Magazine Archives for:

2006

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Crisis from Infinite Tie-Ins (or Are We Facing Crossover Exhaustion?)

When Infinite Crisis was first announced, I was as excited as the next fanboy, eager to see what this would be about and what it would mean for the DC Universe. With a title harkening… [more]

Two Paths To Comedic Enlightenment: Jeffrey Brown & The Langridge Brothers

Jeffrey Brown is best known for his episodic, autobiographical comics about assorted relationships. While the relationships inevitably go down the tubes for poor Jeffrey, he is often able to mine a lot of humor from… [more]

Take the Superhero Test! (or, Excelsior!)

Land ho! It’s once again time to batten down the hatches and weather another installment of Tact is for the Weak, the column that did not buy a pirated copy of Mission: Impossible III from… [more]

Let’s All Laugh At (and With) Lauren Weinstein

Lauren R Weinstein’s GIRL STORIES is a marvelously all-over-the-place collection of stories done over a seven-year period that somehow manages to cohere into one hilariously painful whole. Weinstein accomplishes something remarkable here: writing a book… [more]

A Minicomics World Tour

Time to take a look at the minicomics that have come my way, and it’s quite an interesting and varied assortment from all over the world. There’s historical adaptations, horror, humor and autobio in this… [more]

Lying in the Gutters: Hotwire

With MOME, Fantagraphics tried to put together an anthology that would appeal to sophisticated readers who were open to reading comics but didn’t necessarily know what to buy. A book for those who read GHOST… [more]

Breaking the Code (or, How Mom and Dad are Ruining Your Life)

Aaaaaaaaannnnnnnnd we’re back for a new season! It’s time to reinstate martial law in the land and grab yer shotguns! Hide the children and mark your doors with sheep’s blood! After far too long, Tact… [more]

An Interview with Eric Reynolds, Co-Editor of Mome

SEQUART: What were your original criteria in selecting artists for MOME? REYNOLDS: Really just good cartooning, good storytelling. Also, the idea was that these cartoonists didn’t have a regular venue to publish, although that agenda… [more]

American Thesis #4: Direct Distribution and Comic Book Culture

Direct distribution was a major turning point in the world of comics. It spawned the creation of specialty comic book shops resulting in a culture surrounding the medium, some of the components including conventions and… [more]

Comic Sense #3: The Art of Structure, Part II: Writing

Welcome back to Comic Sense. The first piece in this series discussed composition and its place in the larger context of story structure. This second piece will build on that discussion by exploring how writing… [more]

Sequart.com: A 10-Year Retrospective

Earlier this week, I authored an item about how Sequart is celebrating its ten-year anniversary. I want to use this space to expand on what I said there, giving a fuller accounting of our history.

Mome: Comics’ New Murderer’s Row

Five issues of Fantagraphics’ new flagship anthology, MOME, have been published. I was immensely excited when news of it was announced, because a number of my favorite young artists were to be part of its… [more]

Sequart.com: 10 Years!

Today, Sequart is celebrating 10 years online.

Psycho Icons: Freak Criminals and Super-Villains

“You don’t understand these things because you’re not under the influence of factor x.” Despite what you may think, this is not the deranged taunting of a primary-colored comic book heavy. This is an excerpt… [more]

The Sequart Detective: A Matter of Justice, Part 3

My name is unimportant. What’s important is…I’m a detective. WARNING: Not only does this article contain spoilers for the Justice issues reviewed, it attempts to deduce the plots and mysteries of future issues as well.… [more]

Eric “Von Allan” Julien on Creating His Upcoming Graphic Novel

Von Allan was born red-headed and freckled in Arnprior, Ontario, just in time for Star Wars: A New Hope. The single child of two loving but troubled parents, Von split most of his childhood between their… [more]

The Unmasking of Our Attention Span

It was only a matter of time until someone in the comic industry remembered that outside media hype, in theory, should bring bigger sales. Perhaps they never forgot but simply chose to ignore it in… [more]

Stormwatch, Part 2: Issues #0, 4-5

Yes, it’s late. There have been a number of technical difficulties this month, but I finally bring you the second part of our Stormwatch write-up. Enjoy, and as always, please feel free to comment. This… [more]

Independents and/or Avant-Garde

In the latest issue of l’Eprouvette, a critical review published by l’Association, BD creator Edmond Baudouin provides a retrospective look on his relationship to the medium. Since he hadn’t read much BD, he started in… [more]

Comic Book Retailing Part 4: Creating a Business Plan

Let me begin this column with an apology. I am sorry this is a few weeks late. We remodeled our store and purchased a very large collection from a customer at just about the same… [more]

In the Beginning… #3

Search for a Superman When I started getting into comics, friends began recommending trade paperbacks for me to read. I was told I should read The Dark Night Returns, The Long Halloween, Batman: Year One… [more]

Ultimate X-Men: The Tomorrow People

Ultimate X-Men #1-6 My first experience with the X-Men came in the animated form. I remember many Saturday mornings spent in front of the television watching the X-Men stick it to Magneto and his cronies.… [more]

Could You Just Cover Yourself?

I started off so well with this column. I wrote two in the first month. Now, here I sit, nearly four months since my last piece, trying to figure out if I’m getting senile or… [more]

Reintroducing: Sovereign Seven #2

Sovereign Seven #2 DC Comics August 1995 By Chris Claremont, Dwayne Turner & Jerome K. Moore “The Twelve Chairs” (32 Pages) The first Chris Claremont comic I ever read was X-Men (Vol. 2) #1, published… [more]

The Old Gags Are Best: Milt Gross & Will Elder

Humor is a particular area of interest for me as a writer, and that’s especially true for comics. Indeed, though the medium is capable of addressing any style or genre (as I hope I’ve showed… [more]