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Sequart logoSmorgasbord #65: The Allred Family Tree

The highs and lows of media adaptation are explored as we face future TV adaptations of Judge Dredd and Wayward, plus a Hellboy movie reboot by some guys Tom’s rather excited about. In the wild… [more]

Sequart logoSmorgasbord #61: Fist of Iron, Feet of Clay

Tom and Shawn call upon their inner chi to give Netflix’s Iron Fist a well-deserved beatdown; Paramount tries to solicit a Pro; Tom discovers that the pratfalls and faux pas of the comics industry don’t… [more]

punisher-polar-bearUntil the End of the World – A Guide to Garth Ennis’s Comics: Introduction

Comics criticism has a Garth Ennis problem. Despite a considerable body of work spanning almost three decades which shows little sign of stopping – at the time of writing, he’s currently working on two monthly… [more]

"Morrison & Miller(sic) Move Over To Marvel": The cover to 1995's Comics International #52, with a scan from Alan Davis' Captain Britain tales.“To Shoot Every Last Skrull On Earth”: On Skrull Kill Krew #1-5 (The American Superhero Comics Of Mark Millar, Part 41)

Continued from last week. Despite the precipitous collapse and subsequent flatlining of Swamp Thing’s sales in the second half of 1994, Millar’s career at the half-point of the decade still appeared to be in rude… [more]

Sequart logoSmorgasbord #2: The Ubiquitous Charles Soule

Welcome to the Smorgasbord Podcast, where Tom Shapira (Curing the Postmodern Blues) and Shawn Edri talk about little of everything comics related. In this episode we talk possible new live-action superhero shows, the new novel… [more]

scanAAAThe Worst of Millar: The 10 Least Commendable Examples of Mark Millar’s Work for UK Publishers, 1989-1997

Shameless? will be moving on in the new year to discuss Mark Millar’s post-1993 career with a host of American publishers. But before setting out in the direction of Swamp Thing, Skrull Kill Krew and… [more]

scan1From The Saviour to Judge Dredd and Zenith: Shameless? Part 17

Continued from last week. For a brief moment in early 1990, Millar’s career appeared to be unambiguously prospering. As of May, Trident had, in addition to The Saviour, added Millar’s The Shadowmen to their schedule. Though… [more]

scan42000AD, a British Institution: An Interview with Writer Al Ewing and Henry Flint

2000AD artist Henry Flint still recalls the excitement of encountering the first issue of the weekly SF-adventure comic. It was, he says, “nasty, brutal. Parents hated it. The morality of the heroes was questionable. After… [more]

COLD BLOODAn Interview with 2000AD‘s Al Ewing, Part 2

In which the interview with Al Ewing — begun last week — is concluded. COLIN SMITH: To what degree does the writer of fantastical fiction have a political responsibility, and who’s that responsibility to? To… [more]

mega-city-one-from-dredd-2012Building a Better Dredd: The Smart Narrative Choices of Dredd

Earlier, we discussed how Dredd is faithful to its source material, to the extent that it could be described as a violent morality play. Today, I’d like to discuss the film’s narrative choices, because I… [more]

The Zaucer of ZilkAn Interview with 2000AD‘s Al Ewing

I’d struggle to overstate how much I enjoy and admire Al Ewing’s work.

Dredd (2012) posterDredd as Violent Morality Play

Dredd is a far better, smarter, and well-made film than anyone had a right to respect. It gets nearly everything right. It’s visually beautiful, even when disgusting. It’s entertaining. But it’s also disturbing and thought-provoking.… [more]

Judge Dredd Apocalypse WarThe Best of 2000AD

In my very first article I mentioned the importance of 2000AD and its impact on the UK comic scene (and in fact the comics world as a whole), so this month I thought I’d pull… [more]

judge-dredd_02The Evolution of a UK Comic Fan

Over here in the UK, comics aren’t as enmeshed in our psyche as our US counterparts’. For us, comics all began with The Beano and Dandy, with Dennis the Menace (not that one, ours was… [more]