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	<title>Sequart Organization &#187; Alan Moore</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Monster Mash: Saga of the Swamp Thing and Monster Tropes, Part 2</title>
		<link>http://sequart.org/magazine/70861/saga-swamp-thing-monster-tropes-part-2/</link>
		<comments>http://sequart.org/magazine/70861/saga-swamp-thing-monster-tropes-part-2/#comments</comments>
		<pubDate>Sun, 03 Dec 2023 21:44:40 +0000</pubDate>
		<dc:creator>Scott Weatherly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Bernie Wrightson]]></category>
		<category><![CDATA[DC Comics]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[Stephen Bissette]]></category>
		<category><![CDATA[Swamp Thing]]></category>
		<category><![CDATA[Vertigo]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=70861</guid>
		<description><![CDATA[When Nature Attacks! Having achieved his goal of joining with the Green, Woodrue quickly begins his attack on the human race. Woodrue starts small but his escalation is devastating. The killing of a group of&#8230; <a href="http://sequart.org/magazine/70861/saga-swamp-thing-monster-tropes-part-2/">[more]</a>]]></description>
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		<title>Monster Mash: Saga of the Swamp Thing and Monster Tropes, Part 1</title>
		<link>http://sequart.org/magazine/70856/saga-swamp-thing-monster-tropes-part-1/</link>
		<comments>http://sequart.org/magazine/70856/saga-swamp-thing-monster-tropes-part-1/#comments</comments>
		<pubDate>Tue, 28 Nov 2023 11:00:40 +0000</pubDate>
		<dc:creator>Scott Weatherly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[DC Comics]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[Stephen Bissette]]></category>
		<category><![CDATA[Swamp Thing]]></category>
		<category><![CDATA[Vertigo]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=70856</guid>
		<description><![CDATA[Joining the Monster Squad Monsters enter our lives at an early age. We are told stories about the things that dwell in the shadows and the corners of our minds. The creatures that we –&#8230; <a href="http://sequart.org/magazine/70856/saga-swamp-thing-monster-tropes-part-1/">[more]</a>]]></description>
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		<title>Different Men of Tomorrow: Superman and Providence</title>
		<link>http://sequart.org/magazine/70544/different-men-of-tomorrow-superman-and-providence/</link>
		<comments>http://sequart.org/magazine/70544/different-men-of-tomorrow-superman-and-providence/#comments</comments>
		<pubDate>Wed, 23 Sep 2020 01:17:56 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Cthulhu Mythos]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[homosexuality / GLBTQ issues]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Jewish culture and religion]]></category>
		<category><![CDATA[Superman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=70544</guid>
		<description><![CDATA[Stop me if you’ve heard this story. A mild-mannered bespectacled journalist works at an American newspaper attempting to find a story, having to deal with a senior editor, a wise-cracking coworker, and a troublesome, opinionated&#8230; <a href="http://sequart.org/magazine/70544/different-men-of-tomorrow-superman-and-providence/">[more]</a>]]></description>
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		<title>Spotlight on Alan Moore</title>
		<link>http://sequart.org/magazine/69367/spotlight-on-alan-moore/</link>
		<comments>http://sequart.org/magazine/69367/spotlight-on-alan-moore/#comments</comments>
		<pubDate>Wed, 21 Nov 2018 01:50:54 +0000</pubDate>
		<dc:creator>Mike Phillips</dc:creator>
				<category><![CDATA[Sequart News]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Batman: The Killing Joke]]></category>
		<category><![CDATA[Brian Bolland]]></category>
		<category><![CDATA[Dave Gibbons]]></category>
		<category><![CDATA[Sequart's Spotlight Series]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=69367</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/6full500-150x150.png" alt="Spotlight on Alan Moore" title="Spotlight on Alan Moore" style="float:left;" />Here at Sequart, we&#8217;ve published dozens of books and movies. Today, we thought we&#8217;d tell you about a couple that address comics legend Alan Moore. Minutes to Midnight: Twelve Essays on Watchmen, edited by Richard Bensam, examines Watchmen&#8230; <a href="http://sequart.org/magazine/69367/spotlight-on-alan-moore/">[more]</a>]]></description>
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		<title>Two Sequart Products Spotlighting Comics History</title>
		<link>http://sequart.org/magazine/69071/sequart-spotlight-on-comics-history-wertham-gaiman-moore-morrison/</link>
		<comments>http://sequart.org/magazine/69071/sequart-spotlight-on-comics-history-wertham-gaiman-moore-morrison/#comments</comments>
		<pubDate>Wed, 05 Sep 2018 10:00:41 +0000</pubDate>
		<dc:creator>Mike Phillips</dc:creator>
				<category><![CDATA[Sequart News]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Diagram for Delinquents]]></category>
		<category><![CDATA[Fredric Wertham]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[Sequart's Spotlight Series]]></category>
		<category><![CDATA[The British Invasion]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=69071</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/British-Invasion-cover-150x150.png" alt="Two Sequart Products Spotlighting Comics History" title="Two Sequart Products Spotlighting Comics History" style="float:left;" />Most Sequart books and movies address some aspect of comics history, but the two releases below are especially designed to investigate and further our understanding of the history of this medium we love. The British&#8230; <a href="http://sequart.org/magazine/69071/sequart-spotlight-on-comics-history-wertham-gaiman-moore-morrison/">[more]</a>]]></description>
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		<title>Curtain Call: On The League of Extraordinary Gentlemen and LoEG: The Tempest #1</title>
		<link>http://sequart.org/magazine/68908/league-of-extraordinary-gentlemen-tempest/</link>
		<comments>http://sequart.org/magazine/68908/league-of-extraordinary-gentlemen-tempest/#comments</comments>
		<pubDate>Tue, 17 Jul 2018 15:00:47 +0000</pubDate>
		<dc:creator>Tom Shapira</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Kevin O'Neill]]></category>
		<category><![CDATA[The League of Extraordinary Gentlemen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=68908</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/image-18-150x150.jpg" alt="Curtain Call: On &lt;i&gt;The League of Extraordinary Gentlemen&lt;/i&gt; and &lt;i&gt;LoEG: The Tempest&lt;/i&gt; #1" title="Curtain Call: On &lt;i&gt;The League of Extraordinary Gentlemen&lt;/i&gt; and &lt;i&gt;LoEG: The Tempest&lt;/i&gt; #1" style="float:left;" />So here we are. The last League of Extraordinary Gentlemen. Not the latest, the last. If one believes the hype, this will be the final comic book published by either Moore or O’Neill – making&#8230; <a href="http://sequart.org/magazine/68908/league-of-extraordinary-gentlemen-tempest/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Alan Moore’s Marvelman, Part 2: Welcome to the Real World</title>
		<link>http://sequart.org/magazine/68426/alan-moores-marvelman-part-2-welcome-to-the-real-world/</link>
		<comments>http://sequart.org/magazine/68426/alan-moores-marvelman-part-2-welcome-to-the-real-world/#comments</comments>
		<pubDate>Wed, 25 Apr 2018 14:00:59 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Denny O'Neil]]></category>
		<category><![CDATA[Fables]]></category>
		<category><![CDATA[Garry Leach]]></category>
		<category><![CDATA[Hulk]]></category>
		<category><![CDATA[John Totleben]]></category>
		<category><![CDATA[Marvel]]></category>
		<category><![CDATA[Marvelman]]></category>
		<category><![CDATA[Miracleman (a.k.a. Marvelman)]]></category>
		<category><![CDATA[Neal Adams]]></category>
		<category><![CDATA[X-Men]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=68426</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Miracleman-Laughing-150x150.png" alt="Alan Moore’s Marvelman, Part 2: Welcome to the Real World" title="Alan Moore’s Marvelman, Part 2: Welcome to the Real World" style="float:left;" />What if Marvelman woke up in the real world? That was the simple and enticing high-concept that Alan Moore wished to explore when he began to write his graphic novel Marvelman. In the hands of a great writer something as simple as “Superman landing in the Soviet Union” can be developed into something profound and thought-provoking. On the surface, Moore’s premise can sound simple and a desire to bring more realism into the superhero genre. <a href="http://sequart.org/magazine/68426/alan-moores-marvelman-part-2-welcome-to-the-real-world/">[more]</a>]]></description>
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		<title>Alan Moore’s Marvelman, Part 1: From the Ashes of Obscurity…</title>
		<link>http://sequart.org/magazine/68402/alan-moore%e2%80%99s-marvelman-part-1-from-the-ashes-of-obscurity%e2%80%a6/</link>
		<comments>http://sequart.org/magazine/68402/alan-moore%e2%80%99s-marvelman-part-1-from-the-ashes-of-obscurity%e2%80%a6/#comments</comments>
		<pubDate>Mon, 16 Apr 2018 14:00:01 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Captain Marvel (Marvel)]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Garry Leach]]></category>
		<category><![CDATA[Marvelman]]></category>
		<category><![CDATA[Mick Anglo]]></category>
		<category><![CDATA[Miracleman]]></category>
		<category><![CDATA[Shazam]]></category>
		<category><![CDATA[Superman]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=68402</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Billy-vs-Micky-150x150.jpg" alt="Alan Moore’s Marvelman, Part 1: From the Ashes of Obscurity…" title="Alan Moore’s Marvelman, Part 1: From the Ashes of Obscurity…" style="float:left;" />Alan Moore brought new life to one of the most unoriginal superheroes. See how Alan Moore utilized Marvelman to explore and critique the Golden Age of Comics. <a href="http://sequart.org/magazine/68402/alan-moore%e2%80%99s-marvelman-part-1-from-the-ashes-of-obscurity%e2%80%a6/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Tao of Alan Moore and Grant Morrison</title>
		<link>http://sequart.org/magazine/68155/the-tao-of-alan-moore-and-grant-morrison/</link>
		<comments>http://sequart.org/magazine/68155/the-tao-of-alan-moore-and-grant-morrison/#comments</comments>
		<pubDate>Thu, 18 Jan 2018 18:17:28 +0000</pubDate>
		<dc:creator>Bobby Campbell</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Supergods (Grant Morrison book)]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=68155</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/MOORE-MORRISON-150x150.jpg" alt="The Tao of Alan Moore and Grant Morrison" title="The Tao of Alan Moore and Grant Morrison" style="float:left;" />I have something of a fascination for the recurring manufactured drama between comic/occult/visionary writers Alan Moore &#38; Grant Morrison. Often times billed as an epic magickal war, w/ thematic shades of Aleister Crowley vs. William Butler&#8230; <a href="http://sequart.org/magazine/68155/the-tao-of-alan-moore-and-grant-morrison/">[more]</a>]]></description>
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		<title>Smorgasbord #74: More Weight on the Shelf</title>
		<link>http://sequart.org/magazine/67681/smorgasbord-74-more-weight-on-the-shelf/</link>
		<comments>http://sequart.org/magazine/67681/smorgasbord-74-more-weight-on-the-shelf/#comments</comments>
		<pubDate>Sat, 09 Dec 2017 22:27:36 +0000</pubDate>
		<dc:creator>Tom Shapira</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Judge Dredd]]></category>
		<category><![CDATA[Julian Darius]]></category>
		<category><![CDATA[Lone Wolf and Cub]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=67681</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sequart-logo-2014-small-150x150.jpg" alt="Smorgasbord #74: More Weight on the Shelf" title="Smorgasbord #74: More Weight on the Shelf" style="float:left;" />Tom and Shawn welcome special guest and Sequart co-founder Julian Darius to our penultimate episode, where we talk about some of our favorite comics of all time! Join us as we discuss omnipotent cats, an&#8230; <a href="http://sequart.org/magazine/67681/smorgasbord-74-more-weight-on-the-shelf/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
<enclosure url="http://images.sequart.org/comics-podcasts/Smorgasbord74.mp3" length="84468296" type="audio/mpeg" />
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		<title>Smorgasbord #70: The Saga Awards, Featuring Saga!</title>
		<link>http://sequart.org/magazine/67155/smorgasbord-70-the-saga-awards-featuring-saga/</link>
		<comments>http://sequart.org/magazine/67155/smorgasbord-70-the-saga-awards-featuring-saga/#comments</comments>
		<pubDate>Fri, 28 Jul 2017 08:00:01 +0000</pubDate>
		<dc:creator>Tom Shapira</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Eisner Awards]]></category>
		<category><![CDATA[San Diego Comic-Con International (SDCC)]]></category>
		<category><![CDATA[X-Men: Grand Design]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=67155</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sequart-logo-2014-small-150x150.jpg" alt="Smorgasbord #70: The Saga Awards, Featuring Saga!" title="Smorgasbord #70: The Saga Awards, Featuring Saga!" style="float:left;" />It’s our post-SDCC special as Shawn and Tom take time out from reviews to discuss the metric ton of trailers, previews, announcements, panels and discussion that Comic-Con has wrought – from the very last Alan&#8230; <a href="http://sequart.org/magazine/67155/smorgasbord-70-the-saga-awards-featuring-saga/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://images.sequart.org/comics-podcasts/Smorgasbord70.mp3" length="155111435" type="audio/mpeg" />
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		<title>Mythic World Rewriting: Alan Moore and Jacen Burrows’ Providence</title>
		<link>http://sequart.org/magazine/66665/mythic-world-rewriting-alan-moore-and-jacen-burrows%e2%80%99-providence/</link>
		<comments>http://sequart.org/magazine/66665/mythic-world-rewriting-alan-moore-and-jacen-burrows%e2%80%99-providence/#comments</comments>
		<pubDate>Tue, 16 May 2017 19:45:09 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Providence]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=66665</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Providence-Hali’s-Booke-of-the-Wisdom-of-the-Stars-2-150x150.jpg" alt="Mythic World Rewriting: Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;" title="Mythic World Rewriting: Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;" style="float:left;" />&#8220;All countries and all cultures, in the first few centuries that follow their inception, seem to naturally produce their individual supernatural mythologies and webs of folkloric belief. This much we can deduce by looking at&#8230; <a href="http://sequart.org/magazine/66665/mythic-world-rewriting-alan-moore-and-jacen-burrows%e2%80%99-providence/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Where’s Our Moon Over Soho in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen, Part 2</title>
		<link>http://sequart.org/magazine/66581/where%e2%80%99s-our-moon-over-soho-in-alan-moore-and-kevin-o%e2%80%99neill%e2%80%99s-the-league-of-extraordinary-gentlemen-part-2/</link>
		<comments>http://sequart.org/magazine/66581/where%e2%80%99s-our-moon-over-soho-in-alan-moore-and-kevin-o%e2%80%99neill%e2%80%99s-the-league-of-extraordinary-gentlemen-part-2/#comments</comments>
		<pubDate>Fri, 28 Apr 2017 18:30:08 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Kevin O'Neill]]></category>
