1) Here is a strange but intriguing Diagram for Delinquents promo inspired by and ripped from a classic ad you may have seen in those old comic books. Dangerous stuff, kiddies! Dangerous! Twelve years dungeon! 2)… [more]
I saw The Matrix long before I ever picked up my very first The Invisibles comic, so as I read the comic, I looked for all of the alleged idea theft that had occurred when… [more]
As I explained in part 1 of this post, Captain America was very much a product of his times. He was created to oppose the tyranny, bigotry, and brutality of the original Axis of Evil: Nazi Germany,… [more]
It is not hyperbole to say cynicism has become a problem. It would also not be over dramatic to say the problem has ballooned into great proportions with each passing generation. While there are plenty… [more]
This is a piece that explores the idea of textualization in super-hero comics and how these stories are constructed. More than that, it is an introduction to exploring purpose — why are super-heroes so engaging… [more]
“Ultimatum”, “Crisis On Infinite Earths” & “Onslaught” & The Thinning Out Of The Superhero Herd A Touch:- “The End Of All Flesh Is Come Before Me”
“Ultimatum” 14. “Ultimatum” was designed to affect an extraordinary culling of super-folks from Marvel’s Ultimate Universe, a somewhat-ailing if still successful component of the companies multiverse. Like “Crisis” and “Onslaught”, it was a project designed… [more]
Volume 2 of The Ultimates (sometimes referred to as Season 2) is not only vastly superior to the first, but I would argue that it is the best work of Millar’s career. It’s a fascinating… [more]
Two weeks ago, I discussed the importance of space in storytelling, and the power of two-point perspective. I left you all with the notion that two-point perspective, while powerful, was not really the whole story —… [more]
1. I have another entry to present this week for the Diagram for Delinquents promo card contest. This entry harkens back to an earlier blog update wherein I discussed the use of psychiatric tests by Wertham… [more]
Many fans of The Obscure Cities (which I introduced here) will tell you that the first volume, The Walls of Samaris, first collected in 1983, represents a freshman effort, despite the acclaim it’s won.
Captain America and Superman are pretty much universally recognized as the superheroes who best exemplify the values of justice and freedom that have been held up as our nation’s greatest achievements and still elusive goals since… [more]
I can’t do it, I just can’t. It doesn’t matter how much I admire Kieron Gillen as a writer, and admire him I most certainly do. He’s undoubtedly one of the best half-dozen writers currently at… [more]
The Joker laughs manically as he holds Batman, supposedly dead. Despite the large amount of blood on the weapon and on Batman, this isn’t even the shocking part.
Continuity. The word alone strikes terror into the hearts of editors everywhere. When you disregard it, people will want it back. When you keep it, new readers complain it’s too much to ask of them.
After the first six issues of Millar’s The Ultimates had established the team as a group of celebrity soldiers with little ethical or moral backbone (except for Thor who is considered insane by the others),… [more]
Not long ago, I saw a post on the the Comics Beat by former Comics Journal contributor Robert Boyd remarking upon the virtual separation of the world of “mainstream comics” and “artcomics.” Boyd didn’t comment… [more]
Long before Alan Moore delved into literary pornography with Lost Girls, he was infusing his work with a broad understanding of human sexuality as natural. And this wasn’t limited to auteur projects like Lost Girls… [more]
This week’s update is coming from our hotel room in sunny Los Angeles! Because of the slow internet connection and our busy shooting schedule, it’s going to be a short entry. As a little wrap-up:… [more]
Fourth Age of Comics is an excellent blog site that examines modern comic book storytelling with a particular focus on the types of issues superheroes can effectively be used to address.
It’s hard to suppress the suspicion that there are comic-book creators who have quite deliberately chosen to ignore the business of storytelling in favor of butt-shots and throw-downs, pin-ups and continuity porn.
You and me, we are getting old. I know. It does suck.
I have had a few conversations about the work of Garth Ennis over the years, and have concluded that his work (and indeed, he himself) is misinterpreted or misunderstood by the average comic consumer.
With the ten-year anniversary of Mark Millar’s The Ultimates coming up next year, and with an all new line up of Ultimate books coming from Jonathan Hickman and Nick Spencer later this year, there’s no… [more]
Ah, the dreaded cliché super-hero page – well drawn, beautifully rendered, and completely incomprehensible.