Ancestral Jungles and Voodoo Fears: Evelyn Cream and Race in Miracleman, Chapter 9 (Part 2)

We’ve begun discussing chapter nine of Alan Moore’s Miracleman (parts one and two), illustrated by Alan Davis. Today, we continue our exploration of that chapter.

Sequart Releases The Devil is in the Details: Examining Matt Murdock and Daredevil

Sequart Research & Literacy Organization is proud to release The Devil is in the Details: Examining Matt Murdock and Daredevil, edited by Ryan K. Lindsay. For half a century, Daredevil has been an outsider and… [more]

The Way We Write – A Review

The Way We Write by Rachael Smith centers on the actual band Her Name is Calla from England.  Unfamiliar with the music, I researched the band and found the music to be dense, atmospheric, and… [more]

Marvel NOW! Vs. DC’s New 52

A few weeks ago, back when I started talking about my favorite comics of 2012, I mentioned that I kinda stopped following DC Comics at some point late last year. I said that between the… [more]

Foil Hats and Skin Suits: Examining the Content Concerns of Mental Illness in Villainy

In the last few years, there have been many concerns over the content of comic books. In fact, the concerns are over a wide range of topics from Catwoman being too provocative to that of… [more]

Portrait of a Serial Murderer

Conventions exist to bring people together, even serial killers. At least that is the spin put on them in Sandman #14: “Collectors.” Those familiar with Gaiman’s catalog can attest to the diversity of his corpus,… [more]

1986: Will Eisner on Old Age (Part 2)

In the final issue of Will Eisner’s Quarterly, published in 1986, Eisner wrote and drew three comics stories that each deal with a protagonist in the last decades of his life. In the previous installment,… [more]

Shameless? The Super-Hero Comics of Mark Millar: Part 1, An Introduction

It’s too good a story not to be treated with suspicion. Asked to recall his first comic by Lee Randall of The Scotsman in 2009, Mark Millar declared that he could remember the matter “exactly”.… [more]

Evelyn Cream and Race in Miracleman, Chapter 9

We’ve begun discussing chapter nine of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter.

Analyzing Time in the New 52

I’ll admit it. I love the new 52 DC Universe. Despite the jarring and sudden nature of its introduction, I have found the new mythology incredibly delightful. However, despite my love of the new continuity,… [more]

On the Limits of Adaptation or What Can We Get Out of The Dark Knight Returns Movie?

The year 2012 brought with it something Batman fans, and comics fans in general, have been expecting for years; a large production from distinguished creators starring some well-beloved actors. I am talking, of course, about… [more]

Diagram for Delinquents Update #29: I Want You to Suffer More and More and More and More

Hello supporters and interested parties. It’s been two months since I’ve posted an update, but let me assure you, there isn’t a week that goes by that I’m not working on the film in some… [more]

Ouch, That Hurts: Looking at Torture in 1991′s Weapon X, by Barry Windsor-Smith

It would be hard to refute that Wolverine is the most famous mutant that Marvel Comics has on their X-Men roster. In the last decade, he has been emphasized and serialized in almost every mainstream… [more]

Romantic Reflections in “A Glass of Water”: Morrison and McKean Unplugged

When you do research for a book, you often find yourself searching through the more obscure work of a writer or artist, naively hoping that between all the usual awkward experiments and routine exercises in… [more]

“Fish Story” and “The Curse”: Alan Moore’s Swamp Thing Issues #39 and #40

Swamp Thing #39 “Fish Story” Cover date: August 1985. Writer: Alan Moore. Artists: Stephen Bissette and John Totleben. Editor: Karen Berger. Colorist: Tatjana Wood. Letterer: John Costanza.

The Renaissance Man, The Master Of The World?: One Last Look at the Ditko / Lee Doctor Strange (Part 12)

One recurrent criticism of Doctor Strange as a character is that he’s simply too powerful. A great many writers and fans alike have contended that comic book magic provides him with the tension-destroying ability to… [more]

Miracleman, Chapter 9: “Inside Story”

We’ve previously introduced Miracleman and discussed chapters one, two, three, four, five, six, seven, and eight, as well as the interlude “The Yesterday Gambit.” We now continue this critical examination with chapter nine (written by Alan Moore, illustrated by Alan Davis) of this celebrated but… [more]

What Makes for a Great Joker Story: In Defense of Batman #17

Recently, I wrote a review on Scott Snyder and Greg Capullo’s Batman #17—the much-anticipated finale for the “Death of the Family” story arc, and I gave it a solid “10.” (I’ll spare the details as… [more]

That Cowardly and Superstitious Batman, That Heartlessly Persecuted Joker: On Batman #17

Well, why doesn’t the Batman simply kill the Joker? You’d think the answer would be obvious. Yet fans the blogosphere over appear quite flummoxed, if not dangerously apoplectic, about the matter. The Joker can’t be… [more]

Marvel Now-ish

One of the good things to come of Marvel Comics frankly insane shipping schedule in their latest relaunch scheme is that it allows the poor sideline commenter the chance to quickly appreciate the general trend… [more]

Blind Dates and Broken Hearts: Sequart’s Fourth Single

Sequart Research & Literacy Organization is proud to release its fourth single (or short, standalone book): Blind Dates and Broken Hearts: The Tragic Loves of Matthew Murdock, by Ryan K. Lindsay. Daredevil is perhaps the… [more]

Batman: The Freudian Super-Hero

“I am vengeance. I am the night. I am Batman.” That one is quite possibly one of the most iconic lines from any comic book related medium and is quite possibly the best demonstration of… [more]

Gaiman’s Fortunate Men: A Humanizing Tale of Time Well Spent

The words of John Donne’s Death be not Proud are Neil Gaiman’s badge of honor. “Death, be not proud, though some have called thee mighty and dreadful for thou art not so,” the emboldened meter… [more]

1986: Will Eisner on Old Age (Part 1)

Towards the end of The Hunger Dogs, Jack Kirby, a longtime veteran creator of comics, turned his attention to the oldest members of his cast: the evil Darkseid, who is finally toppled from power, and… [more]

You Just Haven’t Earned It Yet, Baby: On What Made Doctor Strange Unique (The Penultimate Part)

Why would the Ancient One wait until after Strange had confronted Dormammu before rewarding his triumphant student with “new powers”? Perhaps the physical and magical enfeeblement caused by the Dreaded One’s spell had left the… [more]