		<category><![CDATA[The League of Extraordinary Gentlemen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=66581</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/League-Century-150x150.jpg" alt="Where’s Our Moon Over Soho in Alan Moore and Kevin O’Neill’s &lt;i&gt;The League of Extraordinary Gentlemen&lt;/i&gt;, Part 2" title="Where’s Our Moon Over Soho in Alan Moore and Kevin O’Neill’s &lt;i&gt;The League of Extraordinary Gentlemen&lt;/i&gt;, Part 2" style="float:left;" />In Part I of “Where’s Our Moon Over Soho in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen,” I talked about The League and three major characters in its story line and some&#8230; <a href="http://sequart.org/magazine/66581/where%e2%80%99s-our-moon-over-soho-in-alan-moore-and-kevin-o%e2%80%99neill%e2%80%99s-the-league-of-extraordinary-gentlemen-part-2/">[more]</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Where’s Our Moon Over Soho in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen, Part 1</title>
		<link>http://sequart.org/magazine/66567/where%e2%80%99s-our-moon-over-soho-in-alan-moore-and-kevin-o%e2%80%99neill%e2%80%99s-the-league-of-extraordinary-gentlemen/</link>
		<comments>http://sequart.org/magazine/66567/where%e2%80%99s-our-moon-over-soho-in-alan-moore-and-kevin-o%e2%80%99neill%e2%80%99s-the-league-of-extraordinary-gentlemen/#comments</comments>
		<pubDate>Wed, 26 Apr 2017 22:45:55 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Kevin O'Neill]]></category>
		<category><![CDATA[The League of Extraordinary Gentlemen]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-League-of-Extraordinary-Gentlemen-150x150.jpg" alt="Where’s Our Moon Over Soho in Alan Moore and Kevin O’Neill’s &lt;i&gt;The League of Extraordinary Gentlemen&lt;/i&gt;, Part 1" title="Where’s Our Moon Over Soho in Alan Moore and Kevin O’Neill’s &lt;i&gt;The League of Extraordinary Gentlemen&lt;/i&gt;, Part 1" style="float:left;" />I’m not really sure how to start this one. I feel like I might be writing about this subject a few years too late, but it’s taken just as long to get to the point&#8230; <a href="http://sequart.org/magazine/66567/where%e2%80%99s-our-moon-over-soho-in-alan-moore-and-kevin-o%e2%80%99neill%e2%80%99s-the-league-of-extraordinary-gentlemen/">[more]</a>]]></description>
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		<title>&#8220;&#8230;Without Doubt the Fullest and Truest Expression of Ethereal Genius&#8230;&#8221;  Tragedy, Transition and Triumph in Providence #11</title>
		<link>http://sequart.org/magazine/65325/without-doubt-the-fullest-and-truest-expression-of-ethereal-genius-tragedy-transition-and-triumph-in-providence-11/</link>
		<comments>http://sequart.org/magazine/65325/without-doubt-the-fullest-and-truest-expression-of-ethereal-genius-tragedy-transition-and-triumph-in-providence-11/#comments</comments>
		<pubDate>Tue, 14 Mar 2017 23:00:42 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Avatar Press]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Nameless]]></category>
		<category><![CDATA[Providence]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/starsrright-150x150.jpg" alt="&#8220;&#8230;Without Doubt the Fullest and Truest Expression of Ethereal Genius&#8230;&#8221;  Tragedy, Transition and Triumph in &lt;i&gt;Providence&lt;/i&gt; #11" title="&#8220;&#8230;Without Doubt the Fullest and Truest Expression of Ethereal Genius&#8230;&#8221;  Tragedy, Transition and Triumph in &lt;i&gt;Providence&lt;/i&gt; #11" style="float:left;" />&#8220;&#8230;fantastic references to some plan for the extirpation of the entire human race and all animal and vegetable life from the earth by some terrible elder race of beings from another dimension. He would shout&#8230; <a href="http://sequart.org/magazine/65325/without-doubt-the-fullest-and-truest-expression-of-ethereal-genius-tragedy-transition-and-triumph-in-providence-11/">[more]</a>]]></description>
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		<title>Traversing the Plateau of Leng: To Read is to Be Read in Alan Moore and Jacen Burrows’ Providence</title>
		<link>http://sequart.org/magazine/65934/traversing-the-plateau-of-leng-to-read-is-to-be-read-in-alan-moore-and-jacen-burrows%e2%80%99-providence/</link>
		<comments>http://sequart.org/magazine/65934/traversing-the-plateau-of-leng-to-read-is-to-be-read-in-alan-moore-and-jacen-burrows%e2%80%99-providence/#comments</comments>
		<pubDate>Tue, 21 Feb 2017 19:50:44 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Providence]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65934</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Providence-Robert-Blacks-POV-150x150.jpg" alt="Traversing the Plateau of Leng: To Read is to Be Read in Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;" title="Traversing the Plateau of Leng: To Read is to Be Read in Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;" style="float:left;" />“So much of this is made of books, this Commonplace book&#8230;.” &#8211; Robert Black, Commonplace Book, June 5th, 1919, Providence #1, p. 32 This article is strange for a few reasons. First off, it’s about&#8230; <a href="http://sequart.org/magazine/65934/traversing-the-plateau-of-leng-to-read-is-to-be-read-in-alan-moore-and-jacen-burrows%e2%80%99-providence/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Down A Dark Path of Bibliomancy &#8211; The Necronomicon in Alan Moore and Jacen Burrows&#8217; Providence, Part 2</title>
		<link>http://sequart.org/magazine/65753/down-a-dark-path-of-bibliomancy-the-necronomicon-in-alan-moore-and-jacen-burrows-providence-2/</link>
		<comments>http://sequart.org/magazine/65753/down-a-dark-path-of-bibliomancy-the-necronomicon-in-alan-moore-and-jacen-burrows-providence-2/#comments</comments>
		<pubDate>Tue, 31 Jan 2017 19:15:26 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Providence]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65753</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Providence-Geekery-shrunk-150x150.jpg" alt="Down A Dark Path of Bibliomancy &#8211; The Necronomicon in Alan Moore and Jacen Burrows&#8217; &lt;i&gt;Providence&lt;/i&gt;, Part 2" title="Down A Dark Path of Bibliomancy &#8211; The Necronomicon in Alan Moore and Jacen Burrows&#8217; &lt;i&gt;Providence&lt;/i&gt;, Part 2" style="float:left;" />In Part I of “Down A Dark Path of Bibliomancy: The Necronomicon in Alan Moore and Jacen Burrows’ Providence” we looked at how Alan Moore incorporated and reinterpreted H.P. Lovecraft’s “History of the Necronomicon” and&#8230; <a href="http://sequart.org/magazine/65753/down-a-dark-path-of-bibliomancy-the-necronomicon-in-alan-moore-and-jacen-burrows-providence-2/">[more]</a>]]></description>
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		<title>Down A Dark Path of Bibliomancy: The Necronomicon in Alan Moore and Jacen Burrows’ Providence, Part 1</title>
		<link>http://sequart.org/magazine/65737/down-a-dark-path-of-bibliomancy-the-necronomicon-in-alan-moore-and-jacen-burrows%e2%80%99-providence/</link>
		<comments>http://sequart.org/magazine/65737/down-a-dark-path-of-bibliomancy-the-necronomicon-in-alan-moore-and-jacen-burrows%e2%80%99-providence/#comments</comments>
		<pubDate>Mon, 30 Jan 2017 19:15:34 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Providence]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65737</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Providence-Book-Creator-Torn-Apart-150x150.jpg" alt="Down A Dark Path of Bibliomancy: The Necronomicon in Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;, Part 1" title="Down A Dark Path of Bibliomancy: The Necronomicon in Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;, Part 1" style="float:left;" />&#8220;My own rule is that no weird story can truly produce terror unless it is devised with all the care and verisimilitude of an actual hoax.&#8221; &#8211; H.P. Lovecraft to Clark Ashton Smith (17 October&#8230; <a href="http://sequart.org/magazine/65737/down-a-dark-path-of-bibliomancy-the-necronomicon-in-alan-moore-and-jacen-burrows%e2%80%99-providence/">[more]</a>]]></description>
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		<title>Watching a Serial of Strange Aeons: Alan Moore and Jacen Burrows’ Providence</title>
		<link>http://sequart.org/magazine/65691/watching-a-serial-of-strange-aeons-alan-moore-and-jacen-burrows%e2%80%99-providence/</link>
		<comments>http://sequart.org/magazine/65691/watching-a-serial-of-strange-aeons-alan-moore-and-jacen-burrows%e2%80%99-providence/#comments</comments>
		<pubDate>Mon, 23 Jan 2017 18:00:55 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[The League of Extraordinary Gentlemen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65691</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Providence-Cover-150x150.jpg" alt="Watching a Serial of Strange Aeons: Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;" title="Watching a Serial of Strange Aeons: Alan Moore and Jacen Burrows’ &lt;i&gt;Providence&lt;/i&gt;" style="float:left;" />A lot of people, and I do mean a lot of people, are writing about Alan Moore and Jacen Burrows’ Providence and have been for quite some time. You can look at Joe Linton, Robert&#8230; <a href="http://sequart.org/magazine/65691/watching-a-serial-of-strange-aeons-alan-moore-and-jacen-burrows%e2%80%99-providence/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Doomsday, the 90&#8242;s, and Comic Book Innocence</title>
		<link>http://sequart.org/magazine/65564/doomsday-the-90s-and-comic-book-innocence/</link>
		<comments>http://sequart.org/magazine/65564/doomsday-the-90s-and-comic-book-innocence/#comments</comments>
		<pubDate>Fri, 06 Jan 2017 20:30:53 +0000</pubDate>
		<dc:creator>Stephen Sonneveld</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Batman: The Killing Joke]]></category>
		<category><![CDATA[Superman]]></category>
		<category><![CDATA[Superman: Doomsday]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65564</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Doom-4-150x150.jpg" alt="Doomsday, the 90&#8242;s, and Comic Book Innocence" title="Doomsday, the 90&#8242;s, and Comic Book Innocence" style="float:left;" />Superman dies in Lois’ arms in the denouement of “Superman” no. 75 (1992) by Dan Jurgens and Brett Breeding. Source: https://comicbookclog.com/2015/06/05/comic-book-classics-revisited-the-death-of-superman-part-7/ The fall For a brief moment in the autumn of 1992, the Doomsday monster had&#8230; <a href="http://sequart.org/magazine/65564/doomsday-the-90s-and-comic-book-innocence/">[more]</a>]]></description>
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		<title>A Journey Through Alan Moore’s Jerusalem: Modern Times</title>
		<link>http://sequart.org/magazine/65512/a-journey-through-alan-moore%e2%80%99s-jerusalem-modern-times/</link>
		<comments>http://sequart.org/magazine/65512/a-journey-through-alan-moore%e2%80%99s-jerusalem-modern-times/#comments</comments>
		<pubDate>Fri, 30 Dec 2016 23:30:40 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jerusalem]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65512</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Alan-Moore-Jerusalem2-150x150.jpg" alt="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: Modern Times" title="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: Modern Times" style="float:left;" />In “Modern Times” we don’t get any answers to the previous chapter, or even new questions about the things that we already know. One hazard in writing these “reader impressions” of mine for each chapter&#8230; <a href="http://sequart.org/magazine/65512/a-journey-through-alan-moore%e2%80%99s-jerusalem-modern-times/">[more]</a>]]></description>
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		<title>A Journey Through Alan Moore’s Jerusalem: X Marks the Spot</title>
		<link>http://sequart.org/magazine/65501/a-journey-through-alan-moore%e2%80%99s-jerusalem-x-marks-the-spot/</link>
		<comments>http://sequart.org/magazine/65501/a-journey-through-alan-moore%e2%80%99s-jerusalem-x-marks-the-spot/#comments</comments>
		<pubDate>Thu, 29 Dec 2016 16:00:01 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jerusalem]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65501</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Alan-Moore-Jerusalem2-150x150.jpg" alt="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: X Marks the Spot" title="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: X Marks the Spot" style="float:left;" />A lot of events occurred in Jerusalem’s “Rough Sleepers” chapter. Moore’s nature of time, at least with regards to Northampton and the Burroughs had been revealed as eternalism: as space and time existing simultaneously in&#8230; <a href="http://sequart.org/magazine/65501/a-journey-through-alan-moore%e2%80%99s-jerusalem-x-marks-the-spot/">[more]</a>]]></description>
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		<title>A Journey Through Alan Moore’s Jerusalem: Rough Sleepers</title>
		<link>http://sequart.org/magazine/65464/a-journey-through-alan-moore%e2%80%99s-jerusalem-rough-sleepers/</link>
		<comments>http://sequart.org/magazine/65464/a-journey-through-alan-moore%e2%80%99s-jerusalem-rough-sleepers/#comments</comments>
		<pubDate>Mon, 26 Dec 2016 16:00:57 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jerusalem]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65464</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Alan-Moore-Jerusalem1-150x150.jpg" alt="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: Rough Sleepers" title="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: Rough Sleepers" style="float:left;" />I didn’t know what to make of this chapter at first. To be honest, it’d been a while since I’d read Jerusalem after taking time to undertake some other projects. Certainly the preceding chapter “ASBOs&#8230; <a href="http://sequart.org/magazine/65464/a-journey-through-alan-moore%e2%80%99s-jerusalem-rough-sleepers/">[more]</a>]]></description>
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		<title>A Journey Through Alan Moore’s Jerusalem: “ASBOs of Desire”</title>
		<link>http://sequart.org/magazine/65453/a-journey-through-alan-moore%e2%80%99s-jerusalem-%e2%80%9casbos-of-desire%e2%80%9d/</link>
		<comments>http://sequart.org/magazine/65453/a-journey-through-alan-moore%e2%80%99s-jerusalem-%e2%80%9casbos-of-desire%e2%80%9d/#comments</comments>
		<pubDate>Thu, 22 Dec 2016 16:00:05 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jerusalem]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65453</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Women-on-Fire-150x150.jpg" alt="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: “ASBOs of Desire”" title="A Journey Through Alan Moore’s &lt;i&gt;Jerusalem&lt;/i&gt;: “ASBOs of Desire”" style="float:left;" />There are a few things worth noting before I go on here. I might have mentioned this earlier, through my impressions of the previous chapter but unlike Alan Moore’s previous novel Voice of the Fire,&#8230; <a href="http://sequart.org/magazine/65453/a-journey-through-alan-moore%e2%80%99s-jerusalem-%e2%80%9casbos-of-desire%e2%80%9d/">[more]</a>]]></description>
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		<title>AARGH! RESIST! A Retrospective and a Prelude</title>
		<link>http://sequart.org/magazine/65260/aargh-resist-a-retrospective-and-a-prelude/</link>
		<comments>http://sequart.org/magazine/65260/aargh-resist-a-retrospective-and-a-prelude/#comments</comments>
		<pubDate>Tue, 06 Dec 2016 16:00:53 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[AARGH! (Artists Against Rampant Government Homophobia)]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Comics Activism]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[Resist]]></category>
		<category><![CDATA[Stephen Bissette]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65260</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/AARGH-cover-150x150.jpg" alt="&lt;i&gt;AARGH! RESIST!&lt;/i&gt; A Retrospective and a Prelude" title="&lt;i&gt;AARGH! RESIST!&lt;/i&gt; A Retrospective and a Prelude" style="float:left;" />In my four-part article Not By Something As Accidental as Blood: Bash Back, my research into Lawrence Gullo, Fyodor Pavlov, and Kelsey Hercs’ work took me to places I hadn’t gone before while, in other&#8230; <a href="http://sequart.org/magazine/65260/aargh-resist-a-retrospective-and-a-prelude/">[more]</a>]]></description>
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		<title>&#8220;The Universe Doesn&#8217;t Care. This Is Not Punishment, But Rather It Is Appreciation&#8230;&#8221; Celebration, Commiseration and Concern in Providence #10</title>
