The Magic Behind Batman, Inc.

When Grant Morrison announced his next major arc within the Batman universe, some readers were confused as to why Morrison would have Batman create a corporation of crime fighters. I had known about Batman, Inc. for awhile, but the comments on a recent Yahoo news page were particularly difficult to read. If you look through some of the replies on the comments, you’ll notice a lone defender of the story named “Kyle” who seems to outlogic their hatred and include a bit of his own haterade to prove a point about internet trolls.

As you may have guessed, “Kyle” is me, and here I am still defending Batman, Inc. Not because the story is amazing (it’s only on issue #2, so a quality judgment is a bit early right now), but because the potential for the story is excellent, and I understand what Morrison is going for in this arc.

Allow me to explain.

In “Pop Magic!” — Morrison’s manifesto on how to be a modern magician — the author writes about the power of viral sigils. He writes, “The viral sigil also known as the BRAND or LOGO is not of recent development (see ”Christianity,” “the Nazis” and any flag of any nation) but has become an inescapable global phenomenon in recent years.” He further goes on to write, “The McDonald’s Golden Arches, the Nike swoosh and the Virgin autograph are all corporate viral sigils.”

Essentially, the symbols that are associated with these corporations have certain connotations, feelings, and ideas connected to them. The feelings that one has towards that corporation are summoned forth once they see the symbol. For instance, seeing the McDonald’s golden arches can bring forth feelings of nostalgia for childhood, feelings of hunger, or perhaps feelings of queasiness. By simply observing this symbol (or viral corporate sigil), one can feel a mix of emotions.

Furthermore, McDonald’s (and all commercials in general) markets their brand to convey a feeling of fun and excitement.

EXPERIMENT: Notice how the music, the catchphrase, and the images work in concert to give the viewer an overall feeling of excitement and pleasure that comes with experiencing McDonald’s. Take some time to go through the commercial and think about why the marketing team chose the specific elements of the commercial. Why were certain images chosen? Why “I’m lovin’ it”?

Morrison goes on to explain:

Corporate sigils are super-breeders. They attack unbranded imaginative space. They invade Red Square, they infest the cranky streets of Tibet, they etch themselves into hairstyles. They breed across clothing, turning people into advertising hoardings. They are a very powerful development in the history of sigil magic, which dates back to the first bison drawn on the first cave wall.

The logo or brand, like any sigil, is a condensation, a compressed, symbolic summoning up of the world of desire which the corporation intends to represent. The logo is the only visible sign of the corporate intelligence seething behind it. Walt Disney died long ago but his sigil, that familiar, cartoonish signature, persists, carrying its own vast weight of meanings, associations, nostalgia and significance. People are born and grow up to become Disney executives, mouthing jargon and the credo of a living corporate entity. Walt Disney the man is long dead and frozen (or so folkmyth would have it) but Disney, the immense invisible corporate egregore persists.

With Batman, Inc., Morrison has taken this concept of using corporations as a magic sigil to further an idea to a new level. The comic begs the question, “What if there were a corporation completely dedicated to saving lives?”

Some people have criticized the comic for taking the fun out of Batman, but the idea of Batman, Inc. is inherently fun. A privately funded, super-hero corporation that takes the mythic status of the Batman symbol and presents it for the world to see.

Perhaps the only problem is that the connotations associated with the Bat-symbol are inherently fearful. Take Batman’s role in the Geoff Johns run on Green Lantern. Batman has been selected for the Sinestro Corps because he has the ability to instill great fear. Turning the Batman symbol into a corporation seems a bit strange in this regard, because it states that it is a symbol to be feared. Then again, perhaps that fear is only supposed to be struck into the hearts of criminals who are a superstitious and cowardly lot. Perhaps it brings comfort to those poor, unfortunate individuals who have been afflicted by crime.

In addition to Batman, Inc., the set-up for the corporate magic sigil has roots in Batman: Return of Bruce Wayne, where Bruce travels through time and solidifies the Batman symbol as something powerful and holy. From the cave people who worship the bat to the witch hunters, and Barbatos, Bruce is interacting with people to create a long mythology of the Bat so that once he finally does become Batman, he is something much more. As Dick Grayson describes him, he is a “Bat-God” and more than merely a man in a costume.

Finally, Morrison has stated before (I believe in an IGN article, but I can’t for the life of me find it tonight) that cavemen painted to visualize the outcome of their hunts. So cavemen were essentially using fiction to cast out a spell to effect change into the world. Morrison goes on to say that comics are, in a sense, the same thing to him. By creating a corporate Batman, Morrison is trying to send out his idea of corporations being used for the good of the people rather than profit. Clearly, it’s not meant to be a literal idea of super-heroes in our world, but rather, a figurative idea where corporations don’t have to be strictly for profit.

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ABOUT THE AUTHOR

Cody Walker graduated from Missouri State University with a Bachelors and a Masters of Science in Education. He is the author of the pop culture website PopgunChaos.com and the co-creator of the crime comic NoirCityComicBook.com . He currently teaches English in Springfield, Missouri.

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1 Comment

  1. I think this is a great explanation of what Batman, Inc. is doing (including its potential pitfalls) — and why I continue to be interested in it. It’s a novel take on the Batman concept, and that’s something rare in the last few years (outside of Morrison’s other Batman work). Which is great praise indeed. My only problem so far is that I’m not into the stories themselves… but that might change as time goes on and Morrison’s intent develops.

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