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Magazine content related to Joker (page 1 of 2)
“Ladies and Gentlemen, Hobos and Tramps, Cross-eyed Mosquitoes and Bowlegged Ants…” Loving That Joker… But Which One?
I love The Joker. However I’m not oblivious to how problematic that kind of admiration can be. Recently I have had cause to reflect on this even more. Particularly in light of two things. The… [more]
Robert Weiner has either authored or co-edited close to a dozen academic text examining comic books and popular culture. He is also the Popular Culture and Performing Arts Librarian for Texas Tech University Libraries. With… [more]
Remember when The Joker was cool? Do you remember how gratifying it would always be to see him reimagined for a new video game or cartoon? Or better yet, to see him re-adapted for another… [more]
The Joker would be proud. On 13 March, DC Comics unveiled a set of variant covers for title due to be published in June. To mark the 75th anniversary of Batman’s archenemy, each of the… [more]
When I sit down to read a comic or watch a movie, I don’t know specifically what I want. And I think that’s a good thing. [more]
Batman’s co-creator Bill Finger crafted in 32 pages every single tone and approach to his character that would follow in 75 years. Batman #1 is the single greatest Batman comic ever produced. [more]
DC’s decision to essentially relaunch and, therefore, reboot its output three years ago met with as much praise as it did criticism. Despite proceeding in the wake of Grant Morrison’s seven year labyrinthine run, one… [more]
And it’s not that easy. One thing becomes clear as I go about snooping on the Man Who Laughs – you cannot quite ‘come to know’ the Joker. You can read about him, theorise all… [more]
[Note: The following is reprinted from the book War, Politics and Superheroes] Aside from the fact that they are all, effectively, his “subjects,” Batman’s villains are connected to him in an even more visceral, symbolic way.… [more]
In this three-part series, I explore where superheroes fit into popular conceptions of criminal justice in the United States, and the potential for Wonder Woman to help improve those conceptions. This week, I look at… [more]
[Note: The following is reprinted from the book War, Politics and Superheroes] Batman Begins won the support of comic book aficionados across cyberspace as a “traditional” and pitch-perfect portrayal of Batman, while simultaneously providing a… [more]
Simply put: the Joker is the greatest comic book villain of all time. But before I get into the whys, let’s define “great”. The greatest villain doesn’t need to defeat all other villains in a… [more]
I don’t believe in right and wrong. That may sound strange, from a Batman fan; especially strange in the context of The Killing Joke, Alan Moore and Brian Bolland’s prestige-format, psychological and physical showdown between… [more]
In this video, Julian Darius discusses his theory about what happens at the end of Batman: The Killing Joke. For more on Julian’s theory, check out the Bleeding Cool story on it. And of course, you… [more]
The ’80s for comics is something akin to the British Invasion. American Rock-and-Roll saw a exponential boost in popularity when British acts invaded the already well-established scene, bringing with them unique stylistic influences that would… [more]
In the last few years, there have been many concerns over the content of comic books. In fact, the concerns are over a wide range of topics from Catwoman being too provocative to that of… [more]
Recently, I wrote a review on Scott Snyder and Greg Capullo’s Batman #17—the much-anticipated finale for the “Death of the Family” story arc, and I gave it a solid “10.” (I’ll spare the details as… [more]
Well, why doesn’t the Batman simply kill the Joker? You’d think the answer would be obvious. Yet fans the blogosphere over appear quite flummoxed, if not dangerously apoplectic, about the matter. The Joker can’t be… [more]
“The trouble with a mask is it never changes.” – Charles Bukowski
I’m sitting at a little coffee shop in Springfield, Missouri, called the Brown Egg with my comics spread out on the table. As the waitress delivers my pancakes, she remarks, “That looks really cool,” as… [more]
While R.I.P. could be argued to be a game of chess between Batman and Dr. Hurt, the game of dominoes is at the forefront of Batman & Robin.
In the footnotes for the first volume of Batman & Robin, Grant Morrison discusses the strange coincidence of the third issue’s cover resembling an image of the Joker that Brian Bolland had done years previous.
Once the transformation into the Batman of Zur-En-Arrh is complete, the comparisons to the Joker are apparent and numerous.
The most controversial storyline in Morrison’s Batman run, R.I.P. is the psychological destruction of the Dark Knight.