		<link>http://sequart.org/magazine/64333/the-universe-doesnt-care-this-is-not-punishment-but-rather-it-is-appreciation-celebration-commiseration-and-concern-in-providence-10/</link>
		<comments>http://sequart.org/magazine/64333/the-universe-doesnt-care-this-is-not-punishment-but-rather-it-is-appreciation-celebration-commiseration-and-concern-in-providence-10/#comments</comments>
		<pubDate>Thu, 24 Nov 2016 22:00:15 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[The British Invasion]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=64333</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/wp_ss_20161007_0001-150x150.png" alt="&#8220;The Universe Doesn&#8217;t Care. This Is Not Punishment, But Rather It Is Appreciation&#8230;&#8221; Celebration, Commiseration and Concern in &lt;i&gt;Providence&lt;/i&gt; #10" title="&#8220;The Universe Doesn&#8217;t Care. This Is Not Punishment, But Rather It Is Appreciation&#8230;&#8221; Celebration, Commiseration and Concern in &lt;i&gt;Providence&lt;/i&gt; #10" style="float:left;" />“I will tell the audient void. . . . I do not recall distinctly when it began, but it was months ago. The general tension was horrible. To a season of political and social upheaval&#8230; <a href="http://sequart.org/magazine/64333/the-universe-doesnt-care-this-is-not-punishment-but-rather-it-is-appreciation-celebration-commiseration-and-concern-in-providence-10/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>6</slash:comments>
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		<title>A Journey Through Alan Moore&#8217;s Jerusalem: A Host of Angles</title>
		<link>http://sequart.org/magazine/65112/a-journey-through-alan-moores-jerusalem-a-host-of-angles/</link>
		<comments>http://sequart.org/magazine/65112/a-journey-through-alan-moores-jerusalem-a-host-of-angles/#comments</comments>
		<pubDate>Fri, 18 Nov 2016 21:00:59 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jerusalem]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65112</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/William-Blake-Jerusalem-150x150.jpg" alt="A Journey Through Alan Moore&#8217;s &lt;i&gt;Jerusalem&lt;/i&gt;: A Host of Angles" title="A Journey Through Alan Moore&#8217;s &lt;i&gt;Jerusalem&lt;/i&gt;: A Host of Angles" style="float:left;" />You know there&#8217;s going to be a story when you&#8217;re told, flat out, that the protagonist is going to go insane. I feel like for every detail I catch in my reading of Jerusalem, there&#8230; <a href="http://sequart.org/magazine/65112/a-journey-through-alan-moores-jerusalem-a-host-of-angles/">[more]</a>]]></description>
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		<title>A Journey Through Alan Moore&#8217;s Jerusalem: Work in Progress</title>
		<link>http://sequart.org/magazine/64975/a-journey-through-alan-moores-jerusalem-work-in-progress/</link>
		<comments>http://sequart.org/magazine/64975/a-journey-through-alan-moores-jerusalem-work-in-progress/#comments</comments>
		<pubDate>Wed, 02 Nov 2016 17:45:01 +0000</pubDate>
		<dc:creator>Matthew Kirshenblatt</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jerusalem]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Alan-Moore-Jerusalem-150x150.jpg" alt="A Journey Through Alan Moore&#8217;s &lt;i&gt;Jerusalem&lt;/i&gt;: Work in Progress" title="A Journey Through Alan Moore&#8217;s &lt;i&gt;Jerusalem&lt;/i&gt;: Work in Progress" style="float:left;" />This is an experiment, you understand. I haven&#8217;t written for Sequart in quite some time and in addition to other articles I want to write, I&#8217;ve decided I wanted to try something I haven&#8217;t really&#8230; <a href="http://sequart.org/magazine/64975/a-journey-through-alan-moores-jerusalem-work-in-progress/">[more]</a>]]></description>
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		<title>The British Invasion in Current Previews Catalog</title>
		<link>http://sequart.org/magazine/64954/the-british-invasion-in-current-previews-catalog/</link>
		<comments>http://sequart.org/magazine/64954/the-british-invasion-in-current-previews-catalog/#comments</comments>
		<pubDate>Wed, 02 Nov 2016 09:00:30 +0000</pubDate>
		<dc:creator>Mike Phillips</dc:creator>
				<category><![CDATA[Sequart News]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[DC Comics]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Karen Berger]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[Vertigo]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/26full200-150x150.png" alt="&lt;i&gt;The British Invasion&lt;/i&gt; in Current &lt;i&gt;Previews&lt;/i&gt; Catalog" title="&lt;i&gt;The British Invasion&lt;/i&gt; in Current &lt;i&gt;Previews&lt;/i&gt; Catalog" style="float:left;" />If you like to make all of your hard-copy purchases through your Local Comics Shop, and you want The British Invasion: Alan Moore, Neil Gaiman, Grant Morrison, and the Invention of the Modern Comic Book Writer&#8230; <a href="http://sequart.org/magazine/64954/the-british-invasion-in-current-previews-catalog/">[more]</a>]]></description>
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		<title>&#8220;&#8230;And Providence Hesitates On The Very Cusp Of Another World Than This.&#8221; Rejection, Resolution and Revelation in Providence #9</title>
		<link>http://sequart.org/magazine/64330/and-providence-hesitates-on-the-very-cusp-of-another-world-than-this-rejection-resolution-and-revelation-in-providence-9/</link>
		<comments>http://sequart.org/magazine/64330/and-providence-hesitates-on-the-very-cusp-of-another-world-than-this-rejection-resolution-and-revelation-in-providence-9/#comments</comments>
		<pubDate>Wed, 21 Sep 2016 16:00:51 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Neonomicon]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[The Courtyard]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=64330</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/trapezohedron-150x150.png" alt="&#8220;&#8230;And Providence Hesitates On The Very Cusp Of Another World Than This.&#8221; Rejection, Resolution and Revelation in &lt;i&gt;Providence&lt;/i&gt; #9" title="&#8220;&#8230;And Providence Hesitates On The Very Cusp Of Another World Than This.&#8221; Rejection, Resolution and Revelation in &lt;i&gt;Providence&lt;/i&gt; #9" style="float:left;" />“This stone, once exposed, exerted upon Blake an almost alarming fascination. He could scarcely tear his eyes from it, and as he looked at its glistening surfaces he almost fancied it was transparent, with half-formed&#8230; <a href="http://sequart.org/magazine/64330/and-providence-hesitates-on-the-very-cusp-of-another-world-than-this-rejection-resolution-and-revelation-in-providence-9/">[more]</a>]]></description>
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		<title>Smorgasbord #51: Goodbye, Northampton&#8217;s Rose</title>
		<link>http://sequart.org/magazine/64650/smorgasbord-51-goodbye-northamptons-rose/</link>
		<comments>http://sequart.org/magazine/64650/smorgasbord-51-goodbye-northamptons-rose/#comments</comments>
		<pubDate>Wed, 21 Sep 2016 11:00:49 +0000</pubDate>
		<dc:creator>Tom Shapira</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[2000AD]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Anna Galactic]]></category>
		<category><![CDATA[Christopher Baldwin]]></category>
		<category><![CDATA[Doom Patrol]]></category>
		<category><![CDATA[Glitterbomb]]></category>
		<category><![CDATA[Jude Terror]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=64650</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sequart-logo-2014-small-150x150.jpg" alt="Smorgasbord #51: Goodbye, Northampton&#8217;s Rose" title="Smorgasbord #51: Goodbye, Northampton&#8217;s Rose" style="float:left;" />Shawn and Tom consider the legacy of Alan Moore as he prepares to leave comics forever(?); Shawn sings the praises of Outhouser Jude Terror for speaking truth to power; nobody puts Valiant in the corner&#8230; <a href="http://sequart.org/magazine/64650/smorgasbord-51-goodbye-northamptons-rose/">[more]</a>]]></description>
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		<title>Sequart Releases The British Invasion</title>
		<link>http://sequart.org/magazine/64311/sequart-releases-the-british-invasion/</link>
		<comments>http://sequart.org/magazine/64311/sequart-releases-the-british-invasion/#comments</comments>
		<pubDate>Thu, 18 Aug 2016 23:50:05 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Sequart News]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Greg Carpenter]]></category>
		<category><![CDATA[Karen Berger]]></category>
		<category><![CDATA[Kevin Colden]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[The British Invasion]]></category>
		<category><![CDATA[Vertigo]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/26full200-150x150.png" alt="Sequart Releases &lt;i&gt;The British Invasion&lt;/i&gt;" title="Sequart Releases &lt;i&gt;The British Invasion&lt;/i&gt;" style="float:left;" />Sequart Organization is proud to announce the publication of The British Invasion: Alan Moore, Neil Gaiman, Grant Morrison, and the Invention of the Modern Comic Book Writer, by Greg Carpenter. Moore. Gaiman. Morrison. They came from&#8230; <a href="http://sequart.org/magazine/64311/sequart-releases-the-british-invasion/">[more]</a>]]></description>
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		<title>“Dreams, Writings And Our Outlandish Human Imaginings… They’re At The Very Heart Of It.” &#8211; Romantic Reflections On The Written Word In Providence #8</title>
		<link>http://sequart.org/magazine/63323/%e2%80%9cdreams-writings-and-our-outlandish-human-imaginings%e2%80%a6-they%e2%80%99re-at-the-very-heart-of-it-%e2%80%9d/</link>
		<comments>http://sequart.org/magazine/63323/%e2%80%9cdreams-writings-and-our-outlandish-human-imaginings%e2%80%a6-they%e2%80%99re-at-the-very-heart-of-it-%e2%80%9d/#comments</comments>
		<pubDate>Mon, 18 Jul 2016 16:30:46 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Neonomicon]]></category>
		<category><![CDATA[Prometh]]></category>
		<category><![CDATA[Promethea]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[The Courtyard]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=63323</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ultharcats-150x150.jpg" alt="“Dreams, Writings And Our Outlandish Human Imaginings… They’re At The Very Heart Of It.” &#8211; Romantic Reflections On The Written Word In &lt;i&gt;Providence&lt;/i&gt; #8" title="“Dreams, Writings And Our Outlandish Human Imaginings… They’re At The Very Heart Of It.” &#8211; Romantic Reflections On The Written Word In &lt;i&gt;Providence&lt;/i&gt; #8" style="float:left;" />“ A blessed haze lies upon all this region, wherein is held a little more of the sunlight than other places hold, and a little more of the summer’s humming music of birds and bees;&#8230; <a href="http://sequart.org/magazine/63323/%e2%80%9cdreams-writings-and-our-outlandish-human-imaginings%e2%80%a6-they%e2%80%99re-at-the-very-heart-of-it-%e2%80%9d/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Smorgasbord #38: Moon Witch is Gonna Get Ya</title>
		<link>http://sequart.org/magazine/63053/smorgasbord-38-moon-witch-is-gonna-get-ya/</link>
		<comments>http://sequart.org/magazine/63053/smorgasbord-38-moon-witch-is-gonna-get-ya/#comments</comments>
		<pubDate>Wed, 09 Mar 2016 17:49:26 +0000</pubDate>
		<dc:creator>Tom Shapira</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Angoulême]]></category>
		<category><![CDATA[Batman v Superman: Dawn of Justice]]></category>
		<category><![CDATA[Black Widow]]></category>
		<category><![CDATA[Fantastic Four (2015 film)]]></category>
		<category><![CDATA[Iron Fist]]></category>
		<category><![CDATA[Iron Fist (Netflix series)]]></category>
		<category><![CDATA[Martian Manhunter]]></category>
		<category><![CDATA[Mighty Morphin Power Rangers]]></category>
		<category><![CDATA[The Discipline]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=63053</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sequart-logo-2014-small-150x150.jpg" alt="Smorgasbord #38: Moon Witch is Gonna Get Ya" title="Smorgasbord #38: Moon Witch is Gonna Get Ya" style="float:left;" />The Iron Fist casting news brings with it a large discussion which dominates the episode as Shawn and Tom discuss the Marvel monochrome universe, the diminished importance of source fidelity, and being uncomfortable by heaving&#8230; <a href="http://sequart.org/magazine/63053/smorgasbord-38-moon-witch-is-gonna-get-ya/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>“It&#8217;s Like Underneath Everything  There Is Just Chaos…”  &#8211;  Perspective and Politics in Providence #7</title>
		<link>http://sequart.org/magazine/62864/%e2%80%9cits-like-underneath-everything-there-is-just-chaos%e2%80%a6%e2%80%9d-perspective-and-politics-in-providence-7/</link>
		<comments>http://sequart.org/magazine/62864/%e2%80%9cits-like-underneath-everything-there-is-just-chaos%e2%80%a6%e2%80%9d-perspective-and-politics-in-providence-7/#comments</comments>
		<pubDate>Tue, 08 Mar 2016 17:00:49 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Neonomicon]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[The Courtyard]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=62864</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/providence7-150x150.jpg" alt="“It&#8217;s Like Underneath Everything  There Is Just Chaos…”  &#8211;  Perspective and Politics in &lt;em&gt;Providence&lt;/em&gt; #7" title="“It&#8217;s Like Underneath Everything  There Is Just Chaos…”  &#8211;  Perspective and Politics in &lt;em&gt;Providence&lt;/em&gt; #7" style="float:left;" />“Any magazine-cover hack can splash paint around wildly and call it a nightmare or a Witches&#8217; Sabbath or a portrait of the devil, but only a great painter can make such a thing really scare&#8230; <a href="http://sequart.org/magazine/62864/%e2%80%9cits-like-underneath-everything-there-is-just-chaos%e2%80%a6%e2%80%9d-perspective-and-politics-in-providence-7/">[more]</a>]]></description>
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		<title>The Days of EC: A Critical Examination of the Pulp Books of the Past and What They Can Teach Us About Our Future</title>
		<link>http://sequart.org/magazine/62550/the-days-of-ec-a-critical-examination-of-the-books/</link>
		<comments>http://sequart.org/magazine/62550/the-days-of-ec-a-critical-examination-of-the-books/#comments</comments>
		<pubDate>Sun, 24 Jan 2016 18:30:10 +0000</pubDate>
		<dc:creator>Jarrett Mazza</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[EC Comics]]></category>
		<category><![CDATA[Harvey Kurtzman]]></category>
		<category><![CDATA[House of Fear]]></category>
		<category><![CDATA[Stephen King]]></category>
		<category><![CDATA[Tales From The Crypt]]></category>
		<category><![CDATA[The Vault of Horror]]></category>
		<category><![CDATA[Weird Fantasy]]></category>
		<category><![CDATA[Weird Science]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=62550</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/TFTC21Cover-150x150.jpg" alt="The Days of EC: A Critical Examination of the Pulp Books of the Past and What They Can Teach Us About Our Future" title="The Days of EC: A Critical Examination of the Pulp Books of the Past and What They Can Teach Us About Our Future" style="float:left;" />The pages were pulpy and the colors were bright, the ink was fresh and the dialogue had been waxed freshly onto each page and all it cost was a nickel to buy. The panels were&#8230; <a href="http://sequart.org/magazine/62550/the-days-of-ec-a-critical-examination-of-the-books/">[more]</a>]]></description>
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		<title>Inside the Frontier: What Non-Comic Readers Can Learn From Reading The Star Trek Comics</title>
		<link>http://sequart.org/magazine/62520/inside-the-frontier-star-trek-comics/</link>
		<comments>http://sequart.org/magazine/62520/inside-the-frontier-star-trek-comics/#comments</comments>
		<pubDate>Mon, 18 Jan 2016 22:00:10 +0000</pubDate>
		<dc:creator>Jarrett Mazza</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Brian Greene]]></category>
		<category><![CDATA[Gene Roddenberry]]></category>
		<category><![CDATA[Michio Kaku]]></category>
