman series, new WildStorm-based titles such as Stormwatch, and many more. We’ll examine each here.
Unless you’re hiding under a rock, you’ve heard that DC is relaunching its entire super-hero line, including venerable mainstays like Action Comics and Detective Comics, in the wake of the company’s Flashpoint crossover.
What does it mean when you take the most successful disabled character in comics and reverse her disability?
The Bat-Man was not a bad-ass. He was an idiot.
We’ll talk of the value of Geoff Johns and Andy Kubert’s Flashpoint #1 solely in the context of a superhero comic at another time, but it’s worth saying in passing that it’s in many ways a… [more]
What are we to make of the hero and his alter ego in “The Mighty Thor and the Stone Men from Saturn,” from August 1962?
Know thy enemy. It is a long-standing idiom and one that is well-practiced by mainstream comics, most specifically the super-hero genre.
Tim Callahan’s recent “When Worlds Collide” column has me thinking about anthologies.
When he created the X-Men, Charles Xavier’s primary mission, in the short term, was to create a safe haven for mutants. In the long term, his goal was to create a perceived perfect world where… [more]
The edition of Sounds magazine dated 31 March 1979 saw the publication of Alan Moore’s first instalment of Roscoe Moscow in “Who Killed Rock n’ Roll?” Unlike Maxwell the Magic Cat, which is largely composed of self-contained joke strips, Roscoe… [more]
Father’s Day is a sacred date when fathers can suspend their tool belts on racks and kick up their feet. It is a celebration, and a thank you, for all the things our fathers do… [more]
Eight months ago, in a Wizard Universe article / interview, we read the following words:
“Oh, he’s fast, the archer is! Fast hands, fast feet…yes, and a bit angry, too! His is an independent soul—he’s pioneer material, like Wild Bill and Wyatt, he’s not about to be pushed—by anyone!” —Green… [more]
If he was only ever known for his famous run of 75 cover collages for Neil Gaiman’s Sandman, Dave McKean would still be an important name in comics. These groundbreaking works introduced McKean’s inventive, mixed-media… [more]
Crime, as simply defined by Wikipedia: 1. An action or an instance of negligence that is deemed injurious to the public welfare or morals or to the interests of the state and that is legally… [more]
He is portrayed in one form or another in all mythological writing, classic literature, movies, television, and even comic books. He appears in Marvel Comics as Mephisto. He plagues the DC Universe as Lucifer Morningstar.… [more]
How did Lex meet that girl Kitty anyway? Or that widow Gertrude? And what exactly was he up to for five years?