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new x-men 132Comics Published on 11 September 2002

This past Wednesday was new comics day. It was also my birthday. It was also, as we all know, September 11. Much was made in the media, the American media in particular, of remembering the… [more]

new x-men 131Comics Published on 5 September 2002

As I understand it, this was supposed to be the famous “psychic cat-fight” issue that Grant Morrison promised in an interview several months ago. Even though that promise has proven to be hollow (though, given… [more]

Incredible Hulk #1Reviews out of Time 1: Fantastic Four #1, The Incredible Hulk #1, and Amazing Fantasy #15

Guys, I’d like to tell you that there’s some good stuff going on over at this company called Marvel Comics! They got this guy Stan Lee writing, and he’s doing some weird stuff.

Alan MooreThe Cult of the Writer

One of the major phenomena occurring in American comic books in the last two decades has been the cult of the writer, often in competition with the cult of the artist or illustrator. Various years… [more]

Superman symbolSuperman 2002

Metropolis. A group of walking citizens suddenly stops on the street and stares hopefully toward the heavens.

Sandman #23 (Feb 1991)A Brief Consideration of Gaiman’s Usage of Lucifer in The Sandman

Before he had his own ongoing series, Lucifer came to prominence in Neil Gaiman’s The Sandman. But Gaiman’s Lucifer went through three very different depictions, somewhat inconsistent with one another.

Stan LeeAgainst Silver Age Marvel, the Cult of Stan Lee, and Fantastic Four (Annual) #1 / For Comic Books as Literary Art

To this day, one hears otherwise intelligent comic book creators saying that they want to recapture the joy of reading Fantastic Four #1, of its fun and its newness. This always shocks me, especially when it… [more]

Superman the Movie (1978)Comic Book Morality

It’s true: there’s a simplicity to seeing Doc Doom or Lex Luthor as bad and Superman or the Fantastic Four as good.

authority24originalCensorship of The Authority

The 11 September 2001 terrorist attacks upon the United States of America left many Americans, and much of the world, seriously shaken and disturbed. Almost immediately, the shockwaves echoed throughout the artistic world:

100 BulletsThe State of American Comics Address, 2002

The American comic book industry, as an economic institution, is doing terribly. Artistically, however, this will be remembered as a fairly good period. Many mainstream titles are selling less than 20,000 copies; a few even… [more]

Vampirella Model Search SpecialThe State of American Comics Address, 2001

Okay, ground rules: I take it for granted that comics — or, rather, the medium of graphic literature (an important distinction) — is a serious artistic form, obviously under-appreciated by comparison to painting, sculpture, and… [more]

Hellblazer #72 (Dec 1993)Belfast and New York, Ireland and America, and “Irish Studies” as Reflected by Garth Ennis

Garth Ennis, an Irish writer working in the graphic novel (or extended comic book) format, represents a literary outsider. Although he shows considerably greater disdain for many other groups, Ennis has openly shown disdain for… [more]

The most recent issue of The Authority, issue #14.Mark Millar on The Authority

The Authority, already popular, has taken off under the new team of Mark Millar and Frank Quitely. Though many doubted they could replace their popular predecessors, they have followed a revolutionary act with one that… [more]