		<category><![CDATA[Star Trek]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Swamp Thing]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=62520</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/33full2001-150x150.png" alt="Inside the Frontier: What Non-Comic Readers Can Learn From Reading The Star Trek Comics" title="Inside the Frontier: What Non-Comic Readers Can Learn From Reading The Star Trek Comics" style="float:left;" />What kind of relationship do comic books and films share? This is a broad, subjective, and fairly debatable question to ask most comic readers, but it is still nonetheless a question that continuously courses through&#8230; <a href="http://sequart.org/magazine/62520/inside-the-frontier-star-trek-comics/">[more]</a>]]></description>
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		<title>“The Fourth Means Is Most Terrible, And Rests On The Eviction Of A Soul…” Transcription and Trauma in Providence #6</title>
		<link>http://sequart.org/magazine/61573/%e2%80%9cthe-fourth-means-is-most-terrible-and-rests-on-the-eviction-of-a-soul%e2%80%a6%e2%80%9d-transcription-and-trauma-in-providence-6/</link>
		<comments>http://sequart.org/magazine/61573/%e2%80%9cthe-fourth-means-is-most-terrible-and-rests-on-the-eviction-of-a-soul%e2%80%a6%e2%80%9d-transcription-and-trauma-in-providence-6/#comments</comments>
		<pubDate>Sat, 16 Jan 2016 16:45:27 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Lost Girls]]></category>
		<category><![CDATA[Melinda Gebbe]]></category>
		<category><![CDATA[Neonomicon]]></category>
		<category><![CDATA[Providence]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=61573</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/prov6articlethumb-150x150.jpg" alt="“The Fourth Means Is Most Terrible, And Rests On The Eviction Of A Soul…” Transcription and Trauma in &lt;em&gt;Providence&lt;/em&gt; #6" title="“The Fourth Means Is Most Terrible, And Rests On The Eviction Of A Soul…” Transcription and Trauma in &lt;em&gt;Providence&lt;/em&gt; #6" style="float:left;" />&#8220;And yet, its realism was so hideous that I sometimes find hope impossible. If the thing did happen, then man must be prepared to accept notions of the cosmos, and of his own place in&#8230; <a href="http://sequart.org/magazine/61573/%e2%80%9cthe-fourth-means-is-most-terrible-and-rests-on-the-eviction-of-a-soul%e2%80%a6%e2%80%9d-transcription-and-trauma-in-providence-6/">[more]</a>]]></description>
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		<title>The Complete D.R. &amp; Quinch: Alan Moore&#8217;s Sci-Fi Fun Time</title>
		<link>http://sequart.org/magazine/61680/the-complete-d-r-quinch-alan-moores-sci-fi-fun-time/</link>
		<comments>http://sequart.org/magazine/61680/the-complete-d-r-quinch-alan-moores-sci-fi-fun-time/#comments</comments>
		<pubDate>Thu, 17 Dec 2015 12:00:53 +0000</pubDate>
		<dc:creator>Mario Lebel</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2000AD]]></category>
		<category><![CDATA[Alan Davis]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Sci-Fi Week 3]]></category>
		<category><![CDATA[science fiction]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=61680</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Complete-D.R.-Quinch-cover-150x150.jpg" alt="&lt;i&gt;The Complete D.R. &amp; Quinch&lt;/i&gt;: Alan Moore&#8217;s Sci-Fi Fun Time" title="&lt;i&gt;The Complete D.R. &amp; Quinch&lt;/i&gt;: Alan Moore&#8217;s Sci-Fi Fun Time" style="float:left;" />Like many readers who discovered the world of comics in bookstores rather than comic shops, the works of Alan Moore made an immediate impression on me. He’s a comic book rock star and, undeniably, one&#8230; <a href="http://sequart.org/magazine/61680/the-complete-d-r-quinch-alan-moores-sci-fi-fun-time/">[more]</a>]]></description>
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		<title>Constructing a Perfect Reality</title>
		<link>http://sequart.org/magazine/61687/constructing-a-perfect-reality/</link>
		<comments>http://sequart.org/magazine/61687/constructing-a-perfect-reality/#comments</comments>
		<pubDate>Mon, 14 Dec 2015 20:00:19 +0000</pubDate>
		<dc:creator>Jeff Hayes</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Malachi Ward]]></category>
		<category><![CDATA[Sci-Fi Week 3]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[The Reverie]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Reverie19-150x150.jpg" alt="Constructing a Perfect Reality" title="Constructing a Perfect Reality" style="float:left;" />“Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give”-  Monna Innominata by Christina Rossetti The topic of&#8230; <a href="http://sequart.org/magazine/61687/constructing-a-perfect-reality/">[more]</a>]]></description>
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		<item>
		<title>Send in the Third String: An Argument for the Importance of Less Popular Superheroes</title>
		<link>http://sequart.org/magazine/61641/send-in-the-third-string-new-heroes/</link>
		<comments>http://sequart.org/magazine/61641/send-in-the-third-string-new-heroes/#comments</comments>
		<pubDate>Sat, 12 Dec 2015 12:00:31 +0000</pubDate>
		<dc:creator>Jarrett Mazza</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Deathstroke]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Hawk and Dove]]></category>
		<category><![CDATA[Hawkman]]></category>
		<category><![CDATA[John Totleben]]></category>
		<category><![CDATA[Stephen Bissette]]></category>
		<category><![CDATA[The Blackhawks]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Elongated-Man-150x150.jpg" alt="Send in the Third String: An Argument for the Importance of Less Popular Superheroes" title="Send in the Third String: An Argument for the Importance of Less Popular Superheroes" style="float:left;" />It is difficult to choose your favorite superhero. Most fans of any universe or mythology will immediately select the one that is the most well known or frequently seen in comparison to those that are&#8230; <a href="http://sequart.org/magazine/61641/send-in-the-third-string-new-heroes/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Remembering the Fifth of November: V for Vendetta</title>
		<link>http://sequart.org/magazine/61055/remembering-the-fifth-of-november-v-for-vendetta/</link>
		<comments>http://sequart.org/magazine/61055/remembering-the-fifth-of-november-v-for-vendetta/#comments</comments>
		<pubDate>Thu, 05 Nov 2015 14:00:26 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[V for Vendetta]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=61055</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/v-de-vendetta-comic-150x150.jpg" alt="Remembering the Fifth of November: &lt;i&gt;V for Vendetta&lt;/i&gt;" title="Remembering the Fifth of November: &lt;i&gt;V for Vendetta&lt;/i&gt;" style="float:left;" />It’s the fifth of November, so I offer my humble thoughts on one of the true classics of our favourite medium. This is by no means an exhaustive analysis, simply a reflection on the book&#8230; <a href="http://sequart.org/magazine/61055/remembering-the-fifth-of-november-v-for-vendetta/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Alan Moore and Eddie Campbell&#8217;s Snakes and Ladders Gets a Film Adaptation</title>
		<link>http://sequart.org/magazine/60810/alan-moore-and-eddie-campbells-snakes-and-ladders-gets-a-film-adaptation/</link>
		<comments>http://sequart.org/magazine/60810/alan-moore-and-eddie-campbells-snakes-and-ladders-gets-a-film-adaptation/#comments</comments>
		<pubDate>Sat, 24 Oct 2015 11:00:29 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Eddie Campbell]]></category>
		<category><![CDATA[Snakes and Ladders]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60810</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Image-18-150x150.jpg" alt="Alan Moore and Eddie Campbell&#8217;s &lt;i&gt;Snakes and Ladders&lt;/i&gt; Gets a Film Adaptation" title="Alan Moore and Eddie Campbell&#8217;s &lt;i&gt;Snakes and Ladders&lt;/i&gt; Gets a Film Adaptation" style="float:left;" />Alan Moore’s Snakes and Ladders was one of his first major works dealing specifically with his unique approach to magic, following his revelation in 1995 that he himself was, in a very real sense, a&#8230; <a href="http://sequart.org/magazine/60810/alan-moore-and-eddie-campbells-snakes-and-ladders-gets-a-film-adaptation/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;Being The Frightful Smile Of Their Creator&#8230;&#8221; &#8211; Grimoires and Ghoulish Acts in Providence #5</title>
		<link>http://sequart.org/magazine/60411/being-the-frightful-smile-of-their-creator-providence-5/</link>
		<comments>http://sequart.org/magazine/60411/being-the-frightful-smile-of-their-creator-providence-5/#comments</comments>
		<pubDate>Sat, 17 Oct 2015 11:00:05 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[female representation]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Providence]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60411</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/frightfulsmile-150x150.jpg" alt="&#8220;Being The Frightful Smile Of Their Creator&#8230;&#8221; &#8211; Grimoires and Ghoulish Acts in &lt;em&gt;Providence&lt;/em&gt; #5" title="&#8220;Being The Frightful Smile Of Their Creator&#8230;&#8221; &#8211; Grimoires and Ghoulish Acts in &lt;em&gt;Providence&lt;/em&gt; #5" style="float:left;" />&#8220;Non-Euclidean calculus and quantum physics are enough to stretch any brain; and when one mixes them with folklore, and tries to trace a strange background of multi-dimensional reality behind the ghoulish hints of the Gothic&#8230; <a href="http://sequart.org/magazine/60411/being-the-frightful-smile-of-their-creator-providence-5/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>“There Was No Hand To Hold Me Back. That Night I Found The Ancient Track”: Transgressive and Transfigurative Acts in Providence #4</title>
		<link>http://sequart.org/magazine/59985/there-was-no-hand-to-hold-me-back/</link>
		<comments>http://sequart.org/magazine/59985/there-was-no-hand-to-hold-me-back/#comments</comments>
		<pubDate>Fri, 18 Sep 2015 17:00:36 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[female representation]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[The Dunwich Horror]]></category>
		<category><![CDATA[White Apes]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=59985</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/theboys2-150x150.jpg" alt="“There Was No Hand To Hold Me Back. That Night I Found The Ancient Track”: Transgressive and Transfigurative Acts in &lt;i&gt;Providence&lt;/i&gt; #4" title="“There Was No Hand To Hold Me Back. That Night I Found The Ancient Track”: Transgressive and Transfigurative Acts in &lt;i&gt;Providence&lt;/i&gt; #4" style="float:left;" />“That the prince of the powers of darkness, passing by the flower and pomp of the earth, should lay preposterous siege to the weak fantasy of indigent eld &#8212; Nor, when the wicked are expressly&#8230; <a href="http://sequart.org/magazine/59985/there-was-no-hand-to-hold-me-back/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Alan Moore brings Satire and Subtext to Spawn: Writers Writing Spawn, Part 1</title>
		<link>http://sequart.org/magazine/60144/alan-moore-brings-satire-and-subtext-to-spawn-spawn-written-by-writers-part-1/</link>
		<comments>http://sequart.org/magazine/60144/alan-moore-brings-satire-and-subtext-to-spawn-spawn-written-by-writers-part-1/#comments</comments>
		<pubDate>Wed, 16 Sep 2015 19:06:42 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Dante's Inferno]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Hell]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Spawn]]></category>
		<category><![CDATA[Supergods (Grant Morrison book)]]></category>
		<category><![CDATA[Todd McFarlane]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60144</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Fat-Spawn-150x150.jpg" alt="Alan Moore brings Satire and Subtext to &lt;i&gt;Spawn&lt;/i&gt;: Writers Writing &lt;i&gt;Spawn&lt;/i&gt;, Part 1" title="Alan Moore brings Satire and Subtext to &lt;i&gt;Spawn&lt;/i&gt;: Writers Writing &lt;i&gt;Spawn&lt;/i&gt;, Part 1" style="float:left;" />Believe it or not, Alan Moore wrote an issue of Spawn. In the midst of a crass and embarrassing era of comics, could Alan Moore steer Image Comics to substance? <a href="http://sequart.org/magazine/60144/alan-moore-brings-satire-and-subtext-to-spawn-spawn-written-by-writers-part-1/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>&#8220;Shambling After the Mad Ones&#8221;: Bob Dylan, Alan Moore, and Jack Kerouac</title>
		<link>http://sequart.org/magazine/60106/alan-moore-bob-dylan-jack-kerouac/</link>
		<comments>http://sequart.org/magazine/60106/alan-moore-bob-dylan-jack-kerouac/#comments</comments>
		<pubDate>Mon, 14 Sep 2015 11:00:29 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Jack Kerouac]]></category>
		<category><![CDATA[Kevin O'Neill]]></category>
		<category><![CDATA[On the Road (novel)]]></category>
		<category><![CDATA[Self Portrait (album)]]></category>
		<category><![CDATA[The Beat Generation]]></category>
		<category><![CDATA[The Black Dossier]]></category>
		<category><![CDATA[The League of Extraordinary Gentlemen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60106</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-League-of-Extraordianary-Gentlemen-The-Black-Dossier-by-Alan-Moore-and-Kevin-ONeill-150x150.jpg" alt="&#8220;Shambling After the Mad Ones&#8221;: Bob Dylan, Alan Moore, and Jack Kerouac" title="&#8220;Shambling After the Mad Ones&#8221;: Bob Dylan, Alan Moore, and Jack Kerouac" style="float:left;" />A couple of weeks ago, I broke down and got a copy of Bob Dylan’s 1970 album, Self Portrait.  For many fans, this album represents the low point in Dylan’s discography.  Throughout most of the&#8230; <a href="http://sequart.org/magazine/60106/alan-moore-bob-dylan-jack-kerouac/">[more]</a>]]></description>
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		<slash:comments>9</slash:comments>
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		<title>&#8220;How&#8217;d you do, my little Siren?&#8221;: Sensuality, Sentiment and Solipsism in Providence #3</title>
		<link>http://sequart.org/magazine/59828/howd-you-do-my-little-siren/</link>
		<comments>http://sequart.org/magazine/59828/howd-you-do-my-little-siren/#comments</comments>
		<pubDate>Sun, 06 Sep 2015 00:00:55 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[The Mirror of Love]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=59828</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Screenshot_2015-08-21-19-48-17_2-150x150.jpg" alt="&#8220;How&#8217;d you do, my little Siren?&#8221;: Sensuality, Sentiment and Solipsism in &lt;i&gt;Providence&lt;/i&gt; #3" title="&#8220;How&#8217;d you do, my little Siren?&#8221;: Sensuality, Sentiment and Solipsism in &lt;i&gt;Providence&lt;/i&gt; #3" style="float:left;" />Let&#8217;s begin by returning to the idea of Alan Moore infusing the Mythos with an emotional current and introducing the alien to well, the alien. I am undoubtedly one of those strange folk who doesn&#8217;t&#8230; <a href="http://sequart.org/magazine/59828/howd-you-do-my-little-siren/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;And Thus Exemplify This Process.&#8221; &#8211; Duality, Duplicity and Dissolution in Providence #2</title>
		<link>http://sequart.org/magazine/59300/and-thus-exemplify-this-process-duality-duplicity-and-dissolution-in-providence-2/</link>
		<comments>http://sequart.org/magazine/59300/and-thus-exemplify-this-process-duality-duplicity-and-dissolution-in-providence-2/#comments</comments>
		<pubDate>Fri, 07 Aug 2015 11:00:50 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[lovecraft]]></category>
		<category><![CDATA[Neonomicon]]></category>
		<category><![CDATA[Providence]]></category>
		<category><![CDATA[queer history]]></category>
