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There is Another World: Postmodernism and Identity in Grant Morrison’s Doom Patrol
Grant Morrison’s run on Doom Patrol is certainly not an easy book to recommend. On the surface, it’s a very dense work with dozens of different literary references hiding in every corner, and it can… [more]
Smorgasbord #51: Goodbye, Northampton’s Rose
Shawn and Tom consider the legacy of Alan Moore as he prepares to leave comics forever(?); Shawn sings the praises of Outhouser Jude Terror for speaking truth to power; nobody puts Valiant in the corner… [more]
Tim Callahan on Grant Morrison: The Early Years
As part of its ongoing Patreon campaign, Sequart runs a Book / Movie of the Month Club. Patrons get a digital copy of a Sequart book or movie at the beginning of each month, and… [more]
Tarot, Trans-Gender Robots, and Friendly Bandage-People: The Doom Patrol Interview with Rachel Pollack
Jacurutu Ninety-Nine: The beginning of your run on Doom Patrol coincided with the beginning of the Vertigo line at DC. Grant Morrison left his run with a spectacular ending, but the series was very popular… [more]
Jorge Borges in Grant Morrison’s Doom Patrol #22, A Companion Reader
One final look at the intertextual themes in the first four issues of Grant Morrison’s Doom Patrol (#19 to #22). [more]
Grant Morrison’s Doom Patrol #21, A Companion Reader
This article series is an informal annotated bibliography for Grant Morrison’s first four issues of Doom Patrol. Have I ever seen an annotated bibliography before? Apparently not. [more]
Grant Morrison: The Zoids Years
Grant Morrison is well known for looking at the banality of life and giving things a unique cosmic twist. To live in his world of a magic-fuelled, comic rock-star means working in a world of… [more]
Grant Morrison’s Doom Patrol #20, A Companion Reader
This essay series will devote time and attention to intertextual themes in the first four issues of Grant Morrison’s Doom Patrol (#19 to #22). [more]
Grant Morrison’s Doom Patrol #19, Addendum
This essay series will devote time and attention to intertextual themes in the first four issues of Grant Morrison’s Doom Patrol (#19 to #22). [more]
Grant Morrison’s Doom Patrol #19, A Companion Reader
The first four issues of Grant Morrison’s run of Doom Patrol are rife with allusions to popular culture and the fine arts bound by a love of opposites. [more]
Grant Morrison’s Doom Patrol, A Companion Reader
This essay series will examine intertexual themes in Grant Morrison’s first four issues of Doom Patrol (#19 to #22). [more]
On Canons, Critics, Consensus, and Comics, Part 2
As I explained in last week’s column, I recently asked my fellow Sequart contributors to answer the following question: “What are the 10 greatest works in the history of the comics medium, and who are the… [more]
Grant Morrison’s Day-Glo Years: Flex Mentallo, Part 1
The Invisibles is Grant Morrison’s definitive work about our world, the nexus of his philosophical worldview, simultaneously the source and culmination of his ideas about our universe. But there is another world, the super-hero world
Grant Morrison on Experimental Writing in Doom Patrol
Grant Morrison used a variety of experimental techniques during his surrealist run on Doom Patrol. He discusses them here in a clip from the special edition of Grant Morrison: Talking with Gods, now available for… [more]
Chief Concerns
Back in October 2010, Scipio of the Absorbascon wrote an impassioned salute to the character Niles Caulder (a.k.a. “The Chief”) of the 1960s comic Doom Patrol by Arnold Drake and Bruno Premiani. As a longtime… [more]