Brian Miller is the founder of Hi-Fi Colour Design and co-author on the books Hi-Fi Color for Comics, Master Digital Color, and How to Paint Comic Books with the iPad. Chances are that if you read… [more]
New York City, 1938. A young cartoonist named Bob Kane is attending a party where he serendipitously crosses paths with a fellow Dewitt Clinton High School alumni by the name of Bill Finger. Kane had… [more]
By many accounts, it was Rob Liefield who initiated talks about forming Image Comics and encouraged other rock star artists of the late 1980s and early 1990s into breaking away from the mainstream to form… [more]
Saga of the Swamp Thing #25: “The Sleep of Reason” Cover date: June 1984 Writer: Alan Moore. Penciller: Steve Bissette. Inker: John Totleben. Letterer: John Costanza. Colorist: Tatjana Wood. Cover: Steve Bissette and John Totleben.… [more]
The six-issue, second Super Powers mini-series from 1985, written by Paul Kupperberg, penciled by Jack Kirby, and inked by Greg Theakston, has been almost completely ignored by critics.
For the past twenty-five years, Rob Liefeld has been a best-selling and controversial comics creator. Here, he discusses working for Marvel Comics in the early ’90s and the changing corporate culture there that led him… [more]
In discussions of graphic novels, three works that are regularly cited as landmarks of the medium are Alan Moore and Dave Gibbons’s highly acclaimed Watchmen, Art Spiegelman’s Pulitzer Prize-winning Maus, and Frank Miller’s Batman: The… [more]
Each issue of Flex Mentallo is loosely aligned with an era of comics, and the second issue takes us into the Silver Age. The Silver Age was notable for crazy experimentation
Quite a few of Moore’s works don’t merely feature transformative themes but display a capacity for transformation themselves. By taking on new forms, they lead what could be described as parallel or alternate lives.
The 1988 four-issue mini-series The Weird — written by Jim Starlin, with art by legendary comics artist Bernie Wrightson and inks by Dan Green — isn’t told from the Justice League’s point of view. Rather,… [more]
Jim Valentino is one of the founders of Image Comics and a pioneer in bringing new ideas and storytelling forms to the medium. Here, he discusses the potential of comics and the way that they… [more]
I am not sure how I stumbled across it, as I was so appalled by its content that I chose to quickly navigate away from it in disgust
Comic readers from Gen X and (older members of) Gen Y remember 1992 as a sort of zeitgeist for comics. Change was in the air in all strata of the field
If you browse the web on your smartphone, Sequart.org now has a mobile-optimized version of the site.
Saga of the Swamp Thing #24: “Roots” Cover date: May 1984. Writer: Alan Moore. Artists: Steve Bissette and John Totleben. Colorist: Tatjana Wood. Letterer: John Costanza. Cover: Tom Yeates. Editor: Len Wein.
Don’t print the legend. There was no such thing as an archetypal “Marvel superhero” for the first few years following the publication and unexpected success in 1961 of the Fantastic Four. What would in hindsight… [more]
Like many classic comics from the 1980s onward, JLA: Earth 2 (the 1999 original graphic novel written by Grant Morrison with art by Frank Quitely) plays with comics history in a postmodern way, offering new… [more]
Planetary is one of Warren Ellis’s most beloved and respected series. In this exclusive excerpt from Warren Ellis: Captured Ghosts, series creators Ellis and John Cassaday, as well as fans Joss Whedon and Kelly Sue… [more]
In which the blogger attempts to review Rorschach #1, despite the experience proving a thoroughly enervating one. Visitors should be aware that what follows contains spoilers and, uniquely for this article, a moment or two… [more]
The Invisibles is Grant Morrison’s definitive work about our world, the nexus of his philosophical worldview, simultaneously the source and culmination of his ideas about our universe. But there is another world, the super-hero world
1996’s Kingdom Come — a self-contained, fully-painted series by writer Mark Waid and artist Alex Ross — was first published as a four-issue, prestige-format mini-series, designated as an Elseworlds (i.e. out-of-continuity) tale. The story was… [more]
For fans, many of the works that Alan Moore produced for DC carry the shadow of later acrimony between the author and publisher
Why should we care about Tony Stark? More importantly, why should we pity him?