		<category><![CDATA[The Mirror of Love]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=59300</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/articlethumb10-150x150.jpg" alt="&#8220;And Thus Exemplify This Process.&#8221; &#8211; Duality, Duplicity and Dissolution in &lt;i&gt;Providence&lt;/i&gt; #2" title="&#8220;And Thus Exemplify This Process.&#8221; &#8211; Duality, Duplicity and Dissolution in &lt;i&gt;Providence&lt;/i&gt; #2" style="float:left;" />Providence thus far appears at the very least to be an exercise in dichotomy. The first issue portraying relatively liberated sexual play alongside tragic repression. The second issue appears to do much the same, only&#8230; <a href="http://sequart.org/magazine/59300/and-thus-exemplify-this-process-duality-duplicity-and-dissolution-in-providence-2/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>No Future For You &#8211; Crossed +100</title>
		<link>http://sequart.org/magazine/59206/crossed-100-review/</link>
		<comments>http://sequart.org/magazine/59206/crossed-100-review/#comments</comments>
		<pubDate>Sat, 01 Aug 2015 11:00:00 +0000</pubDate>
		<dc:creator>Emmet O'Cuana</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Crossed]]></category>
		<category><![CDATA[Gabriel Andrade]]></category>
		<category><![CDATA[science fiction]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=59206</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/STK6601791-150x150.jpg" alt="No Future For You &#8211; &lt;i&gt;Crossed +100&lt;/i&gt;" title="No Future For You &#8211; &lt;i&gt;Crossed +100&lt;/i&gt;" style="float:left;" />*SPOILERS for the six issue Crossed +100 storyline* Then the whole community of Israel set out from Elim and journeyed into the wilderness of Sin – Exodus 16 We all know what the post-apocalypse looks&#8230; <a href="http://sequart.org/magazine/59206/crossed-100-review/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Ten Great Titles From Sequential&#8217;s Summer Sale</title>
		<link>http://sequart.org/magazine/59087/ten-great-titles-from-sequentials-summer-sale/</link>
		<comments>http://sequart.org/magazine/59087/ten-great-titles-from-sequentials-summer-sale/#comments</comments>
		<pubDate>Thu, 23 Jul 2015 11:00:21 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Graphic Medicine]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[INJ Culbard]]></category>
		<category><![CDATA[Jeff Lemire]]></category>
		<category><![CDATA[Sequential]]></category>
		<category><![CDATA[The Fifth Beatle]]></category>
		<category><![CDATA[Vivek Tiwary]]></category>
		<category><![CDATA[Will Eisner]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=59087</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/sequentialLogo-1-150x150.png" alt="Ten Great Titles From Sequential&#8217;s Summer Sale" title="Ten Great Titles From Sequential&#8217;s Summer Sale" style="float:left;" />Sequential, an iPad app for reading comics, is having a great summer sale on dozens of indie comics titles this month, and if those sorts of comics are to your taste, there’s quite a bit&#8230; <a href="http://sequart.org/magazine/59087/ten-great-titles-from-sequentials-summer-sale/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The War Against Caption Boxes</title>
		<link>http://sequart.org/magazine/58785/the-war-against-caption-boxes/</link>
		<comments>http://sequart.org/magazine/58785/the-war-against-caption-boxes/#comments</comments>
		<pubDate>Fri, 03 Jul 2015 11:00:40 +0000</pubDate>
		<dc:creator>Mike Greear</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[caption boxes]]></category>
		<category><![CDATA[comic book writing]]></category>
		<category><![CDATA[Neil Gaiman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=58785</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/walsh_2012_figure08-150x150.jpg" alt="The War Against Caption Boxes" title="The War Against Caption Boxes" style="float:left;" />Lately I’ve been catching up on some contemporary titles, some of which are produced by my favorite writers in the field, and I’m actually finding plenty of things not to enjoy about them, which doesn’t&#8230; <a href="http://sequart.org/magazine/58785/the-war-against-caption-boxes/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>6</slash:comments>
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		<title>Look Away, Dixie Land: Reflections on Life in the South, Racist Iconography, and Alan Moore&#8217;s Swamp Thing</title>
		<link>http://sequart.org/magazine/58648/south-racist-iconography-swamp-thing/</link>
		<comments>http://sequart.org/magazine/58648/south-racist-iconography-swamp-thing/#comments</comments>
		<pubDate>Mon, 29 Jun 2015 11:00:25 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Al Capp]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Confederate flag]]></category>
		<category><![CDATA[Li'l Abner]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[Swamp Thing]]></category>
		<category><![CDATA[The South]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=58648</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Cast-of-Lil-Abner-by-Al-Capp-copy-150x150.gif" alt="Look Away, Dixie Land: Reflections on Life in the South, Racist Iconography, and Alan Moore&#8217;s Swamp Thing" title="Look Away, Dixie Land: Reflections on Life in the South, Racist Iconography, and Alan Moore&#8217;s Swamp Thing" style="float:left;" />When I was very young, my family used to make an annual summer trip to Dogpatch, U.S.A.  Nestled in the Ozark Mountains near Harrison, Arkansas, Dogpatch was a small amusement park inspired by Al Capp’s&#8230; <a href="http://sequart.org/magazine/58648/south-racist-iconography-swamp-thing/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>A Brief Appreciation of Comics Lettering</title>
		<link>http://sequart.org/magazine/58605/a-brief-appreciation-of-comics-lettering/</link>
		<comments>http://sequart.org/magazine/58605/a-brief-appreciation-of-comics-lettering/#comments</comments>
		<pubDate>Thu, 25 Jun 2015 19:00:56 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Classics Illustrated]]></category>
		<category><![CDATA[Harvey Pekar]]></category>
		<category><![CDATA[Letterers]]></category>
		<category><![CDATA[Lettering]]></category>
		<category><![CDATA[Pat Brousseau]]></category>
		<category><![CDATA[Rick Veitch]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=58605</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Nate-Piekos-comic-book-lettering-150x150.jpg" alt="A Brief Appreciation of Comics Lettering" title="A Brief Appreciation of Comics Lettering" style="float:left;" />If comics are “Just words and pictures,” then lettering is what allows those two elements to blend into a cohesive whole. Lettering can be artful, it can serve story purpose, it can be decorative, it&#8230; <a href="http://sequart.org/magazine/58605/a-brief-appreciation-of-comics-lettering/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>A Sandman Miscellany: Sandman Overture #5 Review</title>
		<link>http://sequart.org/magazine/58549/a-sandman-miscellany-sandman-overture-5-review/</link>
		<comments>http://sequart.org/magazine/58549/a-sandman-miscellany-sandman-overture-5-review/#comments</comments>
		<pubDate>Wed, 24 Jun 2015 11:00:44 +0000</pubDate>
		<dc:creator>Stuart Warren</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[revisionism]]></category>
		<category><![CDATA[Sandman (Neil Gaiman series)]]></category>
		<category><![CDATA[Sandman: Overture]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/sdfg1-150x150.jpg" alt="A &lt;i&gt;Sandman&lt;/i&gt; Miscellany: &lt;i&gt;Sandman Overture&lt;/i&gt; #5 Review" title="A &lt;i&gt;Sandman&lt;/i&gt; Miscellany: &lt;i&gt;Sandman Overture&lt;/i&gt; #5 Review" style="float:left;" />One of the difficult aspects of reviewing Neil Gaiman’s bookend of his long developed Sandman conceptual universe is making heads and tails of the myriad pathways that intertwine in the grand narrative. <a href="http://sequart.org/magazine/58549/a-sandman-miscellany-sandman-overture-5-review/">[more]</a>]]></description>
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		<title>&#8220;Leng. We&#8217;re All on Leng&#8221;: Alan Moore&#8217;s Providence and the Cthulhu Mythos</title>
		<link>http://sequart.org/magazine/58437/leng-were-all-on-leng-alan-moores-providence-and-the-cthulhu-mythos/</link>
		<comments>http://sequart.org/magazine/58437/leng-were-all-on-leng-alan-moores-providence-and-the-cthulhu-mythos/#comments</comments>
		<pubDate>Fri, 19 Jun 2015 12:00:54 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[H.P. Lovecraft]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[Jacen Burrows]]></category>
		<category><![CDATA[Neonomicon]]></category>
		<category><![CDATA[Providence]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/aklos-150x150.jpg" alt="&#8220;Leng. We&#8217;re All on Leng&#8221;: Alan Moore&#8217;s &lt;i&gt;Providence&lt;/i&gt; and the Cthulhu Mythos" title="&#8220;Leng. We&#8217;re All on Leng&#8221;: Alan Moore&#8217;s &lt;i&gt;Providence&lt;/i&gt; and the Cthulhu Mythos" style="float:left;" />A while back I discussed just what it was that defines the sense of the Lovecraftian. At that time I spoke of Alan Moore&#8217;s The Courtyard and Neonomicon and their contrast to the perhaps less&#8230; <a href="http://sequart.org/magazine/58437/leng-were-all-on-leng-alan-moores-providence-and-the-cthulhu-mythos/">[more]</a>]]></description>
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		<title>Who Will Save Us Now?: Dirty Realistic Fiction, Grim and Gritty Superhero Comic Books, and the Legacy of 1986—Part 2</title>
		<link>http://sequart.org/magazine/58395/dirty-realistic-fiction-superheroes-part-2/</link>
		<comments>http://sequart.org/magazine/58395/dirty-realistic-fiction-superheroes-part-2/#comments</comments>
		<pubDate>Wed, 17 Jun 2015 11:00:42 +0000</pubDate>
		<dc:creator>William Bradley</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Geoff Klock]]></category>
		<category><![CDATA[revisionism]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=58395</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Dark-Knight-Returns2-150x150.jpg" alt="Who Will Save Us Now?: Dirty Realistic Fiction, Grim and Gritty Superhero Comic Books, and the Legacy of 1986—Part 2" title="Who Will Save Us Now?: Dirty Realistic Fiction, Grim and Gritty Superhero Comic Books, and the Legacy of 1986—Part 2" style="float:left;" />All the reasons which made the initiation of physical force evil, make the retaliatory use of physical force a moral imperative! I read—and loved—The Dark Knight Returns when I was in the 7th grade, about three&#8230; <a href="http://sequart.org/magazine/58395/dirty-realistic-fiction-superheroes-part-2/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Watchmen up Close: An Interview with Andrew Hoberek</title>
		<link>http://sequart.org/magazine/58370/andrew-hoberek-interview-watchmen/</link>
		<comments>http://sequart.org/magazine/58370/andrew-hoberek-interview-watchmen/#comments</comments>
		<pubDate>Sat, 13 Jun 2015 11:00:51 +0000</pubDate>
		<dc:creator>William Bradley</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Andrew Hoberek]]></category>
		<category><![CDATA[Considering Watchmen: Poetics]]></category>
		<category><![CDATA[Dave Gibbons]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Property]]></category>
		<category><![CDATA[Watchmen]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/resizedAndrew-Hoberek-560x344-150x150.jpg" alt="&lt;i&gt;Watchmen&lt;/i&gt; up Close: An Interview with Andrew Hoberek" title="&lt;i&gt;Watchmen&lt;/i&gt; up Close: An Interview with Andrew Hoberek" style="float:left;" />Andrew Hoberek is the author of Considering Watchmen: Poetics, Property, Politics (Rutgers University Press), a 2015 Eisner-Award nominee for Best Educational/ Academic Work.  He is also an Associate Professor of English at the University of&#8230; <a href="http://sequart.org/magazine/58370/andrew-hoberek-interview-watchmen/">[more]</a>]]></description>
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		<title>Eating Brains: Zombies and Dystopianism</title>
		<link>http://sequart.org/magazine/58207/eating-brains-zombies-and-dystopianism/</link>
		<comments>http://sequart.org/magazine/58207/eating-brains-zombies-and-dystopianism/#comments</comments>
		<pubDate>Tue, 09 Jun 2015 11:00:47 +0000</pubDate>
		<dc:creator>Stuart Warren</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[deconstruction]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Marvel cinematic universe]]></category>
		<category><![CDATA[paranoia]]></category>
		<category><![CDATA[revisionism]]></category>
		<category><![CDATA[The Big Bang Theory]]></category>
		<category><![CDATA[The Walking Dead]]></category>
		<category><![CDATA[zombies]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=58207</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/walking-dead-zombie-150x150.jpg" alt="Eating Brains: Zombies and Dystopianism" title="Eating Brains: Zombies and Dystopianism" style="float:left;" />In 2013 I was at SDCC meeting Julian Darius for the first time. After a long, harrowing comic-con experience we both went to the Comic Book Legal Defense Fund after party. There were famous people&#8230; <a href="http://sequart.org/magazine/58207/eating-brains-zombies-and-dystopianism/">[more]</a>]]></description>
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		<title>Five Reasons Why Comics Scholarship is Important</title>
		<link>http://sequart.org/magazine/58222/top-five-reasons-why-comics-scholarship-is-important/</link>
		<comments>http://sequart.org/magazine/58222/top-five-reasons-why-comics-scholarship-is-important/#comments</comments>
		<pubDate>Thu, 04 Jun 2015 11:00:07 +0000</pubDate>
		<dc:creator>Stuart Warren</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[comics criticism]]></category>
		<category><![CDATA[comics mechanics]]></category>
		<category><![CDATA[comics studies]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Mark Waid]]></category>
		<category><![CDATA[Marvel cinematic universe]]></category>
		<category><![CDATA[Neil Gaiman]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/superman3-150x150.jpg" alt="Five Reasons Why Comics Scholarship is Important" title="Five Reasons Why Comics Scholarship is Important" style="float:left;" />Before getting into comics, I had no idea where to start, or how to approach comics as a body of work. Over the course of several decades comics have diversified into a multi-headed beast. There&#8230; <a href="http://sequart.org/magazine/58222/top-five-reasons-why-comics-scholarship-is-important/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Dangerous Visions: The False Nostalgia of Tomorrowland</title>
		<link>http://sequart.org/magazine/58195/dangerous-visions-%e2%80%93-the-false-nostalgia-of-tomorrowland/</link>
		<comments>http://sequart.org/magazine/58195/dangerous-visions-%e2%80%93-the-false-nostalgia-of-tomorrowland/#comments</comments>
		<pubDate>Tue, 02 Jun 2015 11:00:00 +0000</pubDate>
		<dc:creator>Emmet O'Cuana</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Anita Sarkeesian]]></category>
		<category><![CDATA[comics criticism]]></category>
		<category><![CDATA[Simon Pegg]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Thomas More]]></category>
		<category><![CDATA[Tomorrowland (film)]]></category>
		<category><![CDATA[Utopia]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Tomorrowland+Trailer+Teaser+Subtle-Sadness+Acting+Britt-Robertson+Casey-Newton+Nonverbal-Communication-Expert+Body-Language-Expert+Speaker+Keynote+Consultant+Las-Vegas+Los-Angeles+Orlando+NYC-150x150.png" alt="Dangerous Visions: The False Nostalgia of &lt;i&gt;Tomorrowland&lt;/i&gt;" title="Dangerous Visions: The False Nostalgia of &lt;i&gt;Tomorrowland&lt;/i&gt;" style="float:left;" />SPOILERS FOR TOMORROWLAND Brad Bird’s Tomorrowland presents its audience with a choice. On the one hand there is pessimism – our world is wracked by wars, climate change and rapid overpopulation that could combined bring&#8230; <a href="http://sequart.org/magazine/58195/dangerous-visions-%e2%80%93-the-false-nostalgia-of-tomorrowland/">[more]</a>]]></description>
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		<slash:comments>6</slash:comments>
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		<title>The Art of Miracleman: Olympus—Praising John Totleben</title>
		<link>http://sequart.org/magazine/56908/the-art-of-miracleman-olympus%e2%80%94praising-john-totleben/</link>
		<comments>http://sequart.org/magazine/56908/the-art-of-miracleman-olympus%e2%80%94praising-john-totleben/#comments</comments>
