Sequart Content Tagged:
comics formats
Magazine content related to comics formats
Great Books vs. Late Books: Should Marvel Switch to a Bi-Monthly Schedule?
When you picked up Hawkeye #16 in late January, you might have been wondering what happened to issue #15. Well, it turns out that #15, originally solicited for September, is finally scheduled to arrive in stores February… [more]
Sequart Podcast #1: The Changing Format of Comics
Guests Kevin Thurman and David Balan discuss the future of the comics form, and the implications of digital comics.
Perishable: How Monthlies Can Warp Our Perspectives
Talking about monthly comics vs the graphic novel is not revolutionary by any stretch. At this point we have heard from damn near every creator about which is preferred: the monthly comic or the graphic… [more]
Roundtable on Current Super-Hero Comics, the Problem of Nostalgia, and the Genre’s Future
Depending on whom you ask, current super-hero comics are either sub-competent exercises in nostalgia or exciting, dynamic explorations of heroism, adapted for contemporary times.
The Pop Manifesto
It’s not the responsibility of a manifesto to make sense. It’s the job of a manifesto to make it appear that the things which it claims to oppose don’t make sense.
On Digital Comics and the Need for Marketing
Recently, Ron Marz started a bi-weekly column over at Comic Book Resources titled “Shelf Life,” and his December 30th column got people talking.
On the Anthology Format
Tim Callahan’s recent “When Worlds Collide” column has me thinking about anthologies.
Why Comics Matter
The following video consists of a lecture I delivered on 5 January 2006 at Glen Carbon Centennial Library in Glen Carbon, Illinois. The total runtime is 46 minutes.
Comics in Other Media
Superheroes have been in our language for years. Nearly every American, somewhere along the line, has been exposed to superheroes or comic books either directly or peripherally. In the least, we all certainly could name… [more]
Attention Versus Quality (or Fuck the Market)
People love to complain about it. I can’t enter a comic shop without hearing it. Everyone in American comics seems to want another boom — as if the last one was good for us.
Against Speculators
Comics in the early ’90s were full of collectors, people who bought comics not to read them but to collect them. And comic book companies catered to this market, printing multiple covers, foil-enhanced covers, holographic… [more]