During the last week of December, savvy shoppers are aware of the 50% discount on new calendars for the upcoming year.
Allow me to introduce you to a man you may have met before through his writing, art, or interviews.
The received wisdom has it that the future world of the Legion Of Super-Heroes was originally an inspiringly optimistic, comfortingly cosy, super-scientific utopia.
We’ve previously begun discussion of chapter six of Alan Moore’s Miracleman, which originally appeared in the classic British magazine Warrior. We continue that discussion today.
Charles Burns’s Black Hole starts off like so many other bildungsroman stories before it: girl and boy meet, girl and boy fall in love, girl and boy experience sex together for the first time, girl discovers… [more]
I’m sitting at a little coffee shop in Springfield, Missouri, called the Brown Egg with my comics spread out on the table. As the waitress delivers my pancakes, she remarks, “That looks really cool,” as… [more]
In his Art of the Comic Book, R. C. Harvey offers Boys’ Ranch as an example of Jack Kirby having elevated comics into an “art form.”
Having introduced Miracleman and discussed chapters one, two, three, four, and five, as well as the interlude “The Yesterday Gambit,” we now turn to chapter six of Alan Moore’s Miracleman, which originally appeared in the classic… [more]
While R.I.P. could be argued to be a game of chess between Batman and Dr. Hurt, the game of dominoes is at the forefront of Batman & Robin.
This is not an essay I wanted to write. Doing so, I’m conscious of wading into waters famous for their landmines. This is at least the sixth full draft of this essay. Most of the… [more]
The Uncreator. The Universal Endbringer. The Anti-God. Gah. Lak. Tus.
There’s been a lot of controversy over women’s rights in the United States in the media lately.
In the footnotes for the first volume of Batman & Robin, Grant Morrison discusses the strange coincidence of the third issue’s cover resembling an image of the Joker that Brian Bolland had done years previous.
Having reached the halfway point of Book One, let’s pause and consider the influence of Chris Claremont and John Byrne’s Dark Phoenix saga on the way Moore presents his own hero-turned-villain, Kid Miracleman.
Alan Moore’s done it. Jack Kirby and Stan Lee did it. Osamu Tezuka did it. Grant Morrison did it so regularly and intently that he gave it a name.
“I mean the criticism teaches not a language of criticism […] but a language in which poetry already is written, the language of influence, of the dialectic…” (Bloom 25).
Once the transformation into the Batman of Zur-En-Arrh is complete, the comparisons to the Joker are apparent and numerous.
Dan Dare is ancient comics history now.
We’ve looked at chapter five of Alan Moore’s Miracleman, examined it in the context of the 1981 Brixton riots, and carried through to Kid Miracleman’s defeat. We now conclude our look at this chapter, originally printed… [more]
In 1974, Frank Castle—also known as The Punisher—made his debut in Amazing Spider-Man #129, and the comics world was introduced to what would become one of the most popular anti-heroes—though he certainly was not the… [more]
The most controversial storyline in Morrison’s Batman run, R.I.P. is the psychological destruction of the Dark Knight.
Those who choose to see the superhero comic’s decline as a relatively recent occurrence may prefer to keep their preconceptions away from The Evolutionary War, a sequence of often-awkwardly linked stories which were originally strung… [more]
We’ve begun looking at chapter five of Alan Moore’s Miracleman and examined its reference to the 1981 Brixton riots. We now continue our look at this story, originally printed in Warrior #6 (Oct 1982), which concludes Miracleman’s… [more]
With the recent release of the Disney film John Carter (which may or may not still be in theaters by the time you read this piece, judging by the film’s reviews) it seems pertinent to… [more]
When dealing with 20th-century novels, James Joyce’s Ulysses is arguably the most significant work in terms of its influence on writers who would follow in the modern and postmodern traditions.