		<pubDate>Mon, 20 Apr 2015 14:00:22 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[John Totleben]]></category>
		<category><![CDATA[Miracleman (a.k.a. Marvelman)]]></category>
		<category><![CDATA[The Avengers (film)]]></category>
		<category><![CDATA[The Boys]]></category>
		<category><![CDATA[The Man of Steel (film)]]></category>
		<category><![CDATA[The Ultimates]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Miracleman-13-02-03-150x150.jpg" alt="The Art of &lt;i&gt;Miracleman: Olympus&lt;/i&gt;—Praising John Totleben" title="The Art of &lt;i&gt;Miracleman: Olympus&lt;/i&gt;—Praising John Totleben" style="float:left;" />John Totleben's artwork on Miracleman: Olympus is the single most influential art on superheroes since Neal Adams. It is also a rare case of art being "better" than Alan Moore's writing. <a href="http://sequart.org/magazine/56908/the-art-of-miracleman-olympus%e2%80%94praising-john-totleben/">[more]</a>]]></description>
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		<title>Sifting Through the Ashes: Analyzing Hellblazer, Part 23</title>
		<link>http://sequart.org/magazine/56369/analyzing-hellblazer-part-23/</link>
		<comments>http://sequart.org/magazine/56369/analyzing-hellblazer-part-23/#comments</comments>
		<pubDate>Fri, 27 Mar 2015 11:00:07 +0000</pubDate>
		<dc:creator>Max Nestorowich</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Hellblazer]]></category>
		<category><![CDATA[John Constantine]]></category>
		<category><![CDATA[Neil Gaiman]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Hellblazer-27-cover-150x150.jpg" alt="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer&lt;/i&gt;, Part 23" title="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer&lt;/i&gt;, Part 23" style="float:left;" />Issue 27 “Hold Me” Writer: Neil Gaiman Art &#38; Cover: Dave McKean Colors: Dave McKean &#38; Danny Vizzo Letters: Todd Klein Following Grant Morrison’s two part tale of nuclear terror, is arguably one of the&#8230; <a href="http://sequart.org/magazine/56369/analyzing-hellblazer-part-23/">[more]</a>]]></description>
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		<title>Sifting Through the Ashes: Analyzing Hellblazer, Part 19</title>
		<link>http://sequart.org/magazine/55740/analyzing-hellblazer-part-19/</link>
		<comments>http://sequart.org/magazine/55740/analyzing-hellblazer-part-19/#comments</comments>
		<pubDate>Fri, 27 Feb 2015 12:00:57 +0000</pubDate>
		<dc:creator>Max Nestorowich</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[From Hell]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Hellblazer]]></category>
		<category><![CDATA[John Constantine]]></category>
		<category><![CDATA[Neil Gaiman]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/asdf4-150x150.jpg" alt="Sifting Through the Ashes: Analyzing Hellblazer, Part 19" title="Sifting Through the Ashes: Analyzing Hellblazer, Part 19" style="float:left;" />Issue #21 “The God of All Gods” Writer: Jamie Delano Art: Mark Buckingham, Alfredo Alcala Colors: Lovern Kindzierski Letters: Elitta Fell Cover: Dave McKean Continuing directly from the previous issue, “The God of All Gods”&#8230; <a href="http://sequart.org/magazine/55740/analyzing-hellblazer-part-19/">[more]</a>]]></description>
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		<title>The Frank Miller &amp; Alan Moore Adaptations</title>
		<link>http://sequart.org/magazine/55687/the-frank-miller-alan-moore-adaptations/</link>
		<comments>http://sequart.org/magazine/55687/the-frank-miller-alan-moore-adaptations/#comments</comments>
		<pubDate>Thu, 26 Feb 2015 16:00:47 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[300]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>
		<category><![CDATA[V for Vendetta]]></category>
		<category><![CDATA[Watchmen]]></category>
		<category><![CDATA[Zack Snyder]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=55687</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/300-150x150.jpg" alt="The Frank Miller &amp; Alan Moore Adaptations" title="The Frank Miller &amp; Alan Moore Adaptations" style="float:left;" />As we near the climax of comparing Miller and Moore it's worth talking about the adaptations. Is there any good adaptation of Alan Moore's work? Is there a bad adaptation of Miller's work? <a href="http://sequart.org/magazine/55687/the-frank-miller-alan-moore-adaptations/">[more]</a>]]></description>
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		<title>On All-New Miracleman Annual #1</title>
		<link>http://sequart.org/magazine/53905/on-all-new-miracleman-annual-1/</link>
		<comments>http://sequart.org/magazine/53905/on-all-new-miracleman-annual-1/#comments</comments>
		<pubDate>Mon, 19 Jan 2015 13:00:34 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Joe Quesada]]></category>
		<category><![CDATA[Mike Allred]]></category>
		<category><![CDATA[Miracleman (a.k.a. Marvelman)]]></category>
		<category><![CDATA[Peter Milligan]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=53905</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/All-New-Miracleman-Annual-1-e1421393813545-150x150.jpg" alt="On &lt;i&gt;All-New Miracleman Annual&lt;/i&gt; #1" title="On &lt;i&gt;All-New Miracleman Annual&lt;/i&gt; #1" style="float:left;" />One of the oddities of Marvel finally reprinting Miracleman is the relative lack of interest it&#8217;s generated. We&#8217;re talking about a work regarded as being as important as Watchmen in super-hero comics history (and arguably even more&#8230; <a href="http://sequart.org/magazine/53905/on-all-new-miracleman-annual-1/">[more]</a>]]></description>
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		<slash:comments>11</slash:comments>
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		<title>Frank Miller’s Daredevil Saga, Part 1: Introduction</title>
		<link>http://sequart.org/magazine/53750/frank-miller-daredevil-introduction-1/</link>
		<comments>http://sequart.org/magazine/53750/frank-miller-daredevil-introduction-1/#comments</comments>
		<pubDate>Tue, 06 Jan 2015 12:00:47 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Daredevil]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[John Romita]]></category>
		<category><![CDATA[Swamp Thing]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=53750</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Young-Frank-Miller-150x150.jpg" alt="Frank Miller’s &lt;i&gt;Daredevil&lt;/i&gt; Saga, Part 1: Introduction" title="Frank Miller’s &lt;i&gt;Daredevil&lt;/i&gt; Saga, Part 1: Introduction" style="float:left;" />Introduction Few writer/artists have been able to leave such an impact on a character that it has forever transformed comics after. Frank Miller was able to breathe life and vitality to characters that had been&#8230; <a href="http://sequart.org/magazine/53750/frank-miller-daredevil-introduction-1/">[more]</a>]]></description>
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		<title>Sifting Through the Ashes: Analyzing Hellblazer, Part 11</title>
		<link>http://sequart.org/magazine/53324/analyzing-hellblazer-part-11/</link>
		<comments>http://sequart.org/magazine/53324/analyzing-hellblazer-part-11/#comments</comments>
		<pubDate>Fri, 02 Jan 2015 12:00:02 +0000</pubDate>
		<dc:creator>Max Nestorowich</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[From Hell]]></category>
		<category><![CDATA[Hellblazer]]></category>
		<category><![CDATA[John Constantine]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=53324</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Annual-Cover1-150x150.jpg" alt="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer&lt;/i&gt;, Part 11" title="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer&lt;/i&gt;, Part 11" style="float:left;" />Hellblazer Annual #1 “The Bloody Saint” Writer: Jamie Delano Art: Bryan Talbot Colors: Lovern Kindzierski Letters: Todd Klein Cover: Kent Williams Life has a sense of never really turning out exactly as we would like&#8230; <a href="http://sequart.org/magazine/53324/analyzing-hellblazer-part-11/">[more]</a>]]></description>
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		<title>A Sandman Miscellany: Sandman Overture #4 Review</title>
		<link>http://sequart.org/magazine/53187/a-sandman-miscellany-sandman-overture-4-review/</link>
		<comments>http://sequart.org/magazine/53187/a-sandman-miscellany-sandman-overture-4-review/#comments</comments>
		<pubDate>Fri, 19 Dec 2014 00:00:30 +0000</pubDate>
		<dc:creator>Stuart Warren</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[Sandman (Neil Gaiman series)]]></category>
		<category><![CDATA[Sandman: Overture]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=53187</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/DM-_4-150x150.jpg" alt="A &lt;i&gt;Sandman&lt;/i&gt; Miscellany: &lt;i&gt;Sandman Overture&lt;/i&gt; #4 Review" title="A &lt;i&gt;Sandman&lt;/i&gt; Miscellany: &lt;i&gt;Sandman Overture&lt;/i&gt; #4 Review" style="float:left;" />Written by: Neil Gaiman Art by: J.H. Williams, III Cover by: J.H. Williams, III Dave McKean Variant Cover by: J.H. Williams, III Dave McKean The long awaited Sandman Overture #4 has arrived, just in time&#8230; <a href="http://sequart.org/magazine/53187/a-sandman-miscellany-sandman-overture-4-review/">[more]</a>]]></description>
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		<title>The Super-Heroics of Miller and Moore Part 7: Legacy</title>
		<link>http://sequart.org/magazine/52414/the-super-heroics-of-miller-and-moore-part-7-legacy/</link>
		<comments>http://sequart.org/magazine/52414/the-super-heroics-of-miller-and-moore-part-7-legacy/#comments</comments>
		<pubDate>Thu, 18 Dec 2014 18:00:37 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[Neal Adams]]></category>
		<category><![CDATA[Stan Lee]]></category>
		<category><![CDATA[Steve Ditko]]></category>
		<category><![CDATA[Walt Whitman]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Absolute-Watchmen-150x150.jpg" alt="The Super-Heroics of Miller and Moore Part 7: Legacy" title="The Super-Heroics of Miller and Moore Part 7: Legacy" style="float:left;" />Alan Moore and Frank Miller’s Impact on Comics Commercially The legacy and influence an artist has on all who follow him/her is always surprising. Some artists take a great work as an inspiration to try&#8230; <a href="http://sequart.org/magazine/52414/the-super-heroics-of-miller-and-moore-part-7-legacy/">[more]</a>]]></description>
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		<title>The Super-Heroics of Frank Miller and Alan Moore, Part 6</title>
		<link>http://sequart.org/magazine/52122/the-super-heroics-of-frank-miller-and-alan-moore-part-6/</link>
		<comments>http://sequart.org/magazine/52122/the-super-heroics-of-frank-miller-and-alan-moore-part-6/#comments</comments>
		<pubDate>Thu, 11 Dec 2014 12:00:33 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Batman: The Killing Joke]]></category>
		<category><![CDATA[Bill Sienkiewicz]]></category>
		<category><![CDATA[Daredevil: Love and War]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[From Hell]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=52122</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Batman-The-Killing-Joke-150x150.jpg" alt="The Super-Heroics of Frank Miller and Alan Moore, Part 6" title="The Super-Heroics of Frank Miller and Alan Moore, Part 6" style="float:left;" />The Tragic Villains of Miller and Moore Moore and Miller’s approach to writing is always comparable and yet vastly different. Miller is hard-boiled crime writer and Moore delves deep into culture and vast concepts with&#8230; <a href="http://sequart.org/magazine/52122/the-super-heroics-of-frank-miller-and-alan-moore-part-6/">[more]</a>]]></description>
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		<title>&#8220;A Perfectly Finished Work of Art Right Where I Am Sitting Now.&#8221;:  Cosmic Trigger -The Play</title>
		<link>http://sequart.org/magazine/52817/cosmic-trigger-the-play-review/</link>
		<comments>http://sequart.org/magazine/52817/cosmic-trigger-the-play-review/#comments</comments>
		<pubDate>Sun, 07 Dec 2014 18:00:56 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Cosmic Trigger (play)]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Robert Anton Wilson]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/articlethumb4-150x150.jpg" alt="&#8220;A Perfectly Finished Work of Art Right Where I Am Sitting Now.&#8221;:  &lt;i&gt;Cosmic Trigger -The Play&lt;/i&gt;" title="&#8220;A Perfectly Finished Work of Art Right Where I Am Sitting Now.&#8221;:  &lt;i&gt;Cosmic Trigger -The Play&lt;/i&gt;" style="float:left;" />A fair few of you may not have heard of Robert Anton Wilson. This is tragic. A fair few of you may have heard of people influenced by Robert Anton Wilson. This is not so&#8230; <a href="http://sequart.org/magazine/52817/cosmic-trigger-the-play-review/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>The Super-Heroics of Frank Miller and Alan Moore, Part 5</title>
		<link>http://sequart.org/magazine/52115/the-super-heroics-of-frank-miller-and-alan-moore-part-5/</link>
		<comments>http://sequart.org/magazine/52115/the-super-heroics-of-frank-miller-and-alan-moore-part-5/#comments</comments>
		<pubDate>Thu, 04 Dec 2014 12:00:22 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Daredevil: Born Again]]></category>
		<category><![CDATA[Elektra: Assassin]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Miracleman (a.k.a. Marvelman)]]></category>
		<category><![CDATA[V for Vendetta]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=52115</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Miracleman-Utopia-150x150.jpg" alt="The Super-Heroics of Frank Miller and Alan Moore, Part 5" title="The Super-Heroics of Frank Miller and Alan Moore, Part 5" style="float:left;" />Optimism Ultimately, there are two types of stories: tragedies and comedies. There are no inherent requirements for tragedies or comedies. In the days of Shakespeare tragedies ended with death and comedies ended with weddings. But&#8230; <a href="http://sequart.org/magazine/52115/the-super-heroics-of-frank-miller-and-alan-moore-part-5/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;The Characters Remain Unaware of My Scrutiny, but Their Thoughts are Transparent&#8221;: The Multiversity: Pax Americana #1</title>
		<link>http://sequart.org/magazine/52644/the-multiversity-pax-americana-1/</link>
		<comments>http://sequart.org/magazine/52644/the-multiversity-pax-americana-1/#comments</comments>
		<pubDate>Mon, 01 Dec 2014 18:00:46 +0000</pubDate>
		<dc:creator>Dave Whittaker</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Multiversity]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=52644</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/articlethumb3-150x150.jpg" alt="&#8220;The Characters Remain Unaware of My Scrutiny, but Their Thoughts are Transparent&#8221;: &lt;i&gt;The Multiversity: Pax Americana&lt;/i&gt; #1" title="&#8220;The Characters Remain Unaware of My Scrutiny, but Their Thoughts are Transparent&#8221;: &lt;i&gt;The Multiversity: Pax Americana&lt;/i&gt; #1" style="float:left;" />Whether he explicitly stated it or not Pax Americana is to be Grant Morrison&#8217;s Watchmen Redux. Of course it is so much more than this as well. During the initial drafting of this article Pax&#8230; <a href="http://sequart.org/magazine/52644/the-multiversity-pax-americana-1/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Grant Morrison, Watchmen, and the Art of the Polemic</title>
		<link>http://sequart.org/magazine/52695/grant-morrison-watchmen-and-the-art-of-the-polemic/</link>
		<comments>http://sequart.org/magazine/52695/grant-morrison-watchmen-and-the-art-of-the-polemic/#comments</comments>
		<pubDate>Mon, 01 Dec 2014 12:00:48 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[2000AD]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Zenith]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=52695</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Multiversity-Pax-Americana-150x150.jpg" alt="Grant Morrison, &lt;i&gt;Watchmen,&lt;/i&gt; and the Art of the Polemic" title="Grant Morrison, &lt;i&gt;Watchmen,&lt;/i&gt; and the Art of the Polemic" style="float:left;" />In order to criticize a movie, you have to make another movie. —Jean-Luc Godard A few years ago I stopped reading monthly comic books.  It wasn’t an ideological decision—just a reader’s.  Most of the comics&#8230; <a href="http://sequart.org/magazine/52695/grant-morrison-watchmen-and-the-art-of-the-polemic/">[more]</a>]]></description>
