With the current focus on the rights to Superman, it’s worth taking a moment to discuss the history of the Superman copyright.
What do we call our medium? The most common answer is “comics.” Some would say otherwise, offering “comix,” “the ninth art,” or “sequential art.” Others abroad would say “manga” or “les bandes-dessinés.” All, however, are… [more]
Bill Jemas was for a few years the man everyone loved to hate. He played the bad guy to Joe Quesada, who more effectively cultivated himself as the “people’s man” in Marvel Comics’ administration. Now… [more]
I can’t recall the first comic I ever read. I’m sure they featured in my early childhood, as my family has tattered old Donald Duck and other Gladstone comics to prove it.
In the Golden Age of the 1930s and 1940s, comics were mostly episodic tales in which characters barely changed.
The creation of derivative versions of super-heroes goes back to Captain Marvel’s derivatives, Mary Marvel and Captain Marvel, Jr. — which were introduced in the 1940s.
It’s funny that it’s so resoundingly universally accepted. It’s been repeated so many times, from everyone from fans and comics professionals to scholars, that it’s become an article of faith.
One of the major phenomena occurring in American comic books in the last two decades has been the cult of the writer, often in competition with the cult of the artist or illustrator. Various years… [more]
Before he had his own ongoing series, Lucifer came to prominence in Neil Gaiman’s The Sandman. But Gaiman’s Lucifer went through three very different depictions, somewhat inconsistent with one another.
Garth Ennis, an Irish writer working in the graphic novel (or extended comic book) format, represents a literary outsider. Although he shows considerably greater disdain for many other groups, Ennis has openly shown disdain for… [more]