Scott McCloud’s The New Adventures of Abraham Lincoln reads as if it had been pieced together by a team of expert comic-book historians from a great mass of often incomplete and even contradictory notes, sketches,… [more]
I’ve just returned from watching the new film Chronicle, a superhero found footage movie from director Josh Trank and writer Max Landis.
When I was a kid, I remember asking my dad which superhero was his favorite.
Green Lantern #3 makes the Weaponers of Qward the hero’s first repeat villains, as the extra-dimensional villains create an illusion to aid them in stealing Green Lantern’s power battery.
In my last article, I discussed how Watchmen #2 was successful as an individual comic book issue by satisfying the reader with a complete chunk of story.
From the first few pages of Batman #655, “Building a Better Batmobile,” Grant Morrison makes it abundantly clear to his readers that this is not your typical Batman story, nor should it be read like… [more]
With the release of each new issue of Ultimate Comics Avengers 3, I would call up my friend Caleb (fellow contributor to Keeping the World Strange: A Planetary Guide) and we would laugh about how far… [more]
Movie audiences today take super-hero films for granted. This year alone saw the release of five super-hero films, but in 1989, they were far more rare. Yet, here is the little film that could.
Since alternative comics creator Craig Thompson released critically acclaimed Blankets in 2003, little work has been seen from the artist until the recent Pantheon publication of Habibi this past September.
There are few works out there like Cathy Malkasian’s Temperance. A wild story about a town held together by fear of an invading, unnamed, enemy army. Blessedbowl, the society formed around this central lie/plot, is… [more]
Movie theaters in the summer of 2011, like most summers for the past 30-something years, were dominated by films heavy on crowd-pleasing elements, with particular attention to heavy FX content.
Before addressing this controversial comic, let’s establish one thing: anything by Rick Veitch is newsworthy and deserving of better than being written off. Veitch is one of the legends who renewed American comics in the… [more]
I don’t know how to write about this, and I’m extremely nervous about trying to do so. Truthfully, I can’t deny that I’m tempted not to try.
It seems that Geoff Johns isn’t writing scripts anymore so much as lists. And after the fashion of the unassimilable tourist abroad, who believes that the folks around him will understand what he’s saying if… [more]
The right-wing media went apeshit over Peter Parker being replaced by Miles Morales, based on a single seven-page sequence (really its own short story) in Ultimate Fallout #4. Lots of people were perfectly prepared to… [more]
Satires can often times be complicated affairs. Every nuance and hiccup is pondered for its dual meanings. But not all satires are like carnival mirrors, some are accidental and in a manner more revealing than… [more]
On the evidence of Messrs. Hickman and Ribic’s The Ultimates #1, the fundamental concerns of feminism haven’t yet become a matter of public concern and debate on Earth 1610, or (it needs to be said) in… [more]
Even putting the context of DC’s “New 52″ initiative aside, it’s difficult to imagine a situation in which Legion Lost might qualify as even a barely-adequate comic. For it’s such an awkwardly and unhelpfully written book… [more]
Somewhere in your comic shop there is a small section left orphaned. It sits alone, dying like the character Cerebus was fated to: unloved, unmourned and alone. This is the section that is often scary… [more]
Action Comics #1 is a simple story with a simple premise – introduce the character Superman, make the readers care about him, and put him in a dangerous test to set up for the next… [more]
From the deputized FBI agent of the 1940’s movie serials to the gritty, realistic vigilante of Christopher Nolan’s films, Hollywood has portrayed Batman in a variety of ways, but none of the live-action films have… [more]
It’s hard to put into words how silly Justice League International #1 is. On the one hand, it’s written in a style that’s a throwback to the very early 1990s. That shouldn’t be a total surprise:… [more]
Having slammed Justice League #1 so severely in the last week, I feel as if I’d be remiss not to point out how excellent Action Comics #1 is and how it gets right virtually everything… [more]
If Ultimate Comics Avengers was a departure from Millar’s previous Ultimates work, then its sequel goes completely off the rails.
How bad is Justice League #1, written by Geoff Johns and penciled by Jim Lee? It’s virtually a road map for how not to write super-hero comics.