ac·ces·si·ble adj: Easily approached or entered. I never thought much about the concept of accessibility in comic books for the first 20-something years of my comic book reading career (I think it’s safe to call… [more]
Young Avengers 3 Kieron Gillen (writer), Jamie McKelvie (artist), Mike Norton (artist), Mathew Wilson (colourist), et al The third issue of Young Avengers breaks all the rules. The fight has little to no context in the… [more]
Julian Darius, in a response to a comment of mine in his article “On Underworld Unleashed, Precursor to Kingdom Come” explains that Reconstructionism with regards to the superhero comics genre is a term coined by… [more]
Continued from last week. The urge to stereotype Millar’s beliefs in the light of his least liberal scripts is an understandable one. Yet his work is anything but consistent on matters of social justice. As I’ve… [more]
Ryan McLelland’s review column Your Indy Weekly is coming to Sequart, and it wants your indy books!
We’ve begun discussing the conclusion of Book One (parts 1, 2, 3, 4, 5, 6, 7, 8, and 9) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of this historic chapter.
So – how good was THE LEGEND OF LUTHER STRODE (this year’s sequel miniseries to 2012′s surprising hit THE STRANGE TALENT OF LUTHER STRODE – both by writer Justin Jordan and by the art team… [more]
Billed as a “five-issue miniseries where celebrity, fame, and superheroes meet,” FURIOUS brings together Mice Templarcollaborators, Bryan J.L. Glass and Victor Santos for a creator-owned series from Dark Horse Comics. Not only does this mini-series represent… [more]
The previous installments of Distant Mirrors dealt with the cult of government, prospective rulers at the behest of their citizens, blindly careening through history. Caesar Augustus blazed trails, setting into motion the wheels of modern… [more]
Unlike the previous four issues which have played extremely fast and loose with Spider-Man’s origin in Amazing Fantasy #15, Ultimate Spider-Man is surprisingly faithful to Stan Lee and Steve Ditko’s story. The plot is virtually… [more]
Continued from last week. It’s not that Big Dave is without its pleasures, although the vast majority of them are to be found in Steve Parkhouse’s boisterously dynamic artwork. Though even he couldn’t compensate for the… [more]
We’ve begun discussing the conclusion of Book One (parts 1, 2, 3, 4, 5, 6, 7, and 8) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of this historic chapter.
Before there were comic books in my life, I was aware of the DC Universe solely through the alluring advances of Warner Bros Animation. Lately, the WB has been stepping up their line with a… [more]
As I finished reading through the recently released seventh volume of Chew (“Bad Apples”, Publisher: Image Comics, Writer: John Layman, Artist: Rob Guillory), I have come to two diametrically opposed conclusions: 1) Chew is, to… [more]
Daredevil 25 By Mark Waid (writer), Chris Samnee (artist), Javier Rodriguez (colourist), et al. This issue requires some context. Up until recently Mark Waid’s series has seemed completely episodic. Just a few issues ago everything… [more]
In Parts I and II, we looked at the influences and aesthetics of Kris Straub’s Broodhollow as well as the stories that led to its creation respectively. But now, we move away from considerations of… [more]
Continued from last week. Given the evidence, it would be hard to argue that much of Millar’s work for 2000AD wasn’t worryingly homophobic. The best that might be said of a number of his scripts is… [more]
We’ve begun discussing the conclusion of Book One (parts 1, 2, 3, 4, 5, 6, and 7) of Alan Moore’s Miracleman, illustrated by Alan Davis. Today, we continue our exploration of this historic chapter.
Comics in Focus: Chris Claremont’s X-Men Documentary to Premiere (for Free) at Columbia University, with Chris Claremont Q&A to Follow
Sequart Research & Literacy Organization, in conjunction with Columbia University, is proud to announce the (completely free-of-charge) film premiere of Comics in Focus: Chris Claremont’s X-Men, including a Q&A with Chris Claremont.
In a lot of ways Scott McCloud’s three books are my bibles. It’s because of them I love comics as much as I do. It’s because of them I love to make comics as much… [more]
I don’t believe in right and wrong. That may sound strange, from a Batman fan; especially strange in the context of The Killing Joke, Alan Moore and Brian Bolland’s prestige-format, psychological and physical showdown between… [more]
Since its initial introduction in Walking Dead #13, the prison has represented the ultimate sanctuary for Rick Grimes and his group of zombie apocalypse survivors: a shelter from the flesh-eating terrors of the outside world.… [more]
The weight and emotional draw of the Brief Lives narrative arc is massive, serving perhaps as the long awaited catharsis for Dream’s inner anguish. Yet it also offers something new, albeit profound: Dream has changed,… [more]
Ultimate Spider-Man #4 primarily consists of conversations, inner monologues, and characters running away from each other. No one throws a single punch. Some of the events, like Peter’s foray into wrestling and arguments with Uncle… [more]
Continued from last week. The debate about the attitudes expressed in Millar’s work towards LGBT issues is hardly a new one. Even as early as 1993, Monaghan’s pseudo-interview with Millar and Morrison in Comic World #18… [more]