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		<slash:comments>8</slash:comments>
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		<title>The Super-Heroics of Frank Miller and Alan Moore, Part 3</title>
		<link>http://sequart.org/magazine/52099/the-super-heroics-of-frank-miller-and-alan-moore-part-3/</link>
		<comments>http://sequart.org/magazine/52099/the-super-heroics-of-frank-miller-and-alan-moore-part-3/#comments</comments>
		<pubDate>Thu, 20 Nov 2014 12:00:51 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[RoboCop 2]]></category>
		<category><![CDATA[Sin City]]></category>
		<category><![CDATA[Spawn]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=52099</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Violator-Cover1-150x150.jpg" alt="The Super-Heroics of Frank Miller and Alan Moore, Part 3" title="The Super-Heroics of Frank Miller and Alan Moore, Part 3" style="float:left;" />Early 90s Superhero work I have been alluding at various points the real-life history of my two subjects in my past articles, but context is vital in understanding the next period of superhero writing for&#8230; <a href="http://sequart.org/magazine/52099/the-super-heroics-of-frank-miller-and-alan-moore-part-3/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>The Super-Heroics of Frank Miller and Alan Moore, Part 2</title>
		<link>http://sequart.org/magazine/52090/the-super-heroics-of-frank-miller-and-alan-moore-part-2/</link>
		<comments>http://sequart.org/magazine/52090/the-super-heroics-of-frank-miller-and-alan-moore-part-2/#comments</comments>
		<pubDate>Thu, 13 Nov 2014 18:00:52 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Batman: Year One]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=52090</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Batman-Rides-into-Gotham1-150x150.jpg" alt="The Super-Heroics of Frank Miller and Alan Moore, Part 2" title="The Super-Heroics of Frank Miller and Alan Moore, Part 2" style="float:left;" />Prime-Era Superheroes After a falling out with British Comics publishers, Alan Moore began working with DC Comics writing the horror-book Swamp Thing. Most of Swamp Thing avoided utilization of most superheroes sans some supernatural characters.&#8230; <a href="http://sequart.org/magazine/52090/the-super-heroics-of-frank-miller-and-alan-moore-part-2/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>The Original Science-Fiction Hero, Part 2: Buck Rogers and the Art of the Reboot</title>
		<link>http://sequart.org/magazine/52026/buck-rogers-art-of-the-reboot-part-2/</link>
		<comments>http://sequart.org/magazine/52026/buck-rogers-art-of-the-reboot-part-2/#comments</comments>
		<pubDate>Mon, 10 Nov 2014 12:00:43 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Buck Rogers]]></category>
		<category><![CDATA[Dynamite Comics]]></category>
		<category><![CDATA[Frank Frazetta]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Sci-Fi Week 2]]></category>
		<category><![CDATA[science fiction]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Eugene-V.-Debs-for-President-1920-150x150.jpg" alt="The Original Science-Fiction Hero, Part 2: Buck Rogers and the Art of the Reboot" title="The Original Science-Fiction Hero, Part 2: Buck Rogers and the Art of the Reboot" style="float:left;" />In last week’s column, I wrote about the original novella from Amazing Stories that first introduced Buck Rogers.  This week I want to look at two recent attempts to reboot the character. Whenever I talk&#8230; <a href="http://sequart.org/magazine/52026/buck-rogers-art-of-the-reboot-part-2/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Super-Heroics of Frank Miller and Alan Moore, Part 1</title>
		<link>http://sequart.org/magazine/51697/super-heroics-of-frank-miller-and-alan-moore-part-1/</link>
		<comments>http://sequart.org/magazine/51697/super-heroics-of-frank-miller-and-alan-moore-part-1/#comments</comments>
		<pubDate>Thu, 06 Nov 2014 18:00:20 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Daredevil]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Miracleman (a.k.a. Marvelman)]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=51697</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/miracleman-lenil-150x150.png" alt="The Super-Heroics of Frank Miller and Alan Moore, Part 1" title="The Super-Heroics of Frank Miller and Alan Moore, Part 1" style="float:left;" />Introduction— Frank Miller and Alan Moore defined modern comics. While they were not the first writers to bring darkness, contemporary political issues or realism to comics, they helped shape the modern comics industry. For better&#8230; <a href="http://sequart.org/magazine/51697/super-heroics-of-frank-miller-and-alan-moore-part-1/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Sifting Through the Ashes: Analyzing Hellblazer, Part 1</title>
		<link>http://sequart.org/magazine/51389/analyzing-hellblazer-part-1/</link>
		<comments>http://sequart.org/magazine/51389/analyzing-hellblazer-part-1/#comments</comments>
		<pubDate>Fri, 24 Oct 2014 11:00:34 +0000</pubDate>
		<dc:creator>Max Nestorowich</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Dave McKean]]></category>
		<category><![CDATA[Garth Ennis]]></category>
		<category><![CDATA[John Constantine]]></category>
		<category><![CDATA[Swamp Thing]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=51389</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/constantine-150x150.jpg" alt="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer,&lt;/i&gt; Part 1" title="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer,&lt;/i&gt; Part 1" style="float:left;" />When the term “magic” is observed by a member of the Western world, certain images undoubtedly come to mind. Long bearded men with staffs and pointy hats, a young boy with a lightning bolt scar,&#8230; <a href="http://sequart.org/magazine/51389/analyzing-hellblazer-part-1/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>&#8220;For the Man Who Has Everything&#8221;: The Animated Adaptation</title>
		<link>http://sequart.org/magazine/51251/for-the-man-who-has-everything-the-animated-adaptation-article/</link>
		<comments>http://sequart.org/magazine/51251/for-the-man-who-has-everything-the-animated-adaptation-article/#comments</comments>
		<pubDate>Fri, 17 Oct 2014 20:00:44 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Dave Gibbons]]></category>
		<category><![CDATA[Justice League]]></category>
		<category><![CDATA[Superman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=51251</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/maxresdefault-1-150x150.jpg" alt="&#8220;For the Man Who Has Everything&#8221;: The Animated Adaptation" title="&#8220;For the Man Who Has Everything&#8221;: The Animated Adaptation" style="float:left;" />Getting Alan Moore to approve of an adaptation is like… getting Alan Moore to approve of an adaptation. So, it’s very interesting to hear that the 2006 WB Animation adaptation of “For the Man Who&#8230; <a href="http://sequart.org/magazine/51251/for-the-man-who-has-everything-the-animated-adaptation-article/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>The Last Temptation of Supe: Christian Overtones in &#8220;For the Man Who Has Everything&#8221;</title>
		<link>http://sequart.org/magazine/50445/the-last-temptation-of-supe-christian-overtones-in-for-the-man-who-has-everything/</link>
		<comments>http://sequart.org/magazine/50445/the-last-temptation-of-supe-christian-overtones-in-for-the-man-who-has-everything/#comments</comments>
		<pubDate>Mon, 29 Sep 2014 19:59:27 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Dave Gibbons]]></category>
		<category><![CDATA[DC Comics]]></category>
		<category><![CDATA[Superman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=50445</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ftmwhecover-150x150.png" alt="The Last Temptation of Supe: Christian Overtones in &#8220;For the Man Who Has Everything&#8221;" title="The Last Temptation of Supe: Christian Overtones in &#8220;For the Man Who Has Everything&#8221;" style="float:left;" />On those rare occasions when I teach students about superhero comics, one question that always comes up is what defines a “hero”. Is, for example, a hero simply an individual who does heroic things? Or&#8230; <a href="http://sequart.org/magazine/50445/the-last-temptation-of-supe-christian-overtones-in-for-the-man-who-has-everything/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Delivering the 20th Century, Part 3: Alan Moore and Eddie Campbell’s From Hell</title>
		<link>http://sequart.org/magazine/50399/delivering-the-20th-century-part-3-alan-moore-and-eddie-campbell%e2%80%99s-from-hell/</link>
		<comments>http://sequart.org/magazine/50399/delivering-the-20th-century-part-3-alan-moore-and-eddie-campbell%e2%80%99s-from-hell/#comments</comments>
		<pubDate>Mon, 29 Sep 2014 11:00:25 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Eddie Campbell]]></category>
		<category><![CDATA[From Hell]]></category>
		<category><![CDATA[Jack the Ripper]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=50399</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/From-Hell-Chapter-10-page-15-150x150.jpg" alt="Delivering the 20th Century, Part 3: Alan Moore and Eddie Campbell’s &lt;i&gt;From Hell&lt;/i&gt;" title="Delivering the 20th Century, Part 3: Alan Moore and Eddie Campbell’s &lt;i&gt;From Hell&lt;/i&gt;" style="float:left;" />In re-reading From Hell, it’s hard not to marvel at the liberation Alan Moore seems to be enjoying.  Despite the brilliance of his earlier superhero and horror stories, there was often still a sense of&#8230; <a href="http://sequart.org/magazine/50399/delivering-the-20th-century-part-3-alan-moore-and-eddie-campbell%e2%80%99s-from-hell/">[more]</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Delivering the 20th Century, Part 2:  Alan Moore and Eddie Campbell’s From Hell</title>
		<link>http://sequart.org/magazine/50232/from-hell-part-2/</link>
		<comments>http://sequart.org/magazine/50232/from-hell-part-2/#comments</comments>
		<pubDate>Mon, 22 Sep 2014 11:00:42 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Eddie Campbell]]></category>
		<category><![CDATA[From Hell]]></category>
		<category><![CDATA[Jack the Ripper]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=50232</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Chapter-4-page-32-150x150.jpg" alt="Delivering the 20th Century, Part 2:  Alan Moore and Eddie Campbell’s &lt;i&gt;From Hell&lt;/i&gt;" title="Delivering the 20th Century, Part 2:  Alan Moore and Eddie Campbell’s &lt;i&gt;From Hell&lt;/i&gt;" style="float:left;" />Last week’s column looked at the origins of Alan Moore and Eddie Campbell’s From Hell.  This week it’s time to dive into some of the highlights from the first half of the book. The Prologue,&#8230; <a href="http://sequart.org/magazine/50232/from-hell-part-2/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Smorgasbord #2: The Ubiquitous Charles Soule</title>
		<link>http://sequart.org/magazine/50219/smorgasbord-2-the-ubiquitous-charles-soule/</link>
		<comments>http://sequart.org/magazine/50219/smorgasbord-2-the-ubiquitous-charles-soule/#comments</comments>
		<pubDate>Sun, 21 Sep 2014 17:00:30 +0000</pubDate>
		<dc:creator>Tom Shapira</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Copperhead]]></category>
		<category><![CDATA[Judge Dredd]]></category>
		<category><![CDATA[Smorgasbord (podcast)]]></category>
		<category><![CDATA[The Death of Wolverine]]></category>
		<category><![CDATA[The Names]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=50219</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sequart-logo-2014-small-150x150.jpg" alt="Smorgasbord #2: The Ubiquitous Charles Soule" title="Smorgasbord #2: The Ubiquitous Charles Soule" style="float:left;" />Welcome to the Smorgasbord Podcast, where Tom Shapira (Curing the Postmodern Blues) and Shawn Edri talk about little of everything comics related. In this episode we talk possible new live-action superhero shows, the new novel&#8230; <a href="http://sequart.org/magazine/50219/smorgasbord-2-the-ubiquitous-charles-soule/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Delivering the Twentieth Century, Part 1: Alan Moore and Eddie Campbell’s From Hell</title>
		<link>http://sequart.org/magazine/49992/delivering-the-twentieth-century-part-1-alan-moore-and-eddie-campbell%e2%80%99s-from-hell/</link>
		<comments>http://sequart.org/magazine/49992/delivering-the-twentieth-century-part-1-alan-moore-and-eddie-campbell%e2%80%99s-from-hell/#comments</comments>
		<pubDate>Mon, 15 Sep 2014 11:00:50 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Eddie Campbell]]></category>
		<category><![CDATA[From Hell]]></category>
		<category><![CDATA[Jack the Ripper]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=49992</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/From-Hell-Cover-150x150.jpg" alt="Delivering the Twentieth Century, Part 1: Alan Moore and Eddie Campbell’s &lt;i&gt;From Hell&lt;/i&gt;" title="Delivering the Twentieth Century, Part 1: Alan Moore and Eddie Campbell’s &lt;i&gt;From Hell&lt;/i&gt;" style="float:left;" />If you’re like me, you’ve read with interest the recent news stories about a man named Russell Edwards who claims to have finally and definitively solved the mystery of Jack the Ripper.  Much like the&#8230; <a href="http://sequart.org/magazine/49992/delivering-the-twentieth-century-part-1-alan-moore-and-eddie-campbell%e2%80%99s-from-hell/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>&#8220;Not Walking in Alan Moore&#8217;s Footsteps&#8221;: The American Superhero Comics of Mark Millar, Part 33</title>
		<link>http://sequart.org/magazine/49286/not-walking-in-alan-moore-footsteps-swamp-thing-american-superhero-comics-mark-millar/</link>
		<comments>http://sequart.org/magazine/49286/not-walking-in-alan-moore-footsteps-swamp-thing-american-superhero-comics-mark-millar/#comments</comments>
		<pubDate>Tue, 02 Sep 2014 11:00:02 +0000</pubDate>
		<dc:creator>Colin Smith</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Mark Millar]]></category>
		<category><![CDATA[Shameless]]></category>
		<category><![CDATA[Swamp Thing]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=49286</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/scan159-150x150.jpg" alt="&#8220;Not Walking in Alan Moore&#8217;s Footsteps&#8221;: The American Superhero Comics of Mark Millar, Part 33" title="&#8220;Not Walking in Alan Moore&#8217;s Footsteps&#8221;: The American Superhero Comics of Mark Millar, Part 33" style="float:left;" />Continued from last week. Of course, there&#8217;s no reason why an obvious ending can&#8217;t also be a satisfying one. Similarly, a protagonist that seems to lack personality or potency can still be used in a&#8230; <a href="http://sequart.org/magazine/49286/not-walking-in-alan-moore-footsteps-swamp-thing-american-superhero-comics-mark-millar/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>&#8220;Ritual Must Be Observed&#8221;: The American Superhero Comics of Mark Millar, Part 31</title>
		<link>http://sequart.org/magazine/49107/ritual-must-be-observed-on-swamp-thing-140-171-the-american-superhero-comics-of-mark-millar-part-31/</link>
		<comments>http://sequart.org/magazine/49107/ritual-must-be-observed-on-swamp-thing-140-171-the-american-superhero-comics-of-mark-millar-part-31/#comments</comments>
		<pubDate>Tue, 19 Aug 2014 11:00:19 +0000</pubDate>
		<dc:creator>Colin Smith</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[JLA]]></category>
		<category><![CDATA[Mark Millar]]></category>
		<category><![CDATA[Shameless]]></category>
