Let’s talk death.
Having written a recent column dealing with Frank Miller’s “Holy Terror” graphic novel, and subsequently one regarding the Occupy protests, I feel that it would be pertinent for me to follow them up with a… [more]
Each day we get closer to having to admit that some of our heroes have views we disagree with. Some views we might even call nuts. Sure, we might love our heroes to be a… [more]
“A creative producer is very involved with the writing, even though he does not do the screenplay and is not the author of the original material. You work with the writer, you guide the writer,… [more]
If you follow my twitter feed at all, you might notice lately that I have been retweeting several updates from various professional journalism and citizen journalism sources regarding the Occupy Wall Street movement.
In “The New 52 and the New Adult Pulp,” I asserted that DC’s new line followed the sensationalistic tradition of American pulp magazines, upon which most (though not all) early American comic books modeled their… [more]
Damian is the son of Bruce Wayne and Talia Al-Ghul, and has become one of the central characters in Morrison’s Batman epic and beyond.
Of all the comics I’ve read throughout the years, I think I’ve read Batman: Year One the most, so it’s sort of strange that it’s not a particularly memorable comic to me.
In The Linking Myth I stated that I thought that the Jungian approach to understanding the myths in all the stories humans tell proved superior to any linguistic analysis.
On NPR, there is a program called This I Believe… where respondents briefly explain their particular belief about a certain topic in around 500 or so words.
Every so often we get a good comics scandal involving a creator and random fan bickering across the internet. Seemingly within days it, has sent ripples across the comics world. Jack Creator and Ralph the… [more]
One of my favorite things to ponder when it comes to the realistic or quasi-realistic treatment of superheroes is the treatment of Robin, The Boy Wonder.
It might superficially seem as if comics have finally achieved respect. They’re covered by the mainstream press. They’re increasingly taught in colleges. Their adaptations account for a huge percentage of Hollywood blockbusters. Hey, even nerd… [more]
By now, everyone in the comics blogosphere is more than familiar with the controversy that arose from the recent Catwoman #1.
DC’s New 52 initiative has sparked a lot of recent controversy over the presentation of women and female characters.
After finishing Batman R.I.P., many complained that the reveal of Jezebel Jet as a member of the Black Glove was completely obvious – that it was not the shocking plot twist Morrison had promised them in the beginning.
The Last Son of Krypton, looking a little less brawny than I imagined him to be and with less than enough hair to pull off a spit curl, took center stage while his superfriends disappeared… [more]
I’m quite certain writer Scott Lobdell, writer of Red Hood and the Outlaws, didn’t intend to make Starfire in any way diminishing of women. I know this because it’s leaked that DC was concerned, prior… [more]
Julian Darius’s essay Hollow Spectacle cites a current DC comic for its overuse of meaningless spectacular scenes, such as a scene in the recent Justice League #1, in which Green Lantern uses his power ring… [more]
There has been a lot of talk about comics being sexist or DC comics in particular not wanting to hire women and while it can be construed as a problem when DC’s titles went from… [more]
Let’s talk about who we are as fans for a moment, shall we?
I can appreciate someone like Chris Ware for his artistry, which I think is beautiful, but I think his attitude stinks, it just seems to be the attitude of somebody really privileged, and honestly, try… [more]
This is a somewhat informal essay on a character that has fascinated me for a few years, Beta Ray Bill. While it echoes the work of folklorists and the hero narrative (Propp, Campbell, et al),… [more]
“Spider Jerusalem is like Hunter S. Thompson in the 25th century.” That is how the lead character of Warren Ellis’s Transmetropolitan was first described to me.
There’s nothing wrong with spectacle. Even, I’d argue, for its own sake. Hell, it used to be its own genre of Hollywood movie (e.g. Cleopatra and more recently Gladiator)! But there’s good and bad spectacle,… [more]