Continued from last week. It would take Millar almost a decade to develop a style that was as controlled and effective as his ideas were consistently intriguing. The first substantial evidence of this would appear… [more]
We’ve previously looked at Warren Ellis’s overall realistic worldview and how this is reflected in the revisionism of his much-celebrated 1999-2003 period. We now turn to his work at Marvel from 2004-2010.
If there was ever a time more confusing in relation to comic books it was the ’90s. I was born in 1988 and grew up a child of the ’90s, a product of a pop… [more]
On page 1, panel 1, the first dialogue in the comic goes to real estate developer Glen Glenmorgan says, “and it’s a done deal! How about a drink to celebrate this turning point?” to a… [more]
Comics are analogues of reality, and paint in fantasy tales more compelling than the real world conflicts they are based on. Saga overwhelms the reader with a terrible level of detail, capturing conflicts ranging from… [more]
Swamp Thing #42 “Strange Fruit” Cover Date: November 1985. Writer: Alan Moore. Artists: Stephen Bissette, John Totleben and Ron Randall. Colorist: Tatjana Wood. Letters: John Costanza. Editor: Karen Berger. This issue serves to conclude the… [more]
Continued from last week. “Why are they so obsessed with continuity? A story is a story – nothing more, and yet people want to know which Earth Watchmen takes place on.” (*1) The adolescent Millar… [more]
For years now, the problem that all Superman writers must face is how to show the heroism and humanity in the world’s most powerful and recognizable hero. Prior to the New 52, Geoff Johns and… [more]
Finalizing the Doll’s House narrative plot, Neil Gaiman’s celebrated Sandman series concludes the first twenty issues with four limited one shot arcs, both harkening back earlier tales and looking forward to future ones. So far… [more]
In many of the great comics of the year 1986, their creators were examining the medium and the genre in which they were working and their histories, critically reevaluating them and redefining them for a… [more]
Continued from last week. From the middle of the Eighties to the decade’s end, the teenage Millar’s preference appears to have been for the breed of super-hero comics associated with the label of deconstruction. The… [more]
In an interview for Warren Ellis: Captured Ghosts, Ellis recounts how some comics fans, in the wake of 9/11, expressed the wish that Superman were real, so he could have prevented such a devastating tragedy.… [more]
Death – Death – Death comes sweeping down – Filthy death, the leering clown. Death on wings, death by surprise, failing evil from worldly eyes. Death that spawns as life succumbs, while death and love,… [more]
With the advent of newer technologies and advanced AI, humans are being systematically phased out from everyday life. This is the machinist’s nightmare: to be replaced by the very things they fabricate and build. What… [more]
Swamp Thing #41 “Southern Change” Cover date: October 1985. Writer: Alan Moore. Artists: Stephen Bissette & Alfredo Alcala. Colorist: Tatjana Wood. Letters: John Costanza. Editor: Karen Berger. Moore and Bissette offer a Voodoo-inspired tale beginning with ‘Southern Change’ in this… [more]
Continued from last week. Only Mark Millar knows which twelve months of his life would most deserve the title of Annus horribilis. But from what he’s said in the press, the years of the late… [more]
We’ve begun discussing chapter nine of Alan Moore’s Miracleman (parts one and two), illustrated by Alan Davis. Today, we continue our exploration of that chapter.
In the last few years, there have been many concerns over the content of comic books. In fact, the concerns are over a wide range of topics from Catwoman being too provocative to that of… [more]
Conventions exist to bring people together, even serial killers. At least that is the spin put on them in Sandman #14: “Collectors.” Those familiar with Gaiman’s catalog can attest to the diversity of his corpus,… [more]
In the final issue of Will Eisner’s Quarterly, published in 1986, Eisner wrote and drew three comics stories that each deal with a protagonist in the last decades of his life. In the previous installment,… [more]
It’s too good a story not to be treated with suspicion. Asked to recall his first comic by Lee Randall of The Scotsman in 2009, Mark Millar declared that he could remember the matter “exactly”.… [more]
We’ve begun discussing chapter nine of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter.
I’ll admit it. I love the new 52 DC Universe. Despite the jarring and sudden nature of its introduction, I have found the new mythology incredibly delightful. However, despite my love of the new continuity,… [more]
It would be hard to refute that Wolverine is the most famous mutant that Marvel Comics has on their X-Men roster. In the last decade, he has been emphasized and serialized in almost every mainstream… [more]