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The Dark Knight Returns

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Because I Am the Goddamn Batman: Political Ideologies and Transhumanism in Superhero Comics

Superheroes give us a way to get at the ideologies at work in transhumanism and politics. The genre of superhero comics is a fantastical take on an often dystopian version of our own real world.… [more]

Alan Moore’s Marvelman, Part 1: From the Ashes of Obscurity…

Alan Moore brought new life to one of the most unoriginal superheroes. See how Alan Moore utilized Marvelman to explore and critique the Golden Age of Comics. [more]

The Question of Literature and Why Comic Books Deserve to be Classified as Such

How many books do you read a year? This is a question that is frequently asked by voracious readers whenever they feel the need to see if a person is reading as much as they… [more]

“Through the Eyes of a Fan”: How Being a Fanboy Changes One’s Outlook Both In and Outside the World of Comics

I am not pessimist. Let me make that very clear before I begin this exposition. I am not some kind of troll who sits behind a computer screen, ready to pounce on the latest superhero… [more]

Who Will Save Us Now?: Dirty Realistic Fiction, Grim and Gritty Superhero Comic Books, and the Legacy of 1986—Part 3

With Great Power Comes Great Responsibility! In the quarter of a century since these books came out, the American comic book landscape has changed dramatically.  Whereas once upon a time, superhero comic books were made… [more]

Who Will Save Us Now?: Dirty Realistic Fiction, Grim and Gritty Superhero Comic Books, and the Legacy of 1986—Part 2

All the reasons which made the initiation of physical force evil, make the retaliatory use of physical force a moral imperative! I read—and loved—The Dark Knight Returns when I was in the 7th grade, about three… [more]

Who Will Save Us Now?: Dirty Realistic Fiction, Grim and Gritty Superhero Comic Books, and the Legacy of 1986—Part 1

Great Krypton! In the fall of 1987, my father gave me 75 cents to purchase issue 595 of Action Comics, the comic book that started my collection.  I had read comic books before, but hadn’t… [more]

Don’t Send in the Clowns: Jared Leto Isn’t Cool Enough to Be Joker

Remember when The Joker was cool? Do you remember how gratifying it would always be to see him reimagined for a new video game or cartoon? Or better yet, to see him re-adapted for another… [more]

The Frank Miller & Alan Moore Adaptations

As we near the climax of comparing Miller and Moore it’s worth talking about the adaptations. Is there any good adaptation of Alan Moore’s work? Is there a bad adaptation of Miller’s work? [more]

Batman #1—The Ultimate Batman Comic

Batman’s co-creator Bill Finger crafted in 32 pages every single tone and approach to his character that would follow in 75 years. Batman #1 is the single greatest Batman comic ever produced. [more]

The Super-Heroics of Frank Miller and Alan Moore, Part 3

Early 90s Superhero work I have been alluding at various points the real-life history of my two subjects in my past articles, but context is vital in understanding the next period of superhero writing for… [more]

The Super-Heroics of Frank Miller and Alan Moore, Part 2

Prime-Era Superheroes After a falling out with British Comics publishers, Alan Moore began working with DC Comics writing the horror-book Swamp Thing. Most of Swamp Thing avoided utilization of most superheroes sans some supernatural characters.… [more]

Eternal Return: The Enduring, and Problematic, Influence of The Dark Knight Returns

When the Man of Steel sequel was officially announced at Comic-Con back in July of 2013, director Zack Snyder claimed that the film would be “inspired” by Frank Miller’s classic Dark Knight Returns. Even though… [more]

A Tale of Two Dark Knights…

Frank Miller’s The Dark Knight Returns (or DKR) has long been considered one of the greatest works in comic books. Since its release in 1986, it has been lauded as an industry-changing story that helped… [more]

“‘Cause It’s Witchcraft, Wicked Witchcraft”: Wicked, Broadway, and Revisionist Super-Heroes

When you write a weekly column, it doesn’t take long before you find yourself talking about something you don’t know anything about.  For me, that moment is now, and I just want to get that… [more]

Superhero Accessories: Part One: Masked Vigilantes

Perhaps the most damning criticism Alan Moore made about superheroes has been overlooked in all the controversy around the ‘Last interview’: ‘the origin of capes and masks as ubiquitous superhero accessories can be deduced from… [more]

On Canons, Critics, Consensus, and Comics, Part 2

As I explained in last week’s column, I recently asked my fellow Sequart contributors to answer the following question:  “What are the 10 greatest works in the history of the comics medium, and who are the… [more]

On the Limits of Adaptation or What Can We Get Out of The Dark Knight Returns Movie?

The year 2012 brought with it something Batman fans, and comics fans in general, have been expecting for years; a large production from distinguished creators starring some well-beloved actors. I am talking, of course, about… [more]

1986, The Year That Changed Comics: Introduction, Part 2

Over the course of the coming months, Sequart will be serializing chapters from my forthcoming book, currently titled 1986: The Year That Changed Comics, here on their website.

1986, The Year That Changed Comics: Introduction

In discussions of graphic novels, three works that are regularly cited as landmarks of the medium are Alan Moore and Dave Gibbons’s highly acclaimed Watchmen, Art Spiegelman’s Pulitzer Prize-winning Maus, and Frank Miller’s Batman: The… [more]

The Anxiety of Influence and Failed Sequels: Frank Miller and The Dark Knight Strikes Again

“I mean the criticism teaches not a language of criticism […] but a language in which poetry already is written, the language of influence, of the dialectic…” (Bloom 25).

The Girl with the Robin Tattoo

By now everyone has at least heard of, if not seen, David Fincher’s adaptation of The Girl With The Dragon Tattoo, a film that many are calling one of the best of the year.

Why Comics Have Failed to Achieve Real Respect

It might superficially seem as if comics have finally achieved respect. They’re covered by the mainstream press. They’re increasingly taught in colleges. Their adaptations account for a huge percentage of Hollywood blockbusters. Hey, even nerd… [more]

Holy Hollywood, Batman!

Earlier this summer, Christian Bale, hands down the greatest actor to ever dress up in pointy ears and mutter “I’m Batman,” professed to a reporter that he would quit the series if Batman’s pixie-ish sidekick… [more]

In the Beginning… #3

Search for a Superman When I started getting into comics, friends began recommending trade paperbacks for me to read. I was told I should read The Dark Night Returns, The Long Halloween, Batman: Year One… [more]