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How I Learned the Truth About Comics Through Star Trek: The Next Generation / Doctor Who

IDW has recently made a name for themselves by crafting crossovers between the various licensed properties that they produce. 

On Stan Lee and H.E. Huntley’s the Wasp and Ant-Man (1963 to 1966)

Suddenly, Ant-Man’s wife was dead.

On Denny O’Neil and Dick Dillin’s Justice League of America

While many celebrate Gardner Fox’s inaugural run on Justice League of America, comparatively few appreciate the run that immediately followed it: that of Dennis “Denny” O’Neil and penciler Dick Dillin (who had illustrated Fox’s final two… [more]

Scott Williams on His Working Relationship with Jim Lee

Scott Williams is one of the most acclaimed and in-demand inkers in comics, best known for his twenty years of collaboration with Jim Lee.

Interview with Brian Miller from Hi-Fi Colour Design

Brian Miller is the founder of Hi-Fi Colour Design and co-author on the books Hi-Fi Color for Comics, Master Digital Color, and How to Paint Comic Books with the iPad. Chances are that if you read… [more]

Bill Finger, Batman, and the Future of America

New York City, 1938. A young cartoonist named Bob Kane is attending a party where he serendipitously crosses paths with a fellow Dewitt Clinton High School alumni by the name of Bill Finger. Kane had… [more]

Sharpening the Image: Rob Liefield’s Youngblood, the Man and the Comic that Started it All

By many accounts, it was Rob Liefield who initiated talks about forming Image Comics and encouraged other rock star artists of the late 1980s and early 1990s into breaking away from the mainstream to form… [more]

“The Sleep of Reason”: Alan Moore’s Swamp Thing, Issue #25

Saga of the Swamp Thing #25: “The Sleep of Reason” Cover date: June 1984 Writer: Alan Moore. Penciller: Steve Bissette. Inker: John Totleben. Letterer: John Costanza. Colorist: Tatjana Wood. Cover: Steve Bissette and John Totleben.… [more]

X-Men #1-19 by Stan Lee, Jack Kirby, et al (1963-66), Part 2

In the wake of their first public appearance, the X-Men appear to have been briefly embraced by the American people. Having defeated Magneto’s attempt to seize the U.S. military base of “Cape Citadel”, Cyclops and… [more]

On Super Powers (second series), by Paul Kupperberg and Jack Kirby

The six-issue, second Super Powers mini-series from 1985, written by Paul Kupperberg, penciled by Jack Kirby, and inked by Greg Theakston, has been almost completely ignored by critics.

Rob Liefeld on Leaving Marvel Comics in the Early ’90s

For the past twenty-five years, Rob Liefeld has been a best-selling and controversial comics creator. Here, he discusses working for Marvel Comics in the early ’90s and the changing corporate culture there that led him… [more]

1986, The Year That Changed Comics: Introduction

In discussions of graphic novels, three works that are regularly cited as landmarks of the medium are Alan Moore and Dave Gibbons’s highly acclaimed Watchmen, Art Spiegelman’s Pulitzer Prize-winning Maus, and Frank Miller’s Batman: The… [more]

Grant Morrison’s Day-Glo Years: Flex Mentallo, Part 2: “My Beautiful Head”

Each issue of Flex Mentallo is loosely aligned with an era of comics, and the second issue takes us into the Silver Age. The Silver Age was notable for crazy experimentation

Meet the Magus, Part 8: Transforming Perception in Another Suburban Romance

Quite a few of Moore’s works don’t merely feature transformative themes but display a capacity for transformation themselves. By taking on new forms, they lead what could be described as parallel or alternate lives.

X-Men #1-19 by Stan Lee, Jack Kirby, et al (1963-66), Part 1

In a profoundly reactionary society, even a gentle and sincere challenge to the status quo can be read as a significant marker of dissent.

On The Weird, by Jim Starlin and Bernie Wrightson

The 1988 four-issue mini-series The Weird — written by Jim Starlin, with art by legendary comics artist Bernie Wrightson and inks by Dan Green — isn’t told from the Justice League’s point of view. Rather,… [more]

Jim Valentino on the Potential of Comics

Jim Valentino is one of the founders of Image Comics and a pioneer in bringing new ideas and storytelling forms to the medium. Here, he discusses the potential of comics and the way that they… [more]

Why We Still Need Heroes

I am not sure how I stumbled across it, as I was so appalled by its content that I chose to quickly navigate away from it in disgust

Sharpening the Image: Introduction

Comic readers from Gen X and (older members of) Gen Y remember 1992 as a sort of zeitgeist for comics.  Change was in the air in all strata of the field

Sequart for Mobile

If you browse the web on your smartphone, Sequart.org now has a mobile-optimized version of the site.

“Roots”: Alan Moore’s Swamp Thing, Issue #24

Saga of the Swamp Thing #24: “Roots” Cover date: May 1984. Writer: Alan Moore. Artists: Steve Bissette and John Totleben. Colorist: Tatjana Wood. Letterer: John Costanza. Cover: Tom Yeates. Editor: Len Wein.

The Adventures of Henry Pym (1962 to 1965)

Don’t print the legend. There was no such thing as an archetypal “Marvel superhero” for the first few years following the publication and unexpected success in 1961 of the Fantastic Four. What would in hindsight… [more]

On JLA: Earth 2, by Grant Morrison and Frank Quitely

Like many classic comics from the 1980s onward, JLA: Earth 2 (the 1999 original graphic novel written by Grant Morrison with art by Frank Quitely) plays with comics history in a postmodern way, offering new… [more]

Captured Ghosts Excerpt: Warren Ellis on Planetary

Planetary is one of Warren Ellis’s most beloved and respected series. In this exclusive excerpt from Warren Ellis: Captured Ghosts, series creators Ellis and John Cassaday, as well as fans Joss Whedon and Kelly Sue… [more]

On Rorschach #1

In which the blogger attempts to review Rorschach #1, despite the experience proving a thoroughly enervating one. Visitors should be aware that what follows contains spoilers and, uniquely for this article, a moment or two… [more]