From the deputized FBI agent of the 1940’s movie serials to the gritty, realistic vigilante of Christopher Nolan’s films, Hollywood has portrayed Batman in a variety of ways, but none of the live-action films have… [more]
It’s hard to put into words how silly Justice League International #1 is. On the one hand, it’s written in a style that’s a throwback to the very early 1990s. That shouldn’t be a total surprise:… [more]
Having slammed Justice League #1 so severely in the last week, I feel as if I’d be remiss not to point out how excellent Action Comics #1 is and how it gets right virtually everything… [more]
If Ultimate Comics Avengers was a departure from Millar’s previous Ultimates work, then its sequel goes completely off the rails.
How bad is Justice League #1, written by Geoff Johns and penciled by Jim Lee? It’s virtually a road map for how not to write super-hero comics.
Though I typically skew toward hyperbole when I discuss anything, I will do my best to avoid such in this review. So let’s get this out of the way right now: is Justice League the best… [more]
After Ultimates 2, Millar stepped away from the Ultimate universe for a couple of years. During his absence, Jeph Loeb took over forUltimates 3 and while it was a more traditional super-hero story, it still had… [more]
After numerous issues of in-fighting and build up, all of the pieces are in place for Millar’s endgame and he takes the series to its only logical conclusion — America’s arms race backfires. It’s the… [more]
J. Michael Straczynski and Esad Ribic’s Silver Surfer: Requiem is one of the best comics I have read in recent memory.
“Ultimatum”, “Crisis On Infinite Earths” & “Onslaught” & The Thinning Out Of The Superhero Herd A Touch:- “The End Of All Flesh Is Come Before Me”
“Ultimatum” 14. “Ultimatum” was designed to affect an extraordinary culling of super-folks from Marvel’s Ultimate Universe, a somewhat-ailing if still successful component of the companies multiverse. Like “Crisis” and “Onslaught”, it was a project designed… [more]
Volume 2 of The Ultimates (sometimes referred to as Season 2) is not only vastly superior to the first, but I would argue that it is the best work of Millar’s career. It’s a fascinating… [more]
After the first six issues of Millar’s The Ultimates had established the team as a group of celebrity soldiers with little ethical or moral backbone (except for Thor who is considered insane by the others),… [more]
With the ten-year anniversary of Mark Millar’s The Ultimates coming up next year, and with an all new line up of Ultimate books coming from Jonathan Hickman and Nick Spencer later this year, there’s no… [more]
Thor is a glitzy, glossy summer movie. It’s also high camp in the traditional sense: super-serious and apparently blissfully unaware of how utterly ridiculous it is on every level. It may take itself more seriously… [more]
Action Comics #1 is the quintessential comic book. Beyond simply being Superman’s first appearance, the cover is iconic, and it holds the distinction of being the most expensive comic book of all time. If ever… [more]
The ’80s were, hands down, the best time for cartoons. Between Thundercats, Masters of the Universe, G.I. Joe, Transformers, and a plethora of other cartoons that are too numerous to mention here, the ’80s were the… [more]
After Mark Millar left The Authority and Warren Ellis’s Planetary had gone to a more erratic schedule, the WildStorm Universe needed a big name to come in and turn the whole line of comics around. Enter Grant… [more]
The movie version of Kick-Ass received so much press attention that the comic can feel like a footnote. Because the movie was optioned and produced before the series was even complete, it’s easy to feel… [more]
X-Factor #85 (Dec. 1992) — Snikts and Bones — This issue continues X-Factor’s part (Part 6) of the multi-part crossover known as X-Cutioner’s Song. Since last issue, Apocalypse has fought and escaped the X-Men, Cannonball… [more]
There’s a lot of controversy surrounding Grant Morrison’s Batman run. To detractors, it’s just unreadable. This often goes along with ugly comments about Morrison in general: that he’s admitted to being inspired by drugs and that… [more]
The French Connection is back after a long hiatus with the same purpose it had two years ago, to present and review significant bande-dessinées. Previous columns dealt with recent publications, works by Sfar, Trondheim or… [more]
Grant Morrison’s Batman #678 relies heavily on reference to Batman #113 (February 1958), specifically Zur-En-Arrh.
“Bong-Gu” is the Korean word for “fart.” Although my buddy Kevin says it’s actually “Pong-Gu,” which led to a very lengthy discussion about pronunciation. Then we agreed to call the whole thing off. Significance of… [more]