Sequart Content Tagged:

2000AD

Products related to 2000AD

Grant Morrison: The Early Years

Magazine content related to 2000AD (page 1 of 2)

RSS for RSS feed for 2000AD

With Great Power Comes Great Career Opportunities: A Character Study of Grant Morrison and Steve Yeowell’s Zenith

Colin Smith makes some valid points in his article “He’s Not a Super-Hero, He’s Not Even a Very Naughty Boy: The Case Against Grant Morrison and Steve Yeowell’s Zenith”. Zenith isn’t a superhero. That’s the… [more]

Cursed Earth Carlos: In Memoriam of Carlos Ezquerra

I didn’t know Carlos Ezquerra, but I met him once at a con. He autographed the comics I held, and then I moved on and he preceded to do the same for the next hundred… [more]

Review of The Dark Judges: The Fall of Deadworld, Book 1

Writer: Kek-W Artist: Dave Kendall Letterer: Annie Parkhouse Publisher: Rebellion / 2000AD As someone who has gotten into Judge Dredd in his late 20s, I have a lot of opinions that would, undoubtedly, mark me… [more]

Smorgasbord #71: Earthlets and Other Puny Animals

Shawn and Tom dedicate a special episode to talk all things 2000AD: past, present, and future. We discuss their new reprint programs, their attempts to bring back classic comics into their modern area, the problems… [more]

Smorgasbord #67: Gene Simmons v. Richard Simmons

This week, Tom and Shawn bid a sad farewell to the great Adam West, puzzle over Joel Schumacher’s strange apology, compare the triumphant roar of the Black Panther trailer to the pitiful meow coming from Marvel… [more]

Smorgasbord #62: Shawn & Tom Kill the Marvel Universe

Go for broke! The news from the Marvel Retailer Summit have forced Shawn & Tom to discuss at length about all myriad problems Marvel actually have, as opposed to the problems they think they have.… [more]

Smorgasbord #61: Fist of Iron, Feet of Clay

Tom and Shawn call upon their inner chi to give Netflix’s Iron Fist a well-deserved beatdown; Paramount tries to solicit a Pro; Tom discovers that the pratfalls and faux pas of the comics industry don’t… [more]

Smorgasbord #51: Goodbye, Northampton’s Rose

Shawn and Tom consider the legacy of Alan Moore as he prepares to leave comics forever(?); Shawn sings the praises of Outhouser Jude Terror for speaking truth to power; nobody puts Valiant in the corner… [more]

Smorgasbord #34: Cherchez la Femme

Tom and Shawn ring in the new year with movie rumors, a surprise appearance from 2000AD‘s back catalog, and the Angouleme Grand Prix’s questionable grasp of the word “history.” We also review Spider-Man / Deadpool… [more]

The Complete D.R. & Quinch: Alan Moore’s Sci-Fi Fun Time

Like many readers who discovered the world of comics in bookstores rather than comic shops, the works of Alan Moore made an immediate impression on me. He’s a comic book rock star and, undeniably, one… [more]

Portraits In Alienated British Youth Circa 1989-90, Part Six: A “Crisis” Of Faith

The next stop on our tour of British comics focused on disenfranchised teens/twentysomethings in the late ‘80s and early ‘90s brings us to True Faith, a smart, satirical, dare I say sometimes even poignant look… [more]

Grant Morrison, Watchmen, and the Art of the Polemic

In order to criticize a movie, you have to make another movie. —Jean-Luc Godard A few years ago I stopped reading monthly comic books.  It wasn’t an ideological decision—just a reader’s.  Most of the comics… [more]

“To Shoot Every Last Skrull On Earth”: On Skrull Kill Krew #1-5 (The American Superhero Comics Of Mark Millar, Part 41)

Continued from last week. Despite the precipitous collapse and subsequent flatlining of Swamp Thing’s sales in the second half of 1994, Millar’s career at the half-point of the decade still appeared to be in rude… [more]

Phony Beatlemania: Zombies, Nostalgia, and Satire in Al Ewing and Henry Flint’s Zombo: You Smell of Crime and I’m the Deodorant

One of my favorite moments in Al Ewing and Henry Flint’s 2000 AD serial Zombo takes place when the titular character – a half human / half zombie hybrid created by the British government to… [more]

“Our ‘War-is-Fun’ Attitude”: Shameless? Part 37

Continued from last week. Hindsight suggests that Canon Fodder marked the beginning of the end of Millar’s relationship with 2000AD. It was by no means the last of his scripts to appear in the comic,… [more]

“Where’s Canon Fodder?”: Shameless? Part 36

Continued from last week. Though pinpointing exactly when Millar stopped working for 2000AD is an difficult business, he’d most definitely moved onto the American market by the time Canon Fodder returned without him in 1996. With the… [more]

“Bones Gnawed to the Marrow”: Shameless? Part 33

Continued from last week. “I had no idea what I was doing for the most part and just learning how to do very basic stuff then. Only good stuff I’d recommend would be Big Dave (which… [more]

“Two Tickets for My Next Performance”: Shameless? Part 32

Continued from last week. So how did Morrison and Millar use the pages of Big Dave to express their contempt for homophobia? Starting from the premise that their readers were similarly liberal-minded, they studded the strip’s… [more]

“We Were Just Trying to Bring Peace to the Planet”: Shameless? Part 31

Continued from last week. The urge to stereotype Millar’s beliefs in the light of his least liberal scripts is an understandable one. Yet his work is anything but consistent on matters of social justice. As I’ve… [more]

“Bog Off Back to Mars”: Shameless? Part 30

Continued from last week. It’s not that Big Dave is without its pleasures, although the vast majority of them are to be found in Steve Parkhouse’s boisterously dynamic artwork. Though even he couldn’t compensate for the… [more]

“A Few Sandwiches Short of a Picnic”: Shameless? Part 29

Continued from last week. Given the evidence, it would be hard to argue that much of Millar’s work for 2000AD wasn’t worryingly homophobic. The best that might be said of a number of his scripts is… [more]

“He’s Camp as Christmas, but He’s Good as Gold”: Shameless? Part 28

Continued from last week. The debate about the attitudes expressed in Millar’s work towards LGBT issues is hardly a new one. Even as early as 1993, Monaghan’s pseudo-interview with Millar and Morrison in Comic World #18… [more]

A Safe Pair of Hands?: Shameless? Part 27

Continued from last week. Millar’s longest running assignment at 2000AD had been Robo-Hunter, for which he wrote several hundred pages between 1991 and 1993. (*1) Created by writer John Wagner and artists Jose Ferrer and Ian… [more]

“What’s the Point Chief?”: Shameless? Part 26

Continued from last week. Laughter can be used to reveal prejudice before the mind has the chance to stifle it. But the Millar of the period gave no sign that he disapproved of his own heartless… [more]

“Never Trust A Woman… Women Will Eat You Alive”: Shameless? Part 25

Continued from last week. But Millar’s work for Fleetway often went far beyond casual, unthinking sexism. As the months passed and the examples of this piled up, he gave every impression of being a died-in-the-wool misogynist.… [more]