I’m currently snowed in, so badly so that I almost didn’t go to work on Wednesday to get new comics at all. However, the time cooped up in the house should allow for a) lots… [more]
The creation of derivative versions of super-heroes goes back to Captain Marvel’s derivatives, Mary Marvel and Captain Marvel, Jr. — which were introduced in the 1940s.
Hellblazer #178 DC Comics/Vertigo – Mike Carey (w); Marcelo Frusin (a) I’ve stated repeatedly my affection for Brian Azzarello’s work. The incredible job that he does every month (well, theoretically every month, since the book… [more]
Daredevil #39 Marvel Comics – Brian Michael Bendis (w); Manuel Gutierrez (a) My goodness… this was absolutely fantastic. Daredevil is a book that’s been hit and miss for me over the past six months or… [more]
Ultimate X-Men #24 Marvel Comics – Mark Millar (w); Kaare Andrews (a) There used to be a time that I really looked forward to Ultimate X-Men. During the first two story arcs, I think the… [more]
Powers #25 Image Comics – Brian Bendis (w); Michael Oeming (a) Periodically, I like to sit down and make a list of all the titles I buy, month to month. In doing so, what I… [more]
St. Swithin’s Day Oni Press – Grant Morrison (w); Paul Grist (a) This is sort of a first for me and the column: my first retro review. I thought it’d be a bigger deal, like… [more]
Tonight, I watched 60 Minutes II because I read online that Marvel Editor-in-Chief Joe Quesada, popular hero for returning (or contributing to the return of) Marvel Comics to greatness (or something closer), would be on the… [more]
Fantastic Four #62 Marvel Comics – Mark Waid (w); Mike Wieringo (p); Karl Kesel (i) I’m really torn on this one, because I feel like I should be enjoying Fantastic Four a lot more these… [more]
I’m told that there’s been a lot of e-mail in response to the last column, and what’s apparently called “printouts” of it has been sent to me, since I don’t do e-mail myself.
Spider-Man and the Black Cat: The Evil That Men Do #3 Marvel Comics – Kevin Smith (w); Terry Dodson (p); Rachel Dodson (i) My opinion of Kevin Smith’s comic book career is a lot like… [more]
Hunter: The Age of Magic #16 DC Comics / Vertigo — Dylan Horrocks (w); Richard Case (p); Steve Bird (i) Wow…Where to start? I’m rather torn on this one. There was a time, albeit rather… [more]
Uncanny X-Men #414 Marvel Comics — Chuck Austen (w); Sean Phillips (p/i) After a while you run out of ways to say the same good things about the same books. I know that problem is… [more]
Before I start, a couple of items of business: I did in fact get a request for me to review Ultimate Adventures #1 and Marville #1, though I don’t think that request was made with… [more]
It’s funny that it’s so resoundingly universally accepted. It’s been repeated so many times, from everyone from fans and comics professionals to scholars, that it’s become an article of faith.
This past Wednesday was new comics day. It was also my birthday. It was also, as we all know, September 11. Much was made in the media, the American media in particular, of remembering the… [more]
As I understand it, this was supposed to be the famous “psychic cat-fight” issue that Grant Morrison promised in an interview several months ago. Even though that promise has proven to be hollow (though, given… [more]
Guys, I’d like to tell you that there’s some good stuff going on over at this company called Marvel Comics! They got this guy Stan Lee writing, and he’s doing some weird stuff.
One of the major phenomena occurring in American comic books in the last two decades has been the cult of the writer, often in competition with the cult of the artist or illustrator. Various years… [more]
Metropolis. A group of walking citizens suddenly stops on the street and stares hopefully toward the heavens.
Before he had his own ongoing series, Lucifer came to prominence in Neil Gaiman’s The Sandman. But Gaiman’s Lucifer went through three very different depictions, somewhat inconsistent with one another.
Against Silver Age Marvel, the Cult of Stan Lee, and Fantastic Four (Annual) #1 / For Comic Books as Literary Art
To this day, one hears otherwise intelligent comic book creators saying that they want to recapture the joy of reading Fantastic Four #1, of its fun and its newness. This always shocks me, especially when it… [more]
It’s true: there’s a simplicity to seeing Doc Doom or Lex Luthor as bad and Superman or the Fantastic Four as good.