There are all too few moments when it’s as easy to adore Jean-Pierre Filiu and David B’s Best Of Enemies as it is to admire it.
Much has already said about the new series Happy! by Grant Morrison and Darick Robertson. It’s a bit removed from Morrison’s recent comic work, coming off as far darker and sinister than his Action Comics… [more]
Dredd is a far better, smarter, and well-made film than anyone had a right to respect. It gets nearly everything right. It’s visually beautiful, even when disgusting. It’s entertaining. But it’s also disturbing and thought-provoking.… [more]
IDW has recently made a name for themselves by crafting crossovers between the various licensed properties that they produce.
In which the blogger attempts to review Rorschach #1, despite the experience proving a thoroughly enervating one. Visitors should be aware that what follows contains spoilers and, uniquely for this article, a moment or two… [more]
The Dark Knight Rises is not the conclusion to the Dark Knight Trilogy that we deserve, but it is the one that we need right now.
Human beings don’t arrive on the planet Earth until its opening chapter is very nearly over. Yet every single panel of the first book of Larry Gonick’s The Cartoon History of the Universe contains something… [more]
Let me start by saying that I’m glad if you like The Dark Knight Rises. I wanted to. I wrote a book about Batman Begins. I love The Dark Knight, and its ending makes me… [more]
Several comments on Slashfilm’s review of The Amazing Spider-Man stated that, while Marc Webb’s Spider-Man is fine, the Sam Raimi films were infallible.
Have you read David Mazzuchelli’s Asterios Polyp? If not, you should. This graphic novel exemplifies the type of comic that makes excellent use of its visual components and economic use of language
If 2012′s sales figures are to be trusted, today’s hardcore super-hero fans are predominantly reactionary creatures.
May 4th was Avengers day here in the states, and I actually managed to see the film three times in the first 24 hours of its release.
NB: The Zaucer of Zilk is currently being serialised in 2000AD, so please be aware of oncoming spoilers as well as the likelihood that most if not all of my presumptions are entirely misplaced.
Justice League #1-6 Review: Not the Back-Ups, Not All the Filler Art or Teases for Future Storylines
Team books were always a challenge in the old days.
Scott McCloud’s The New Adventures of Abraham Lincoln reads as if it had been pieced together by a team of expert comic-book historians from a great mass of often incomplete and even contradictory notes, sketches,… [more]
I’ve just returned from watching the new film Chronicle, a superhero found footage movie from director Josh Trank and writer Max Landis.
When I was a kid, I remember asking my dad which superhero was his favorite.
Green Lantern #3 makes the Weaponers of Qward the hero’s first repeat villains, as the extra-dimensional villains create an illusion to aid them in stealing Green Lantern’s power battery.
In my last article, I discussed how Watchmen #2 was successful as an individual comic book issue by satisfying the reader with a complete chunk of story.
From the first few pages of Batman #655, “Building a Better Batmobile,” Grant Morrison makes it abundantly clear to his readers that this is not your typical Batman story, nor should it be read like… [more]
With the release of each new issue of Ultimate Comics Avengers 3, I would call up my friend Caleb (fellow contributor to Keeping the World Strange: A Planetary Guide) and we would laugh about how far… [more]
Movie audiences today take super-hero films for granted. This year alone saw the release of five super-hero films, but in 1989, they were far more rare. Yet, here is the little film that could.
Since alternative comics creator Craig Thompson released critically acclaimed Blankets in 2003, little work has been seen from the artist until the recent Pantheon publication of Habibi this past September.
There are few works out there like Cathy Malkasian’s Temperance. A wild story about a town held together by fear of an invading, unnamed, enemy army. Blessedbowl, the society formed around this central lie/plot, is… [more]
Movie theaters in the summer of 2011, like most summers for the past 30-something years, were dominated by films heavy on crowd-pleasing elements, with particular attention to heavy FX content.