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Magazine Archives for:
2014
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Last Born: An Interview with Patrick Meaney
The act of discovery is one that often leaves an impression that can have lasting effects on an individual, shaping future actions that may have otherwise been passed by. I first heard of Sequart’s own… [more]
Sequart’s Image Documentary Inspires Creator to Pitch Comic to Image (and It was Accepted!)
This is an unorthodox post, but I feel that it’s totally worth sharing, for no other reason than it makes us at Sequart feel good. Below is an email I received from comics creator Otis… [more]
Rise of the Planet of the Apes: Servicable
Rise of the Planet of the Apes was the only Planet of the Apes movie I’d seen prior to this series of articles. Because I fucked up my schedule, I didn’t manage to rewatch it… [more]
Cosplay and Body Shaming
Cosplay, at its best, is about people having fun dressing up as their favorite movie, anime, game, or other characters and joining like-minded people. But we live in the real world and things involving other… [more]
A Tale of Two Dark Knights…
Frank Miller’s The Dark Knight Returns (or DKR) has long been considered one of the greatest works in comic books. Since its release in 1986, it has been lauded as an industry-changing story that helped… [more]
Serenity is Really Missing its Shepherd and Companion
Looking back over the now-complete series Serenity: Leaves on the Wind, which will mark the beginning of a continuing Serenity comic series, as well as the other short-run “miniseries” of Serenity comics that have emerged… [more]
Phonogram, Music, and Silent Comics
Music is important in Phonogram: The Singles Club, the second mini-series of Kieron Gillen and Jamie McKelvie’s Phonogram series. (A third is slated for publishing at some as yet determined point in the future and… [more]
Brian’s Comic Book Grab Bag: Daredevil Volume 1 #336
Last Christmas my brother gave me a booster pack of random, non-sequential issues from a variety of popular comic book titles that syndicated in the late eighties to mid nineties. The nineties was a time… [more]
How Carmine Infantino Designed DC’s Silver Age
DC Comics’ Showcase #4, cover dated October 1956, is usually recognized as the book that launched the so-called Silver Age of comics by reintroducing the Flash and effectively reviving the superhero genre. The iconic cover… [more]
Don’t Ignore the Art: Reviewing and Commenting on Comics, Part 3
Comics Journalism with Lucas Siegel (Newsarama Site Editor) and David Pepose (Newsarama Reviews Editor) Because this article is geared in many regards to help encourage readers and reviewers to develop a more critical eye, especially… [more]
Some Thoughts on Edge of Tomorrow
I write the first third of a lot of these articles in my head before I actually write them. Everything after that tends to be a process of discovery. But that initial pre-planning tends to… [more]
Steranko and the Moment of Silence
When the common person on the street conjures an image of what a comic book writer or artist looks like, they most likely picture a quiet, unassuming man, a passive person—the direct opposite to the… [more]
Don’t Ignore the Art: Reviewing and Commenting on Comics, Part 2
Line Work (Pencils / Brushwork) One of the first things I look at when opening up a comic is the style that’s being used. Is it more lifelike (realistic) or cartoonish (iconic)? Scott McCloud discusses… [more]
“The Spirit of Hatred or the Spirit of Love”: The American Superhero Comics of Mark Millar, Part 27
Continued from last week. Other aspects of Millar’s closing tilt at Swamp Thing were less praiseworthy. Though the final arc appears to show little of the swaggering misogyny that saturated his earliest work for 2000AD,… [more]
Robert Crumb’s Best Art Was Some of His Most Subtle
The partnership between Harvey Pekar and Robert Crumb was one of the more curious, and one of the most artistically satisfying in all of comics. Friends for years before even considering making comics together, these… [more]
It’s Pronounced [sin-KEV-ich]
For years I called him Bill “See-EN-key-a-wix.” That is, until somebody told me it was “SINK-a-vich.” Of course that was wrong too, but in a way, that’s as it should be. Most of us don’t… [more]
Don’t Ignore the Art: Reviewing and Commenting on Comics, Part 1
What’s the difference between a comic book and a novel? The answer seems pretty obvious, doesn’t it? Yet, it still confounds me to no end that someone will take the time to write a review… [more]
Sequart Organization at San Diego Comic Con 2014
We’re excited to announce that Sequart will have quite a lot going on at this year’s San Diego Comic Con: We’ll be selling Sequart books and movies at our (very first!) SDCC small press table,… [more]
Review of One of Us by Tawni O’Dell
Dr. Sheridan Doyle, a fastidiously groomed and TV-friendly forensic psychologist, is the go-to shrink for the Philadelphia District Attorney’s office whenever a twisted killer’s mind eludes other experts. But beneath his Armani pinstripes, he’s still… [more]
It’s Comics Artists Week at Sequart!
For no other reason than it needs to be done, all this week Sequart will be publishing content spotlighting comics artists.
Dystopian Redux: A Review Of Spread #1
Ever since The Walking Dead has exploded in popularity with both the hit comic book and AMC television show, it seems that everyone has a story about a dystopian future to share. The genre has… [more]
Serenity: Leaves on the Wind #6: We Need a Montage!
Perhaps this is the curse of episodic, serialized storytelling, but Serenity: Leaves on the Wind didn’t, it seems to me, end as strong as it started. This final issue certainly sets up a great deal… [more]
A is for Apocalypse: A Creative and Entertaining Short Story Collection
To the best of my understanding, the notion of apocalypse comes straight out of ancient religions and people have been talking about it for millennia. The common theme is this: in the era of “great… [more]
The Embiggening Superhero: A Review of G. Willow Wilson and Adrian Alphona’s Ms. Marvel #1-5
Kamala Khan is a Muslim/American teenager growing up in New Jersey and, like all teens, she’s insecure and unsure of her identity. Her family’s traditional cultural values stand in stark contrast to the society she… [more]