Not long ago, I saw a post on the the Comics Beat by former Comics Journal contributor Robert Boyd remarking upon the virtual separation of the world of “mainstream comics” and “artcomics.” Boyd didn’t comment… [more]
Long before Alan Moore delved into literary pornography with Lost Girls, he was infusing his work with a broad understanding of human sexuality as natural. And this wasn’t limited to auteur projects like Lost Girls… [more]
It’s hard to suppress the suspicion that there are comic-book creators who have quite deliberately chosen to ignore the business of storytelling in favor of butt-shots and throw-downs, pin-ups and continuity porn.
You and me, we are getting old. I know. It does suck.
I do not think it is entirely unfair to suggest that the commonly agreed upon origin for the Punisher is focused on the idea of vengeance over the death of Frank Castle’s family. This is… [more]
I had originally planned to write this article at a later date, but after reading Cody Walker and Julian Darius’s columns this past week, I couldn’t resist the temptation to jump ahead. I’ve been brewing… [more]
In the very first Dan Dare adventure, which began to be serialised weekly in the Christian boy’s comic Eagle in 1950, we’re introduced to the ”Inter Planet Space Fleet some years in the future.”
In Paul Cornell’s Captain Britain and MI:13 #1, the eponymous Captain is killed by a Skrull missile during an alien invasion of Britain. As is the way of super-hero comics — and as was something of a habit… [more]
So, comics as an art form! A truly legitimate art form, unique and self-actualized, with debacles and triumphs all its own. Not the bastard child of film and literature, and not just for kids, male adolescents, or… [more]
The Obscure Cities (Les Cités Obscures) arose in the midst of a pivotal time in the history of French comics. So let’s talk about French comics, shall we?
He’s Not a Super-Hero, He’s Not Even a Very Naughty Boy: The Case Against Grant Morrison and Steve Yeowell’s Zenith
He’s a bad one, that Zenith, and we can be sure about that badness because the people who know assure us that it’s true.
It’s impossible to believe that DC Comics was careless where it came to Flashpoint: Hal Jordan. They must have known exactly what it was that they were doing. The powers at 1700 Broadway, NYC, must… [more]
In the continuity of DC’s relaunches, Superman will reportedly be the first super-hero. This implies that the Justice Society will have been wiped from continuity, and that seems to be DC’s current plan. This isn’t… [more]
I’ve wanted to watch a live-action Green Lantern movie ever since I was ten years old, so to say that I was excited for this film is a gross understatement.
In which we continue our look, begun here, at the first year of the Batman’s existence.
Assuming we recognize the very real and pressing need for a comprehensive digital comics policy, several issues still remain that must be solved, before we can envision what such a policy would look like.
We all know it’s the future. We all know we’re behind the gun. Playing catch up. And scared. But we’ve been here before.
Since DC has publicly stated that its line-wide relaunch is partially to increase the diversity of its line, it’s worth asking how the relaunched titles stack up in this regard, including some hard quantitative analysis… [more]
Beyond its super-hero offerings, DC’s relaunch includes its “dark” magic titles, which incorporates some Vertigo characters into the DCU, and also a few non-super-hero, non-supernatural titles. How do these stack up, as part of an… [more]
In addition to its more obvious “big guns,” DC’s relaunch includes a bunch of other super-hero offerings, including a promising new Aquaman series, new WildStorm-based titles such as Stormwatch, and many more. We’ll examine each here.
Unless you’re hiding under a rock, you’ve heard that DC is relaunching its entire super-hero line, including venerable mainstays like Action Comics and Detective Comics, in the wake of the company’s Flashpoint crossover.
What does it mean when you take the most successful disabled character in comics and reverse her disability?
The Bat-Man was not a bad-ass. He was an idiot.
We’ll talk of the value of Geoff Johns and Andy Kubert’s Flashpoint #1 solely in the context of a superhero comic at another time, but it’s worth saying in passing that it’s in many ways a… [more]
What are we to make of the hero and his alter ego in “The Mighty Thor and the Stone Men from Saturn,” from August 1962?