		<category><![CDATA[Swamp Thing]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=49107</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/scan05-150x150.jpg" alt="&#8220;Ritual Must Be Observed&#8221;: The American Superhero Comics of Mark Millar, Part 31" title="&#8220;Ritual Must Be Observed&#8221;: The American Superhero Comics of Mark Millar, Part 31" style="float:left;" />Continued from last week. As for his two warring Lodges of super-mages, Millar seems to have used them as a symbol of religious sectarianism and reconciliation. Their differing interpretations of how to save the world&#8230; <a href="http://sequart.org/magazine/49107/ritual-must-be-observed-on-swamp-thing-140-171-the-american-superhero-comics-of-mark-millar-part-31/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;Why Try to Create a New God?&#8221;: The American Superhero Comics of Mark Millar, Part 30</title>
		<link>http://sequart.org/magazine/48718/the-american-superhero-comics-of-mark-millar-part-30/</link>
		<comments>http://sequart.org/magazine/48718/the-american-superhero-comics-of-mark-millar-part-30/#comments</comments>
		<pubDate>Tue, 05 Aug 2014 11:00:40 +0000</pubDate>
		<dc:creator>Colin Smith</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Mark Millar]]></category>
		<category><![CDATA[Shameless]]></category>
		<category><![CDATA[Swamp Thing]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=48718</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/scan000115-150x150.jpg" alt="&#8220;Why Try to Create a New God?&#8221;: The American Superhero Comics of Mark Millar, Part 30" title="&#8220;Why Try to Create a New God?&#8221;: The American Superhero Comics of Mark Millar, Part 30" style="float:left;" />Continued from last week. But for all the carelessness and clumsiness of Millar&#8217;s scripts, his and Morrison&#8217;s Swamp Thing consistently displays a deliberate and serious moral purpose. Indeed, the comic persistently plays out two quite&#8230; <a href="http://sequart.org/magazine/48718/the-american-superhero-comics-of-mark-millar-part-30/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Sequart Announces Meet the Magus: Magic in the Work of Alan Moore</title>
		<link>http://sequart.org/magazine/45950/sequart-announces-meet-the-magus-magic-in-the-work-of-alan-moore/</link>
		<comments>http://sequart.org/magazine/45950/sequart-announces-meet-the-magus-magic-in-the-work-of-alan-moore/#comments</comments>
		<pubDate>Wed, 18 Jun 2014 15:00:06 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Sequart News]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Hannah Means-Shannon]]></category>
		<category><![CDATA[magic]]></category>
		<category><![CDATA[Promethea]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=45950</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Promethea-e1402493765784-150x150.jpg" alt="Sequart Announces &lt;i&gt;Meet the Magus: Magic in the Work of Alan Moore&lt;/i&gt;" title="Sequart Announces &lt;i&gt;Meet the Magus: Magic in the Work of Alan Moore&lt;/i&gt;" style="float:left;" />Sequart is proud to announce that it will publish Meet the Magus: Magic in the Work of Alan Moore, authored by Dr. Hannah Means-Shannon. Meet the Magus: Magic in the Work of Alan Moore explores&#8230; <a href="http://sequart.org/magazine/45950/sequart-announces-meet-the-magus-magic-in-the-work-of-alan-moore/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Women in Super-Hero Movies: We Still Have a Long Way to Go</title>
		<link>http://sequart.org/magazine/44943/women-in-super-hero-movies-still-have-a-long-way-to-go/</link>
		<comments>http://sequart.org/magazine/44943/women-in-super-hero-movies-still-have-a-long-way-to-go/#comments</comments>
		<pubDate>Mon, 09 Jun 2014 20:00:31 +0000</pubDate>
		<dc:creator>Karra Shimabukuro</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Agent Carter]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Catwoman (film)]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[Halle Berry]]></category>
		<category><![CDATA[Lois Lane]]></category>
		<category><![CDATA[Sue Storm]]></category>
		<category><![CDATA[The Comedian]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=44943</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Whistlers-Daughter-150x150.jpg" alt="Women in Super-Hero Movies: We Still Have a Long Way to Go" title="Women in Super-Hero Movies: We Still Have a Long Way to Go" style="float:left;" />I was watching Tomb Raider last night, and while I love Angelina Jolie and the movie, there is one scene that makes me absolutely crazy at the beginning: Angelina Jolie’s character, Lara Croft takes a&#8230; <a href="http://sequart.org/magazine/44943/women-in-super-hero-movies-still-have-a-long-way-to-go/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Banned Books Week 2014 Features Comics</title>
		<link>http://sequart.org/magazine/45504/banned-books-week-2014-features-comics/</link>
		<comments>http://sequart.org/magazine/45504/banned-books-week-2014-features-comics/#comments</comments>
		<pubDate>Fri, 06 Jun 2014 20:00:04 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Banned Books Week]]></category>
		<category><![CDATA[Batman: The Killing Joke]]></category>
		<category><![CDATA[censorship / freedom of speech]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=45504</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/banned-comics-150x150.jpg" alt="Banned Books Week 2014 Features Comics" title="Banned Books Week 2014 Features Comics" style="float:left;" />This year for Banned Books Week, always an important week for libraries and literature awareness, the focus will be on comics. By encouraging people to choose and read a book that has been challenged, somewhere&#8230; <a href="http://sequart.org/magazine/45504/banned-books-week-2014-features-comics/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>What is Electricomics? Right Now, It&#8217;s an Illustration of Comics &#8220;Journalism&#8221;</title>
		<link>http://sequart.org/magazine/44791/what-is-electricomics-an-illustration-of-comics-journalism/</link>
		<comments>http://sequart.org/magazine/44791/what-is-electricomics-an-illustration-of-comics-journalism/#comments</comments>
		<pubDate>Fri, 30 May 2014 18:00:15 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Comics Alliance]]></category>
		<category><![CDATA[Electricomics]]></category>
		<category><![CDATA[Matt D. Wilson]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=44791</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Electricomics-logo-e1401439982271-150x150.jpg" alt="What is Electricomics? Right Now, It&#8217;s an Illustration of Comics &#8220;Journalism&#8221;" title="What is Electricomics? Right Now, It&#8217;s an Illustration of Comics &#8220;Journalism&#8221;" style="float:left;" />Over the previous few days, virtually every comics site has covered the announcement that Alan Moore&#8217;s creating a new app which will somehow revolutionize digital comics. It&#8217;s called &#8220;Electricomics,&#8221; and it&#8217;s been reported as both&#8230; <a href="http://sequart.org/magazine/44791/what-is-electricomics-an-illustration-of-comics-journalism/">[more]</a>]]></description>
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		<slash:comments>10</slash:comments>
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		<title>&#8220;Try Telling That to a 23-Year-Old Who Just Wanted to Play with the Toys&#8221;: The American Superhero Comics of Mark Millar, Part 19</title>
		<link>http://sequart.org/magazine/43562/the-american-superhero-comics-of-mark-millar-part-19/</link>
		<comments>http://sequart.org/magazine/43562/the-american-superhero-comics-of-mark-millar-part-19/#comments</comments>
		<pubDate>Tue, 20 May 2014 14:00:28 +0000</pubDate>
		<dc:creator>Colin Smith</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Mark Millar]]></category>
		<category><![CDATA[Shameless]]></category>
		<category><![CDATA[Swamp Thing]]></category>
		<category><![CDATA[Vertigo]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=43562</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/scan251-150x150.jpg" alt="&#8220;Try Telling That to a 23-Year-Old Who Just Wanted to Play with the Toys&#8221;: The American Superhero Comics of Mark Millar, Part 19" title="&#8220;Try Telling That to a 23-Year-Old Who Just Wanted to Play with the Toys&#8221;: The American Superhero Comics of Mark Millar, Part 19" style="float:left;" />Continued from last week. That &#8220;bloody big shadow&#8221; of Alan Moore&#8217;s extended far beyond the pages of Swamp Thing. Trying to compete with his achievements on the title was a daunting enough prospect.  But Moore&#8217;s&#8230; <a href="http://sequart.org/magazine/43562/the-american-superhero-comics-of-mark-millar-part-19/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Gathering Moss: On Rolling Stone’s Top 50 Non-Superhero Graphic Novels</title>
		<link>http://sequart.org/magazine/42925/on-rolling-stones-top-50-non-superhero-graphic-novels/</link>
		<comments>http://sequart.org/magazine/42925/on-rolling-stones-top-50-non-superhero-graphic-novels/#comments</comments>
		<pubDate>Thu, 15 May 2014 17:00:20 +0000</pubDate>
		<dc:creator>Emmet O'Cuana</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Alejandro Jodorowsky]]></category>
		<category><![CDATA[art comics]]></category>
		<category><![CDATA[Fun Home]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Rolling Stone]]></category>
		<category><![CDATA[Sam Kriss]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=42925</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Rolling-Stone-logo-150x150.jpg" alt="Gathering Moss: On &lt;i&gt;Rolling Stone&lt;/i&gt;’s Top 50 Non-Superhero Graphic Novels" title="Gathering Moss: On &lt;i&gt;Rolling Stone&lt;/i&gt;’s Top 50 Non-Superhero Graphic Novels" style="float:left;" />Last week Rolling Stone released its list of &#8220;The 50 Best Non-Superhero Graphic Novels.&#8221; Writer Joe Gross wrly notes that assembling such a list is tantamount to placing a large target on his back. A&#8230; <a href="http://sequart.org/magazine/42925/on-rolling-stones-top-50-non-superhero-graphic-novels/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;Swamp Thing was Just a Vegetable who Lived in a Bog, after All&#8221;: The American Superhero Comics of Mark Millar, Part 18</title>
		<link>http://sequart.org/magazine/42898/the-american-superhero-comics-of-mark-millar-part-18/</link>
		<comments>http://sequart.org/magazine/42898/the-american-superhero-comics-of-mark-millar-part-18/#comments</comments>
		<pubDate>Tue, 13 May 2014 11:00:41 +0000</pubDate>
		<dc:creator>Colin Smith</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Mark Millar]]></category>
		<category><![CDATA[Shameless]]></category>
		<category><![CDATA[Swamp Thing]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=42898</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/AlanMooresSwampThing-150x150.jpg" alt="&#8220;Swamp Thing was Just a Vegetable who Lived in a Bog, after All&#8221;: The American Superhero Comics of Mark Millar, Part 18" title="&#8220;Swamp Thing was Just a Vegetable who Lived in a Bog, after All&#8221;: The American Superhero Comics of Mark Millar, Part 18" style="float:left;" />Continued from last week. For almost a decade, Wein and Wrightson&#8217;s estimable if brief spell on Swamp Thing would prove impossible to follow. At best, the character would feature in some mildly suspenseful tales marked&#8230; <a href="http://sequart.org/magazine/42898/the-american-superhero-comics-of-mark-millar-part-18/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Alan Moore, Oscar Zarate, and One Killer of a Graphic Novel</title>
		<link>http://sequart.org/magazine/41352/alan-moore-oscar-zarate-a-small-killing/</link>
		<comments>http://sequart.org/magazine/41352/alan-moore-oscar-zarate-a-small-killing/#comments</comments>
		<pubDate>Mon, 07 Apr 2014 11:00:23 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[A Small Killing]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[graphic novels]]></category>
		<category><![CDATA[Oscar Zarate]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=41352</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/A-Small-Killing-Cover-150x150.jpg" alt="Alan Moore, Oscar Zarate, and One Killer of a Graphic Novel" title="Alan Moore, Oscar Zarate, and One Killer of a Graphic Novel" style="float:left;" />I was reconnecting with some of my former professors at a reception this past weekend when one of them asked what I was working on.  I said I had almost finished writing a book about&#8230; <a href="http://sequart.org/magazine/41352/alan-moore-oscar-zarate-a-small-killing/">[more]</a>]]></description>
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		<title>Captain America, Alan Moore, Alex Ross, and the Truth</title>
		<link>http://sequart.org/magazine/41165/captain-america-alan-moore-alex-ross-and-the-truth/</link>
		<comments>http://sequart.org/magazine/41165/captain-america-alan-moore-alex-ross-and-the-truth/#comments</comments>
		<pubDate>Mon, 31 Mar 2014 11:00:25 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Alex Ross]]></category>
		<category><![CDATA[Bill Sienkiewicz]]></category>
		<category><![CDATA[Brought to Light]]></category>
		<category><![CDATA[Captain America]]></category>
		<category><![CDATA[Kyle Baker]]></category>
		<category><![CDATA[Robert Morales]]></category>
		<category><![CDATA[Shadow Play]]></category>
		<category><![CDATA[Steve Darnall]]></category>
		<category><![CDATA[Truth: Red White & Black]]></category>
		<category><![CDATA[Uncle Sam]]></category>
		<category><![CDATA[United States of America]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=41165</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/From-Uncle-Sam-art-by-Alex-Ross-150x150.jpg" alt="Captain America, Alan Moore, Alex Ross, and the &lt;i&gt;Truth&lt;/i&gt;" title="Captain America, Alan Moore, Alex Ross, and the &lt;i&gt;Truth&lt;/i&gt;" style="float:left;" />I think there must be something wrong with me, Linus.  The Captain America film is coming out, but I’m not happy.  I don’t feel the way I’m supposed to feel.  I just don’t understand Captain&#8230; <a href="http://sequart.org/magazine/41165/captain-america-alan-moore-alex-ross-and-the-truth/">[more]</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Superhero Accessories: Part Two: Truth, Justice, All That Stuff</title>
		<link>http://sequart.org/magazine/41028/superhero-accessories-part-two-truth-justice-all-that-stuff/</link>
		<comments>http://sequart.org/magazine/41028/superhero-accessories-part-two-truth-justice-all-that-stuff/#comments</comments>
		<pubDate>Mon, 24 Mar 2014 11:00:55 +0000</pubDate>
		<dc:creator>Lance Parkin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Superman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=41028</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/2.1-150x150.jpg" alt="Superhero Accessories: Part Two: Truth, Justice, All That Stuff" title="Superhero Accessories: Part Two: Truth, Justice, All That Stuff" style="float:left;" />&#8230;continued from here. DC have long had a problem fitting Superman into the grimmer world the DC Universe has become now its readership mostly consists of adults. It’s clear that senior editors feel the ‘big&#8230; <a href="http://sequart.org/magazine/41028/superhero-accessories-part-two-truth-justice-all-that-stuff/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Review of Alan Moore&#8217;s Jimmy&#8217;s End</title>
		<link>http://sequart.org/magazine/40149/review-alan-moores-jimmys-end/</link>
		<comments>http://sequart.org/magazine/40149/review-alan-moores-jimmys-end/#comments</comments>
		<pubDate>Sat, 22 Mar 2014 11:00:04 +0000</pubDate>
		<dc:creator>Mike Greear</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Jimmy's End]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=40149</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Jimmys-End-1-150x150.png" alt="Review of Alan Moore&#8217;s &lt;i&gt;Jimmy&#8217;s End&lt;/i&gt;" title="Review of Alan Moore&#8217;s &lt;i&gt;Jimmy&#8217;s End&lt;/i&gt;" style="float:left;" />I honestly don’t even know where to start with this one. How do you review anything by Alan Moore, much less a short film he’s written? The guy’s a genius. I’m not simply saying that&#8230; <a href="http://sequart.org/magazine/40149/review-alan-moores-jimmys-end/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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