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Tyrant Issue One: Knock Knock
The first issue of Tyrant, Steve Bissette’s short lived fictional biography of a T-Rex, came out in September of 1994. The series was published by Bissette’s own company, SpiderBaby Grafix. The story lasts 21 pages,… [more]
“The Parliament of Trees”: Alan Moore’s Swamp Thing #47
Swamp Thing #47 “The Parliament of Trees” Cover date: April 1986. Writer: Alan Moore. Artists: Stan Woch and Ron Randall. Colorist: Tatjana Wood. Letters: John Costanza. Editor: Karen Berger. This issue opens with the first… [more]
“The Evil was the Act of Violence…”: Shameless? Part 15
Continued from last week. Millar’s preference for deconstructing genre can at times make for routine and predictable comic books. For those who’d prefer more of close observation, ambition and innovation, and less of the bare bones… [more]
Is Superman Still Relevant in a Postmodern World?
Superman. The name alone conjures up images of capes flapping in the skies over thriving metropolises, walls exploding as a rock-hard fist punches through them, and criminals quaking in fear before a hulking mountain of… [more]
Deconstructing the Deconstructions: Hyper Drama and Realism in Superman: Secret Identity
Part of the essence of the superhero genre lies in hyperbole; by this I mean to say that in a superhero “story” (here referring to the output of Marvel, DC and they many succors and… [more]
Humanity, Heroism, and Action: Grant Morrison’s Action Comics #6
The Anti-Superman Army that was teased at the end of the previous issue appears at the beginning of this issue. It appears that the Dealmaker from the first issue (who has popped up a few… [more]
The Last Days of Superman
Superman might be the world’s most popular superhero. He’s also among the most difficult to write. Through the years we’ve seen Superman travel through time, endure the heat of the sun, and perform so many… [more]
1986: D.P.7 — Group Therapy for Superhumans
In 1986, twenty-five years after the publication of Fantastic Four #1, which launched the modern Marvel Universe, Marvel editor in chief Jim Shooter introduced a new fictional reality in Marvel Comics, the New Universe. This… [more]
Superman’s Rejection of American Exceptionalism
In February of 1940, Superman ended World War II and prevented the future Cold War altogether through flying around the world by capturing both Adolf Hitler and Josef Stalin and delivering them to international authorities… [more]
“The Flat Earth Was Round”: Shameless? Part 14
Continued from last week. Where religion’s concerned, there’s nothing but Catholicism to be seen in The Saviour. Not only is there no mention of any other form of Christianity, but there’s not a hint of… [more]
On “How Superman Would Win the War”
One of the best Superman stories – and probably one of the most important super-hero stories ever told – is also one of the shortest. What’s more, the story didn’t appear in a Superman comic;… [more]
When the Present Makes Contact with the Past: Comic Adaptations and Translations of Medieval and Early Modern Sources
In past papers at the Plymouth State University Medieval & Renaissance Forum, I have advocated for the use of comics in the classroom in spite of the fact that this is a relatively modern and… [more]
The Hero Moral Code
For more than 50 years, Spider-Man has abided by one of the comic book world’s most famous mantras, “with great power comes great responsibility.” This saying was born from the moment when Spider-Man, aka his… [more]
Introducing Steve Bissette’s Tyrant: The Letter Pages
Steve Bissette’s Tyrant should have been a classic. His phenomenal art, solid writing and fascinating concept might well have led to what comic critics would have cited as essential reading. Circumstances, however, prevented this. The… [more]
“Revelations”: Alan Moore’s Swamp Thing #46
Swamp Thing #46 “Revelations” Cover date: March 1986. Writer: Alan Moore. Artists: Stephen Bissette and John Totleben. Colorist: Tatjana Wood. Letters: John Costanza. Editor: Karen Berger. As noted on the cover of this issue, the… [more]
Absolutely Puerile?: Shameless? Part 13
Continued. But more than anything else, Millar’s depiction of a demon-dominated Catholic Church was a playful, and often deliberately silly, reflection of his personal experiences and tastes. Few comic book writers have ever focused upon… [more]
Miracleman, Chapter 9: The Mentality of Big Ben
We’ve begun discussing chapter nine of Alan Moore’s Miracleman (parts 1, 2, and 3), illustrated by Alan Davis. Today, we continue our exploration of that chapter.
Humanity, Heroism, and Action: Grant Morrison’s Action Comics #5
Smack in the middle of the first story arc, the narrative shifts to the past for a tale about the rocket that brought baby Kal-El to Earth. Morrison promised in the supplemental material to issue… [more]
Imperialistic Themes in the Galactus Triology
The first appearance of the cosmic entity Galactus in Fantastic Four #48 in 1966 is marked by a simple, yet ominous declaration: “This planet [Earth] shall sustain me until it has been drained of all… [more]
1986: The British Invasion, Part 3: Neil Gaiman & Swamp Thing
One of the most important effects that Alan Moore had on the history of comics was triggering the entrance of Neil Gaiman into the medium. Gaiman had given up reading comics when he was sixteen… [more]
On Marshal Law: The Deluxe Edition, by Pat Mills & Kevin O’Neill
There’s no better advert for the costumed crimefighter comic than Pat Mills and Kevin O’Neill’s Marshal Law. Acclaimed for its superhero-loathing vitriol, it’s also the proof of how malleable and vital the genre can be. In… [more]
Jack Kirby Vs. Arthur C. Clarke: A Tale of Two 2001 Continuations
Having introduced Jack Kirby’s 2001, looked at his adaptation of the film, and looked at the first few issues of his continuation, let’s look at his continuation of that film — and how it contrasts… [more]
The Optimism of Colonel Daniel Dare (Part 2 of 2)
Continued from earlier today. Hampson released more than just a little of that accumulated despair and tension as Eagle moved into its second calender-month of publication.With a modest smile and the characteristic arcing of a… [more]
Anxiety & Optimism in Frank Hampson’s Dan Dare
There are very dark things going on here. From the perspective of 2012, it can be hard to grasp just how challengingly bleak the set-up of the first month of Frank Hampson’s Dan Dare was.… [more]