Action Comics #1 is the quintessential comic book. Beyond simply being Superman’s first appearance, the cover is iconic, and it holds the distinction of being the most expensive comic book of all time. If ever… [more]
The ’80s were, hands down, the best time for cartoons. Between Thundercats, Masters of the Universe, G.I. Joe, Transformers, and a plethora of other cartoons that are too numerous to mention here, the ’80s were the… [more]
After Mark Millar left The Authority and Warren Ellis’s Planetary had gone to a more erratic schedule, the WildStorm Universe needed a big name to come in and turn the whole line of comics around. Enter Grant… [more]
The movie version of Kick-Ass received so much press attention that the comic can feel like a footnote. Because the movie was optioned and produced before the series was even complete, it’s easy to feel… [more]
X-Factor #85 (Dec. 1992) — Snikts and Bones — This issue continues X-Factor’s part (Part 6) of the multi-part crossover known as X-Cutioner’s Song. Since last issue, Apocalypse has fought and escaped the X-Men, Cannonball… [more]
There’s a lot of controversy surrounding Grant Morrison’s Batman run. To detractors, it’s just unreadable. This often goes along with ugly comments about Morrison in general: that he’s admitted to being inspired by drugs and that… [more]
The French Connection is back after a long hiatus with the same purpose it had two years ago, to present and review significant bande-dessinées. Previous columns dealt with recent publications, works by Sfar, Trondheim or… [more]
Grant Morrison’s Batman #678 relies heavily on reference to Batman #113 (February 1958), specifically Zur-En-Arrh.
“Bong-Gu” is the Korean word for “fart.” Although my buddy Kevin says it’s actually “Pong-Gu,” which led to a very lengthy discussion about pronunciation. Then we agreed to call the whole thing off. Significance of… [more]
All sorts of different comics to review this time around: THE UNDERBURBS #1-5, by T.J. Dort and Joe Haley. This is a sort of goth/horror parody comic, with the humor coming from playing out the… [more]
Editor’s Note: The irony is thick with this essay. It was written a few days ago, but with news of the DC-related story reported within the past day by The New York Daily News, it… [more]
So, here it is then. After a year of issues (52 weeklies!), we’ve finally reached the end only to find out that it’s time to get on an entirely new train next week. But maybe… [more]
In this article, we’ll be looking at three comics that deal with the life of the mind and the delights & terrors within. First up is Phillipe Dupuy’s HAUNTED, a book that’s part dream journal… [more]
Grant Morrison’s Batman has been courting controversy since it began. Batman has a son? Man-Bats learned ninjitsu? Comics can be full of words instead of pictures?
As much as it fears me to admit this in a geek milieu, I must say I’m not a huge H.P. Lovecraft fan. I will say this about Lovecraft: he seems tailor-made for comics. Inexplicably,… [more]
Believe it or not, Grant Morrison’s “The Clown at Midnight,” published in Batman #663 (Mar 2007), has a lot in common with J.D. Salinger’s final published short story, “Hapworth 16, 1924.” Having crafted The Catcher in the… [more]
You ever get to a point where you’re all, like, “Bah! Comics! Who needs them?” Also, have you ever written something that starts off with a rhetorical question? Because you’re not supposed to do that.… [more]
This summer, hot off the fun of my “debate” with Douglas Wolk about New Avengers, I asked Andrew Gardner, comic fan and intelligent British guy, to begin an e-mail discussion with me about Brad Meltzer’s… [more]
You must have heard, by now, about the high school teacher forced to resign after assigning Eightball #22 to a freshman. If you haven’t read about this fiasco, Heidi covers it pretty well over at… [more]
Batman #668, by Grant Morrison and J.H. Williams III, is an excellent comic book. As the second installment of the three-part “Club of Heroes” story, it expands the story both inwardly and outwardly, creating a… [more]
It’s been said that you can never go back and that yesterday is just a dream. But with the recent publication of Valiant Entertainment’s new hardcover, Harbinger: The Beginning, it’s clear that yesterday is coming… [more]
Batman #666 begins with a Golden Age homage to the origin of Batman, featuring the words “Who He is and How He Came to Be,” just like in that classic Bob Kane story.
When you make your living cutting brand new worlds whole cloth from your personal mental firmament, it takes a special kind of writer to splatter those brain children over twenty-odd pages of cheap newsprint on… [more]