After its three-page thematic introductory sequence, Holy Terror shifts to the Fixer chasing Cat Burglar across Empire City’s rooftops. It’s a sequence not without its charms, including a few powerful images. It depicts an eccentric, hard-boiled… [more]
Alan Moore’s early professional work (such as Maxwell the Magic Cat, Roscoe Moscow, and The Stars My Degradation) was firmly rooted in comedy, which may seem at odds with the more later dramatic work he became… [more]
In Part 2 of this discussion of editor / writer Stan Lee’s contribution to the creative process in the era of Silver-Age Marvel Comics, I argued that Lee had done far more than just dialogue… [more]
It’s hard for me to describe the mixture of pleasures and pains, both of them quite intense, that I feel reading Holy Terror. The pleasure tends to be artistic, primarily visual. The pain tends to… [more]
The title of Moore’s second strip for Sounds Magazine, The Stars My Degradation, owes its inspiration to a famous science-fiction novel by Alfred Bester, The Stars My Destination (1956). In the novel, Gully Foyle is… [more]
While Mark Millar was experimenting with narrative during his return to the Ultimates, Jason Aaron was exploring the inner-workings of Captain America in his mini-series Ultimate Captain America.
Captain America: the First Avenger—henceforth abbreviated to Captain—is a fairly entertaining film that illustrates both the advantages and disadvantages of applying real-world verisimilitude to comic-book superheroes.
No one seems to get Frank Miller. Despite the flurry of digital ink spilled over him, most critics seem to be left scratching their heads. Indeed, the entire body of Frank Miller criticism can now… [more]
A word of advice before going into this series: ignore the “Death of Spider-Man” banner at the top and you’ll be just fine.
In the previous installment of “Stan Lee, Presented,” I argued that Stan Lee had functioned as a “truly creative editor” during his tenure as editor/writer at Marvel Comics.
We’ve previously looked at The Fever of Urbicande‘s prologue (and some of that prologue’s implications), as well as chapters one, two, and three (in two parts). This time, we’ll begin to look at chapter four,… [more]
Superman Annual #11 is a comic that stands as a classic for all the right reasons.
Watchmen is commonly thought of as one of the greatest graphic novels of our time, but it’s actually a reprint collection. The work originally came out as 12 separate issues, although they were all planned… [more]
We’ve previously looked at The Fever of Urbicande‘s prologue, some of that prologue’s implications, chapter one, chapter two, and the beginning of chapter three. This time, we’ll conclude our look at chapter three, in which the… [more]
We’ve previously looked at The Fever of Urbicande‘s prologue, some of that prologue’s implications, and chapters one and two. This time, we’ll continue to chapter three of this fascinating story.
In the year 1942, America was embroiled in global conflict – she had entered World War II.
It’s been five years since he originally announced it, and ten years since the events of Sept. 11, 2001, which inspired the story, but Frank Miller’s graphic novel Holy Terror has finally been released.
We’ve previously looked at The Fever of Urbicande‘s prologue, some of that prologue’s implications, and chapter one of the comic proper. This time, we’ll continue into chapter two of this fascinating story.
Talking about monthly comics vs the graphic novel is not revolutionary by any stretch. At this point we have heard from damn near every creator about which is preferred: the monthly comic or the graphic… [more]
“Thriving on unconstrained creativity, held accountable to few standards of logic, believability or ‘good taste,’ the pulps were literary dream machines, offering regular entry to intensive worlds of excitement, danger, glory, romance. Each brittle page… [more]
It’s an exciting time to work in the field of comics today, even for those us—the comics critics and scholars—who possess far less artistic ability to create captivating images or weave spellbinding tales.
In a recent article for The Huffington Post’s tech section, author Steve Rosenbaum equated the new Siri software found in the latest iteration of Apple’s iPhone with robot sidekicks found in works of science fiction.
We’ve previously looked at The Fever of Urbicande‘s prologue and some of its implications. This time, we’ll dive into the story itself.
Always a fan favorite, Wolverine is a character that is in no fear of falling out of the public eye. It seems like every time a team book is pitched or a major event hatched… [more]
We’ve previously looked at The Fever of Urbicande‘s prologue, which sets up Eugen Robick’s status quo as the story starts. This time, we’ll explore some fascinating parallels and implications of that status quo. Also, I’ve… [more]