Sequart Content Tagged:
Magazine content related to Alan Moore (page 10 of 11)
We began discussion of “The Yesterday Gambit” last time, having previously introduced Miracleman and discussed its first, second, and third chapters. We now turn to the story of Alan Moore’s “The Yesterday Gambit,” from Warrior #4.
We’ve introduced Miracleman and discussed its first, second, and third chapters. We now turn to the famous “The Yesterday Gambit,” from Warrior #4.
We’ve introduced Miracleman and discussed its first and second chapters, plus most of the third (part one, part two). We now conclude our look at this third chapter of Alan Moore and Garry Leach’s Miracleman… [more]
DC Comics recently officially announced that it would be reviving the characters from Alan Moore and Dave Gibbon’s revered graphic novel, Watchmen, for a slew of prequel spin-off comics. In my opinion, these prequels are… [more]
We’ve introduced Miracleman and discussed its first and second episodes, plus the first page of chapter three. We now continue our look at that third chapter of Alan Moore and Garry Leach’s Miracleman stories, which… [more]
Having briefly introduced Miracleman and discussed its first and second episodes, let’s turn to the third of Alan Moore and Garry Leach’s Miracleman stories, which appeared in the legendary British magazine Warrior.
Having briefly introduced Miracleman and discussed its first episode, let’s turn to the second of Alan Moore and Garry Leach’s earliest stories, which appeared in the legendary British magazine Warrior.
Having briefly introduced Miracleman, let’s begin looking at Alan Moore and Garry Leach’s earliest stories, which appeared in the legendary British magazine Warrior.
Everybody talks about Miracleman, but few have read it. Far more people know of Miracleman’s importance than understand why it occupies such a crucial role in the history of super-hero comics.
Alan Moore’s early professional work (such as Maxwell the Magic Cat, Roscoe Moscow, and The Stars My Degradation) was firmly rooted in comedy, which may seem at odds with the more later dramatic work he became… [more]
The title of Moore’s second strip for Sounds Magazine, The Stars My Degradation, owes its inspiration to a famous science-fiction novel by Alfred Bester, The Stars My Destination (1956). In the novel, Gully Foyle is… [more]
Superman Annual #11 is a comic that stands as a classic for all the right reasons.
Watchmen is commonly thought of as one of the greatest graphic novels of our time, but it’s actually a reprint collection. The work originally came out as 12 separate issues, although they were all planned… [more]
If you follow my twitter feed at all, you might notice lately that I have been retweeting several updates from various professional journalism and citizen journalism sources regarding the Occupy Wall Street movement.
It might superficially seem as if comics have finally achieved respect. They’re covered by the mainstream press. They’re increasingly taught in colleges. Their adaptations account for a huge percentage of Hollywood blockbusters. Hey, even nerd… [more]
As a comic book character, Batgirl only really took flight once she became permanently grounded.
Is there anything more intensive and fundamental to learning a language than vocabulary? Of course not. To learn how to use language without vocabulary is like learning to play hockey with out a puck, stick,… [more]
Long before Alan Moore delved into literary pornography with Lost Girls, he was infusing his work with a broad understanding of human sexuality as natural. And this wasn’t limited to auteur projects like Lost Girls… [more]
The edition of Sounds magazine dated 31 March 1979 saw the publication of Alan Moore’s first instalment of Roscoe Moscow in “Who Killed Rock n’ Roll?” Unlike Maxwell the Magic Cat, which is largely composed of self-contained joke strips, Roscoe… [more]
With a movie having just been made of V for Vendetta, it’s inevitable that comparisons are drawn between the original and the adaptation. What is surprising is that many seem to consider the movie equal… [more]
I’m sure there will be a lot of talk on this site and across the web as Alan Moore’s V for Vendetta is brought to the big screen. But, I thought I’d give my perspective… [more]