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Magazine content related to Neil Gaiman (page 4 of 4)
Abstract-Empire-China: must there be a Sandman?
I am being slightly humorous with the choice of title of course, but I wish to evoke the sense that the politics in this essay have been negotiated before, in a different context. The piece… [more]
The Last Comics Blotter
Comics Lit Spotlight in New York Times MagazineIf you are already a member or you don’t mind registering with the online version of New York Times Magazine, there is a great article by Charles McGrath… [more]
CrossGen, Austen, 2099, More
The Final Chapter? If you didn’t see this coming then I have taught you nothing. It’s no surprise that CrossGen has filed for bankruptcy. The company’s debt has risen to around $3.5 million and that… [more]
The New Blotter
Hello. My name is Mike Phillips. I’m the new Blotter guy and I am very excited to Blot. No kidding. As I finished reading the e-mail from Julian saying, “Welcome aboard,” I caught myself pumping… [more]
Superman Plans, Bill Jemas Dismantled, Secret War, and More
Superman Plans AnnouncedSome of this is old news, but it bears being lumped together. December issues of the Superman titles will see the end of the present creative teams. Action Comics #810 — scheduled for… [more]
Comics Published 17 September 2003
Bit of good news (I suppose) for the readers (reader?): I quit my job.Which, naturally, means I’m back to managing the comic book store. Which, at least theoretically, means that reviews should be getting kicked… [more]
The Cult of the Writer
One of the major phenomena occurring in American comic books in the last two decades has been the cult of the writer, often in competition with the cult of the artist or illustrator. Various years… [more]
A Brief Consideration of Gaiman’s Usage of Lucifer in The Sandman
Before he had his own ongoing series, Lucifer came to prominence in Neil Gaiman’s The Sandman. But Gaiman’s Lucifer went through three very different depictions, somewhat inconsistent with one another.
The State of American Comics Address, 2002
The American comic book industry, as an economic institution, is doing terribly. Artistically, however, this will be remembered as a fairly good period. Many mainstream titles are selling less than 20,000 copies; a few even… [more]
