Sequart Content Tagged:
European comics
Magazine content related to European comics (page 3 of 4)
The Adventures of Tintin in Critical Controversy
It is commonly held that the United States helped create the comics art and literary genre; however, what is often overlooked is the significant comics community thriving in Europe during these early years, particularly in… [more]
Miracleman, Chapter 5: “Fallen Angels, Forgotten Thunder”
Having introduced Miracleman and discussed its first, second, third, and fourth chapters, as well as the interlude “The Yesterday Gambit,” we now turn to chapter five of Alan Moore’s Miracleman, which concludes the hero’s first… [more]
Miracleman, Chapter 4: “Dragons” (Cont.)
Last time, we began discussing the fourth chapter of Alan Moore’s Miracleman. This time, we conclude our look at that chapter.
Miracleman, Chapter 4: “Dragons”
Having introduced Miracleman and discussed its first, second, and third chapters, as well as the interlude “The Yesterday Gambit,” we now turn to chapter four of Alan Moore’s Miracleman, in which the hero has his… [more]
“The Yesterday Gambit,” Part 4
We’ve introduced Alan Moore’s Miracleman interlude from Warrior #4, “The Yesterday Gambit,” and examined its first, second, and third segments. We now turn to its final segment, illustrated by Steve Dillon, in which Miracleman and Warpsmith return… [more]
“The Yesterday Gambit,” Part 3
We’ve introduced Alan Moore’s Miracleman interlude from Warrior #4, “The Yesterday Gambit,” and examined its first and second segments. We now turn to its third segment, illustrated by Alan Davis, in which Miracleman and Warpsmith revisit… [more]
“The Yesterday Gambit,” Part 2
We’ve introduced Alan Moore’s Miracleman interlude from Warrior #4, “The Yesterday Gambit”, and examined its first segment. We now turn to its second segment, illustrated by Paul Neary, in which Miracleman and Warpsmith revisit the 1963… [more]
“The Yesterday Gambit,” Part 1
We began discussion of “The Yesterday Gambit” last time, having previously introduced Miracleman and discussed its first, second, and third chapters. We now turn to the story of Alan Moore’s “The Yesterday Gambit,” from Warrior #4.
“The Yesterday Gambit” (A Miracleman Interlude)
We’ve introduced Miracleman and discussed its first, second, and third chapters. We now turn to the famous “The Yesterday Gambit,” from Warrior #4.
Miracleman, Chapter 3 Concludes
We’ve introduced Miracleman and discussed its first and second chapters, plus most of the third (part one, part two). We now conclude our look at this third chapter of Alan Moore and Garry Leach’s Miracleman… [more]
Miracleman, Chapter 3: “When Johnny Comes Marching Home”
We’ve introduced Miracleman and discussed its first and second episodes, plus the first page of chapter three. We now continue our look at that third chapter of Alan Moore and Garry Leach’s Miracleman stories, which… [more]
Sex and the Super-Hero in Miracleman, Chapter 3
Having briefly introduced Miracleman and discussed its first and second episodes, let’s turn to the third of Alan Moore and Garry Leach’s Miracleman stories, which appeared in the legendary British magazine Warrior.
Miracleman, Chapter 2: “Legend”
Having briefly introduced Miracleman and discussed its first episode, let’s turn to the second of Alan Moore and Garry Leach’s earliest stories, which appeared in the legendary British magazine Warrior.
Parody in Alan Moore’s The Stars My Degradation
Alan Moore’s early professional work (such as Maxwell the Magic Cat, Roscoe Moscow, and The Stars My Degradation) was firmly rooted in comedy, which may seem at odds with the more later dramatic work he became… [more]
Alan Moore’s The Stars My Degradation
The title of Moore’s second strip for Sounds Magazine, The Stars My Degradation, owes its inspiration to a famous science-fiction novel by Alfred Bester, The Stars My Destination (1956). In the novel, Gully Foyle is… [more]
The Fever of Urbicande, Chapter 4
We’ve previously looked at The Fever of Urbicande‘s prologue (and some of that prologue’s implications), as well as chapters one, two, and three (in two parts). This time, we’ll begin to look at chapter four,… [more]
The Fever of Urbicande, Chapter 3 (Cont.)
We’ve previously looked at The Fever of Urbicande‘s prologue, some of that prologue’s implications, chapter one, chapter two, and the beginning of chapter three. This time, we’ll conclude our look at chapter three, in which the… [more]
The Fever of Urbicande, Chapter 3
We’ve previously looked at The Fever of Urbicande‘s prologue, some of that prologue’s implications, and chapters one and two. This time, we’ll continue to chapter three of this fascinating story.
The Fever of Urbicande, Chapter 2
We’ve previously looked at The Fever of Urbicande‘s prologue, some of that prologue’s implications, and chapter one of the comic proper. This time, we’ll continue into chapter two of this fascinating story.
The Fever of Urbicande, Chapter 1
We’ve previously looked at The Fever of Urbicande‘s prologue and some of its implications. This time, we’ll dive into the story itself.
The Fever of Urbicande: Ayn Rand, Totalitarian Architecture, Brutalism, and Busselization
We’ve previously looked at The Fever of Urbicande‘s prologue, which sets up Eugen Robick’s status quo as the story starts. This time, we’ll explore some fascinating parallels and implications of that status quo. Also, I’ve… [more]
The Fever of Urbicande: A French Masterpiece You Probably Haven’t Read
More than any other, this is the the book for which The Obscure Cities is famous. In his afterword to The Walls of Samaris, Benoît Peeters writes that his main criticism of that initial volume… [more]
The Walls of Samaris, Part 4: Textual Variants
We’ve previously examined the story of The Walls of Samaris, a French masterpiece that deserves to be known among comics-literate Americans. In part two, we looked at several implications of its trompe-d’oeil device. In part three, I wrapped up… [more]
The Walls of Samaris, Part 3: More Mysteries… and Some Possible Solutions
We’ve previously examined the story of The Walls of Samaris, a French masterpiece that deserves to be known among comics-literate Americans. In part two, we looked at several implications of its trompe-d’oeil device.
The Walls of Samaris, Part 2: The Trompe-d’Oeil and You
Having introduced The Obscure Cities and walked through its first volume, The Walls of Samaris in some detail, I ended with that book’s conclusion. I’ll pick up there, so it’s necessary that you read part… [more]