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Magazine Archives for:
August 2011
Defending Identity Crisis
In the past week, not only has my hero Grant Morrison said some pretty strong opinions over Brad Meltzer’s Identity Crisis, but Newsarama has listed the crossover as being their number 1 moment worth forgetting… [more]
Reading Direction and the Story Experience
Comics are a strange thing. When you look at a comic page, if you’ve beheld a few of them before, you usually get right into reading it. Panel one first, then panel two, and so… [more]
The Walls of Samaris, Part 3: More Mysteries… and Some Possible Solutions
We’ve previously examined the story of The Walls of Samaris, a French masterpiece that deserves to be known among comics-literate Americans. In part two, we looked at several implications of its trompe-d’oeil device.
Diagram for Delinquents Update #17: Testimony
1) This week’s Diagram for Delinquents promo card is greatly inspired. I like its eeriness, and I plan to use the handwritten font in at least one more promo. 2) I’m no different than anyone who… [more]
O Captain, My Captain (Part 4)
I started this series three weeks ago to examine the suspicions of blogger Bosch Fawstin that director Joe Johnston’s movie, Captain America: The First Avenger, would reveal the filmmaker’s lack of pride in his country… [more]
Superman is a Sex-Crazed Nazi!
I’m astounded. We shouldn’t even be having this conversation. Yet here we are. Racist tweets by comic shops, Glenn Beck talking about Spider-Man and the change of traditions, and a “radical” Superman. What the hell… [more]
Fresh Off the Boat: The Americanization Process in Anya’s Ghost and American Born Chinese (Part One)
One concept that often shows up in multiethnic literature is the “FOB”— Fresh Off the Boat—immigrant.
Mark Millar’s The Ultimates, Part 5: The Return
After Ultimates 2, Millar stepped away from the Ultimate universe for a couple of years. During his absence, Jeph Loeb took over forUltimates 3 and while it was a more traditional super-hero story, it still had… [more]
The Linking Myth
So why do I claim that “archetypal criticism” should be a principal (if not exclusive) means to understand the connections between mainstream and art comics?
The Walls of Samaris, Part 2: The Trompe-d’Oeil and You
Having introduced The Obscure Cities and walked through its first volume, The Walls of Samaris in some detail, I ended with that book’s conclusion. I’ll pick up there, so it’s necessary that you read part… [more]
Diagram for Delinquents Update #16: All Factors
I apologize for my anemic entries of late. Filming on the picture has been in full swing, and with the Fall semester is starting very soon, I have been busy preparing for that. (I’m teaching… [more]
O Captain, My Captain (Part 3)
“There’s no patriotism like American patriotism, and there’s no patriotic superhero like Captain America.” So proclaims Bosch Fawstin in his recent post on the conservative blog site FrontPageMagazine.com. My only problem with Fawstin’s statement is… [more]
Further Defending the DC Relaunch — Superman
The air has been cleared a bit regarding Superman’s status in the DCnU, and (of course) it’s caused people to flip out a bit. Here is a quick rundown of the major changes: 1) A… [more]
Light Can’t be Translated: Alan Moore and the Green Lanterns as Colonizing Force
Is there anything more intensive and fundamental to learning a language than vocabulary? Of course not. To learn how to use language without vocabulary is like learning to play hockey with out a puck, stick,… [more]
Upgrade Your Vision: 3D Comics and Narrative Purpose
Within the narrative of Final Crisis, Morrison wrote a two-issue mini-series called Superman Beyond 3D (2008-2009). This story was placed into the Final Crisis collected publications, forming an integral part of the complete narrative.
Mark Millar’s The Ultimates, Part 4: More Betrayal
After numerous issues of in-fighting and build up, all of the pieces are in place for Millar’s endgame and he takes the series to its only logical conclusion — America’s arms race backfires. It’s the… [more]
How to be a Super-Hero in Five Minutes Flat
J. Michael Straczynski and Esad Ribic’s Silver Surfer: Requiem is one of the best comics I have read in recent memory.
The Simple, Elegant Way to a DC Cinematic Universe
There’s a simple solution to DC’s motion-picture woes: stop following Marvel’s model. Marvel’s shared cinematic universe only proceeded the way it did due to accidents of history.
Diagram for Delinquents Update #15: Collective Nightmare to Collector’s Dream
1) Here is a strange but intriguing Diagram for Delinquents promo inspired by and ripped from a classic ad you may have seen in those old comic books. Dangerous stuff, kiddies! Dangerous! Twelve years dungeon! 2)… [more]
I Appreciate Lady Gaga on a Much Deeper Level than You Do
I saw The Matrix long before I ever picked up my very first The Invisibles comic, so as I read the comic, I looked for all of the alleged idea theft that had occurred when… [more]
O Captain, My Captain (Part 2)
As I explained in part 1 of this post, Captain America was very much a product of his times. He was created to oppose the tyranny, bigotry, and brutality of the original Axis of Evil: Nazi Germany,… [more]
Confined Spaces: Morning Glories and the Escape from Cynicism
It is not hyperbole to say cynicism has become a problem. It would also not be over dramatic to say the problem has ballooned into great proportions with each passing generation. While there are plenty… [more]
Super-Hero Comics and Reader Textualization: Participation and Narrative Construction
This is a piece that explores the idea of textualization in super-hero comics and how these stories are constructed. More than that, it is an introduction to exploring purpose — why are super-heroes so engaging… [more]
“Ultimatum”, “Crisis On Infinite Earths” & “Onslaught” & The Thinning Out Of The Superhero Herd A Touch:- “The End Of All Flesh Is Come Before Me”
“Ultimatum” 14. “Ultimatum” was designed to affect an extraordinary culling of super-folks from Marvel’s Ultimate Universe, a somewhat-ailing if still successful component of the companies multiverse. Like “Crisis” and “Onslaught”, it was a project designed… [more]
Mark Millar’s The Ultimates, Part 3: Saying Something
Volume 2 of The Ultimates (sometimes referred to as Season 2) is not only vastly superior to the first, but I would argue that it is the best work of Millar’s career. It’s a fascinating… [more]