We’ve begun discussing chapter seven of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter. (We’ve previously introduced Miracleman and discussed chapters one, two, three, four, five, and six, plus the… [more]
Grant Morrison used a variety of experimental techniques during his surrealist run on Doom Patrol. He discusses them here in a clip from the special edition of Grant Morrison: Talking with Gods, now available for… [more]
I live in New York now. New York City, NYC. Which means I need to remember to change that in my bio for the site.
We’ve previously introduced Miracleman and discussed chapters one, two, three, four, five, and six, as well as the interlude “The Yesterday Gambit.” We now continue our examination with chapter seven of this celebrated but long-unavailable series,… [more]
Three years before Alan Moore announced his decision to become a magician and roughly four years before the performance event of The Birth Caul, he collaborated with Oscar Zarate on an unusual graphic novel.
Becoming a monster’s not all bad, or so Stan Lee, Jack Kirby, and Steve Ditko assured us.
We’ve previously examined the road to Christopher Nolan taking over the Batman film franchise, from Batman and Robin through Frank Miller’s “Year One” screenplay. This installment concludes the story, taking us up to Batman Begins.… [more]
Warren Ellis sees the future. He is a comic book writer and cyberpunk philosopher living on the edge of tomorrow.
Lately I’ve been writing about comic books mostly from a mythological sort of angle, either as they pertain to mythological symbolism or how they can be used as real-life lessons the same way a myth… [more]
Fantastic Four: 1234 was written at the tail end of Morrison’s Day-Glo Years, during his brief period writing for Marvel in the early 2000s.
Saga of the Swamp Thing #22: “Swamped” Cover date: March 1984. Writer: Alan Moore. Artists: Steve Bissette and John Totleben. Colorist: Tatjana Wood. Letterer: Todd Klein. Cover: Tom Yeates. Editor: Len Wein.
Human beings don’t arrive on the planet Earth until its opening chapter is very nearly over. Yet every single panel of the first book of Larry Gonick’s The Cartoon History of the Universe contains something… [more]
Let me start by saying that I’m glad if you like The Dark Knight Rises. I wanted to. I wrote a book about Batman Begins. I love The Dark Knight, and its ending makes me… [more]
Scott Porter is best known as an actor from acclaimed series like Friday Night Lights and The Good Wife. But he’s also a big comics fan, particularly of Image Comics.
1. Wherever you look, there he is. And if he isn’t there, well, why not? Because even today in 2010, there’s still something distinctly peculiar about any modern-era superhero comic which appears to bear no… [more]
Several comments on Slashfilm’s review of The Amazing Spider-Man stated that, while Marc Webb’s Spider-Man is fine, the Sam Raimi films were infallible.
Guy Delisle’s travelogue, Pyongyang, takes readers on a journey to a country that has been closed off to the West for years, and instead of dispelling fears of a fascist nation oppressing its people in… [more]
V for Vendetta may well be Alan Moore’s most politically concerned work, and its sci-fi dystopian vision has a decidedly practical edge.
Nothing ever ages worse than a typical product of the moment just before a paradigm shift.
Late 2000 seems, by all accounts, to have been a turning point for the languishing Batman franchise. It was then that both Batman: DarKnight and the live-action Batman Beyond were cancelled, with Warner Bros. focusing… [more]
Artist J.H. Williams III is one of the most innovative and acclaimed comics artists working today.
Here at Comic-Con, our Image Revolution panel seemed to go over well, and thanks to everyone who attended. Special thanks to Marc Silvestri, who was on the panel, for his tremendous support. Top Cow even included… [more]
In the summer of 2011, Spider-Man died.
The Mystery Play is another short-form Morrison work from the “adult comics” era of the early ’90s.
Saga of the Swamp Thing #21: “The Anatomy Lesson” Cover date: February 1984. Writer: Alan Moore. Artists: Steve Bissette and John Totleben (co-penciled by Rick Veitch). Colorist: Tatjana Wood. Letterer: John Costanza. Cover: Tom Yeates.… [more]