Having introduced The Obscure Cities and walked through its first volume, The Walls of Samaris in some detail, I ended with that book’s conclusion. I’ll pick up there, so it’s necessary that you read part… [more]
“There’s no patriotism like American patriotism, and there’s no patriotic superhero like Captain America.” So proclaims Bosch Fawstin in his recent post on the conservative blog site FrontPageMagazine.com. My only problem with Fawstin’s statement is… [more]
The air has been cleared a bit regarding Superman’s status in the DCnU, and (of course) it’s caused people to flip out a bit. Here is a quick rundown of the major changes: 1) A… [more]
Is there anything more intensive and fundamental to learning a language than vocabulary? Of course not. To learn how to use language without vocabulary is like learning to play hockey with out a puck, stick,… [more]
Within the narrative of Final Crisis, Morrison wrote a two-issue mini-series called Superman Beyond 3D (2008-2009). This story was placed into the Final Crisis collected publications, forming an integral part of the complete narrative.
As I explained in part 1 of this post, Captain America was very much a product of his times. He was created to oppose the tyranny, bigotry, and brutality of the original Axis of Evil: Nazi Germany,… [more]
It is not hyperbole to say cynicism has become a problem. It would also not be over dramatic to say the problem has ballooned into great proportions with each passing generation. While there are plenty… [more]
This is a piece that explores the idea of textualization in super-hero comics and how these stories are constructed. More than that, it is an introduction to exploring purpose — why are super-heroes so engaging… [more]
Two weeks ago, I discussed the importance of space in storytelling, and the power of two-point perspective. I left you all with the notion that two-point perspective, while powerful, was not really the whole story —… [more]
Many fans of The Obscure Cities (which I introduced here) will tell you that the first volume, The Walls of Samaris, first collected in 1983, represents a freshman effort, despite the acclaim it’s won.
Captain America and Superman are pretty much universally recognized as the superheroes who best exemplify the values of justice and freedom that have been held up as our nation’s greatest achievements and still elusive goals since… [more]
The Joker laughs manically as he holds Batman, supposedly dead. Despite the large amount of blood on the weapon and on Batman, this isn’t even the shocking part.
Not long ago, I saw a post on the the Comics Beat by former Comics Journal contributor Robert Boyd remarking upon the virtual separation of the world of “mainstream comics” and “artcomics.” Boyd didn’t comment… [more]
Long before Alan Moore delved into literary pornography with Lost Girls, he was infusing his work with a broad understanding of human sexuality as natural. And this wasn’t limited to auteur projects like Lost Girls… [more]
It’s hard to suppress the suspicion that there are comic-book creators who have quite deliberately chosen to ignore the business of storytelling in favor of butt-shots and throw-downs, pin-ups and continuity porn.
You and me, we are getting old. I know. It does suck.
I do not think it is entirely unfair to suggest that the commonly agreed upon origin for the Punisher is focused on the idea of vengeance over the death of Frank Castle’s family. This is… [more]
I had originally planned to write this article at a later date, but after reading Cody Walker and Julian Darius’s columns this past week, I couldn’t resist the temptation to jump ahead. I’ve been brewing… [more]
In the very first Dan Dare adventure, which began to be serialised weekly in the Christian boy’s comic Eagle in 1950, we’re introduced to the ”Inter Planet Space Fleet some years in the future.”
In Paul Cornell’s Captain Britain and MI:13 #1, the eponymous Captain is killed by a Skrull missile during an alien invasion of Britain. As is the way of super-hero comics — and as was something of a habit… [more]
So, comics as an art form! A truly legitimate art form, unique and self-actualized, with debacles and triumphs all its own. Not the bastard child of film and literature, and not just for kids, male adolescents, or… [more]
The Obscure Cities (Les Cités Obscures) arose in the midst of a pivotal time in the history of French comics. So let’s talk about French comics, shall we?
He’s Not a Super-Hero, He’s Not Even a Very Naughty Boy: The Case Against Grant Morrison and Steve Yeowell’s Zenith
He’s a bad one, that Zenith, and we can be sure about that badness because the people who know assure us that it’s true.
It’s impossible to believe that DC Comics was careless where it came to Flashpoint: Hal Jordan. They must have known exactly what it was that they were doing. The powers at 1700 Broadway, NYC, must… [more]