Each issue of Flex Mentallo is loosely aligned with an era of comics, and the second issue takes us into the Silver Age. The Silver Age was notable for crazy experimentation
Quite a few of Moore’s works don’t merely feature transformative themes but display a capacity for transformation themselves. By taking on new forms, they lead what could be described as parallel or alternate lives.
The 1988 four-issue mini-series The Weird — written by Jim Starlin, with art by legendary comics artist Bernie Wrightson and inks by Dan Green — isn’t told from the Justice League’s point of view. Rather,… [more]
Jim Valentino is one of the founders of Image Comics and a pioneer in bringing new ideas and storytelling forms to the medium. Here, he discusses the potential of comics and the way that they… [more]
I am not sure how I stumbled across it, as I was so appalled by its content that I chose to quickly navigate away from it in disgust
Comic readers from Gen X and (older members of) Gen Y remember 1992 as a sort of zeitgeist for comics. Change was in the air in all strata of the field
If you browse the web on your smartphone, Sequart.org now has a mobile-optimized version of the site.
Saga of the Swamp Thing #24: “Roots” Cover date: May 1984. Writer: Alan Moore. Artists: Steve Bissette and John Totleben. Colorist: Tatjana Wood. Letterer: John Costanza. Cover: Tom Yeates. Editor: Len Wein.
Don’t print the legend. There was no such thing as an archetypal “Marvel superhero” for the first few years following the publication and unexpected success in 1961 of the Fantastic Four. What would in hindsight… [more]
Like many classic comics from the 1980s onward, JLA: Earth 2 (the 1999 original graphic novel written by Grant Morrison with art by Frank Quitely) plays with comics history in a postmodern way, offering new… [more]
Planetary is one of Warren Ellis’s most beloved and respected series. In this exclusive excerpt from Warren Ellis: Captured Ghosts, series creators Ellis and John Cassaday, as well as fans Joss Whedon and Kelly Sue… [more]
In which the blogger attempts to review Rorschach #1, despite the experience proving a thoroughly enervating one. Visitors should be aware that what follows contains spoilers and, uniquely for this article, a moment or two… [more]
The Invisibles is Grant Morrison’s definitive work about our world, the nexus of his philosophical worldview, simultaneously the source and culmination of his ideas about our universe. But there is another world, the super-hero world
1996’s Kingdom Come — a self-contained, fully-painted series by writer Mark Waid and artist Alex Ross — was first published as a four-issue, prestige-format mini-series, designated as an Elseworlds (i.e. out-of-continuity) tale. The story was… [more]
For fans, many of the works that Alan Moore produced for DC carry the shadow of later acrimony between the author and publisher
Why should we care about Tony Stark? More importantly, why should we pity him?
We’ve begun discussing chapter seven (parts one, two, and three) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we conclude our exploration of that chapter. (We’ve previously introduced Miracleman and discussed chapters one, two, three, four, five, and… [more]
Stoya is an adult film star and model. She’s also a big fan of science fiction, including the works of Warren Ellis!
The Dark Knight Rises is not the conclusion to the Dark Knight Trilogy that we deserve, but it is the one that we need right now.
We’ve begun discussing chapter seven (in two parts) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter. (We’ve previously introduced Miracleman and discussed chapters one, two, three, four, five, and six,… [more]
Saga of the Swamp Thing #23: ”Another Green World” Cover date: April 1984. Writer: Alan Moore. Artists: Steve Bissette and John Totleben. Colorist: Tatjana Wood. Letterer: John Costanza. Cover: Tom Yeates. Editor: Len Wein.
It’s not so long ago that the very idea would have sounded thoroughly absurd. Yet, the Batman tales of the late ’50s and early ’60s by editor Jack Schiff, writer Bill Finger, and penciler Sheldon… [more]
We’ve begun discussing chapter seven of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of that chapter. (We’ve previously introduced Miracleman and discussed chapters one, two, three, four, five, and six, plus the… [more]
Grant Morrison used a variety of experimental techniques during his surrealist run on Doom Patrol. He discusses them here in a clip from the special edition of Grant Morrison: Talking with Gods, now available for… [more]