The 2005 MoCCA (Museum of Cartoon and Comic Art) Festival in New York was held on June 11th and 12th, and once again the event was a success in the face of a brutal heat… [more]
The fourth annual MoCCA Art Festival is coming up this weekend in New York City. Last year saw the festival truly mature into a well-organized event that still captured the quirkiness that its eclectic guest… [more]
It’s good to be back on the Blotter. It will be a little different this time, though, because we are the news for once! I’ll begin at the beginning. My buddy Sri and I, computer… [more]
What interests me most about comics is directly, the medium itself. I came to this realization by something of a hard road. Ad astra, per aspera.About fifteen years ago, I remember attempting the, even-now, Herculean… [more]
This is the fourth annual State of American Comics Address that I have given. The State of American Comics Address is intended to sum up, in retrospect and for the historical record, the American comics… [more]
Lee Entangled In Alliteration Of His Own Devising For Five Hours (1968) Work in the Marvel offices grinded to a halt last Thursday when famed funnybook frontman Stan Lee became entangled in a labyrinthine alliteration… [more]
Hey, gang — welcome to another New Comics Day. I’m screwing around with the format of the column (again). Look for some more changes in the coming weeks. If you hate the new format and… [more]
Salutations, all, and welcome to a special edition of New Comics Day. Rather than slaving away drunkenly at a computer trying to come up with new material, I spent several hours drunkenly culling through the… [more]
Wolverine would have been a good recurring character in The Incredible Hulk, where he first appeared. And I would have defended him, retractable claws and all. But he can’t really sustain his own book, nor being… [more]
People love to complain about it. I can’t enter a comic shop without hearing it. Everyone in American comics seems to want another boom — as if the last one was good for us.
Things are, in many ways, quite good in American comics. Sales stink, but the quality of the average comic book is really rather high.
Comics in the early ’90s were full of collectors, people who bought comics not to read them but to collect them. And comic book companies catered to this market, printing multiple covers, foil-enhanced covers, holographic… [more]
Tonight, I watched 60 Minutes II because I read online that Marvel Editor-in-Chief Joe Quesada, popular hero for returning (or contributing to the return of) Marvel Comics to greatness (or something closer), would be on the… [more]
Metropolis. A group of walking citizens suddenly stops on the street and stares hopefully toward the heavens.
Against Silver Age Marvel, the Cult of Stan Lee, and Fantastic Four (Annual) #1 / For Comic Books as Literary Art
To this day, one hears otherwise intelligent comic book creators saying that they want to recapture the joy of reading Fantastic Four #1, of its fun and its newness. This always shocks me, especially when it… [more]
It’s true: there’s a simplicity to seeing Doc Doom or Lex Luthor as bad and Superman or the Fantastic Four as good.
The American comic book industry, as an economic institution, is doing terribly. Artistically, however, this will be remembered as a fairly good period. Many mainstream titles are selling less than 20,000 copies; a few even… [more]