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So why do I claim that “archetypal criticism” should be a principal (if not exclusive) means to understand the connections between mainstream and art comics?
Having introduced The Obscure Cities and walked through its first volume, The Walls of Samaris in some detail, I ended with that book’s conclusion. I’ll pick up there, so it’s necessary that you read part… [more]
I apologize for my anemic entries of late. Filming on the picture has been in full swing, and with the Fall semester is starting very soon, I have been busy preparing for that. (I’m teaching… [more]
“There’s no patriotism like American patriotism, and there’s no patriotic superhero like Captain America.” So proclaims Bosch Fawstin in his recent post on the conservative blog site FrontPageMagazine.com. My only problem with Fawstin’s statement is… [more]
The air has been cleared a bit regarding Superman’s status in the DCnU, and (of course) it’s caused people to flip out a bit. Here is a quick rundown of the major changes: 1) A… [more]
Is there anything more intensive and fundamental to learning a language than vocabulary? Of course not. To learn how to use language without vocabulary is like learning to play hockey with out a puck, stick,… [more]
Within the narrative of Final Crisis, Morrison wrote a two-issue mini-series called Superman Beyond 3D (2008-2009). This story was placed into the Final Crisis collected publications, forming an integral part of the complete narrative.
After numerous issues of in-fighting and build up, all of the pieces are in place for Millar’s endgame and he takes the series to its only logical conclusion — America’s arms race backfires. It’s the… [more]
J. Michael Straczynski and Esad Ribic’s Silver Surfer: Requiem is one of the best comics I have read in recent memory.
There’s a simple solution to DC’s motion-picture woes: stop following Marvel’s model. Marvel’s shared cinematic universe only proceeded the way it did due to accidents of history.
1) Here is a strange but intriguing Diagram for Delinquents promo inspired by and ripped from a classic ad you may have seen in those old comic books. Dangerous stuff, kiddies! Dangerous! Twelve years dungeon! 2)… [more]
I saw The Matrix long before I ever picked up my very first The Invisibles comic, so as I read the comic, I looked for all of the alleged idea theft that had occurred when… [more]
As I explained in part 1 of this post, Captain America was very much a product of his times. He was created to oppose the tyranny, bigotry, and brutality of the original Axis of Evil: Nazi Germany,… [more]
It is not hyperbole to say cynicism has become a problem. It would also not be over dramatic to say the problem has ballooned into great proportions with each passing generation. While there are plenty… [more]
This is a piece that explores the idea of textualization in super-hero comics and how these stories are constructed. More than that, it is an introduction to exploring purpose — why are super-heroes so engaging… [more]
“Ultimatum”, “Crisis On Infinite Earths” & “Onslaught” & The Thinning Out Of The Superhero Herd A Touch:- “The End Of All Flesh Is Come Before Me”
“Ultimatum” 14. “Ultimatum” was designed to affect an extraordinary culling of super-folks from Marvel’s Ultimate Universe, a somewhat-ailing if still successful component of the companies multiverse. Like “Crisis” and “Onslaught”, it was a project designed… [more]
Volume 2 of The Ultimates (sometimes referred to as Season 2) is not only vastly superior to the first, but I would argue that it is the best work of Millar’s career. It’s a fascinating… [more]
Two weeks ago, I discussed the importance of space in storytelling, and the power of two-point perspective. I left you all with the notion that two-point perspective, while powerful, was not really the whole story —… [more]
1. I have another entry to present this week for the Diagram for Delinquents promo card contest. This entry harkens back to an earlier blog update wherein I discussed the use of psychiatric tests by Wertham… [more]
Many fans of The Obscure Cities (which I introduced here) will tell you that the first volume, The Walls of Samaris, first collected in 1983, represents a freshman effort, despite the acclaim it’s won.
Captain America and Superman are pretty much universally recognized as the superheroes who best exemplify the values of justice and freedom that have been held up as our nation’s greatest achievements and still elusive goals since… [more]
I can’t do it, I just can’t. It doesn’t matter how much I admire Kieron Gillen as a writer, and admire him I most certainly do. He’s undoubtedly one of the best half-dozen writers currently at… [more]
The Joker laughs manically as he holds Batman, supposedly dead. Despite the large amount of blood on the weapon and on Batman, this isn’t even the shocking part.
Continuity. The word alone strikes terror into the hearts of editors everywhere. When you disregard it, people will want it back. When you keep it, new readers complain it’s too much to ask of them.
After the first six issues of Millar’s The Ultimates had established the team as a group of celebrity soldiers with little ethical or moral backbone (except for Thor who is considered insane by the others),… [more]