Hunter: The Age of Magic #16 DC Comics / Vertigo — Dylan Horrocks (w); Richard Case (p); Steve Bird (i) Wow…Where to start? I’m rather torn on this one. There was a time, albeit rather… [more]
Uncanny X-Men #414 Marvel Comics — Chuck Austen (w); Sean Phillips (p/i) After a while you run out of ways to say the same good things about the same books. I know that problem is… [more]
Before I start, a couple of items of business: I did in fact get a request for me to review Ultimate Adventures #1 and Marville #1, though I don’t think that request was made with… [more]
It’s funny that it’s so resoundingly universally accepted. It’s been repeated so many times, from everyone from fans and comics professionals to scholars, that it’s become an article of faith.
This past Wednesday was new comics day. It was also my birthday. It was also, as we all know, September 11. Much was made in the media, the American media in particular, of remembering the… [more]
As I understand it, this was supposed to be the famous “psychic cat-fight” issue that Grant Morrison promised in an interview several months ago. Even though that promise has proven to be hollow (though, given… [more]
Guys, I’d like to tell you that there’s some good stuff going on over at this company called Marvel Comics! They got this guy Stan Lee writing, and he’s doing some weird stuff.
One of the major phenomena occurring in American comic books in the last two decades has been the cult of the writer, often in competition with the cult of the artist or illustrator. Various years… [more]
Metropolis. A group of walking citizens suddenly stops on the street and stares hopefully toward the heavens.
Before he had his own ongoing series, Lucifer came to prominence in Neil Gaiman’s The Sandman. But Gaiman’s Lucifer went through three very different depictions, somewhat inconsistent with one another.
Against Silver Age Marvel, the Cult of Stan Lee, and Fantastic Four (Annual) #1 / For Comic Books as Literary Art
To this day, one hears otherwise intelligent comic book creators saying that they want to recapture the joy of reading Fantastic Four #1, of its fun and its newness. This always shocks me, especially when it… [more]
It’s true: there’s a simplicity to seeing Doc Doom or Lex Luthor as bad and Superman or the Fantastic Four as good.
The American comic book industry, as an economic institution, is doing terribly. Artistically, however, this will be remembered as a fairly good period. Many mainstream titles are selling less than 20,000 copies; a few even… [more]
Okay, ground rules: I take it for granted that comics — or, rather, the medium of graphic literature (an important distinction) — is a serious artistic form, obviously under-appreciated by comparison to painting, sculpture, and… [more]
Garth Ennis, an Irish writer working in the graphic novel (or extended comic book) format, represents a literary outsider. Although he shows considerably greater disdain for many other groups, Ennis has openly shown disdain for… [more]