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miracleman

Miracleman, Chapter 5 (Cont.)

We’ve begun looking at chapter five of Alan Moore’s Miracleman and examined its reference to the 1981 Brixton riots. We now continue our look at this story, originally printed in Warrior #6 (Oct 1982), which concludes Miracleman’s… [more]

Miracleman, Chapter 5, and the Brixton Riots

Last time, we began our examination of chapter five of Alan Moore’s Miracleman. Originally printed in Warrior #6 (Oct 1982), it concludes Miracleman’s fight with Kid Miracleman and marks the midpoint of Book One.

Miracleman, Chapter 5: “Fallen Angels, Forgotten Thunder”

Having introduced Miracleman and discussed its first, second, third, and fourth chapters, as well as the interlude “The Yesterday Gambit,” we now turn to chapter five of Alan Moore’s Miracleman, which concludes the hero’s first… [more]

Miracleman, Chapter 4: “Dragons” (Cont.)

Last time, we began discussing the fourth chapter of Alan Moore’s Miracleman. This time, we conclude our look at that chapter.

Miracleman, Chapter 4: “Dragons”

Having introduced Miracleman and discussed its first, second, and third chapters, as well as the interlude “The Yesterday Gambit,” we now turn to chapter four of Alan Moore’s Miracleman, in which the hero has his… [more]

“The Yesterday Gambit,” Part 4

We’ve introduced Alan Moore’s Miracleman interlude from Warrior #4, “The Yesterday Gambit,” and examined its first, second, and third segments. We now turn to its final segment, illustrated by Steve Dillon, in which Miracleman and Warpsmith return… [more]

“The Yesterday Gambit,” Part 3

We’ve introduced Alan Moore’s Miracleman interlude from Warrior #4, “The Yesterday Gambit,” and examined its first and second segments. We now turn to its third segment, illustrated by Alan Davis, in which Miracleman and Warpsmith revisit… [more]

Has Sequart’s Resident Marxist Lost His Mind?

I won’t name any names, but I once worked at a major retail chain where people would Stop to buy a video Game.

“The Yesterday Gambit,” Part 2

We’ve introduced Alan Moore’s Miracleman interlude from Warrior #4, “The Yesterday Gambit”, and examined its first segment. We now turn to its second segment, illustrated by Paul Neary, in which Miracleman and Warpsmith revisit the 1963… [more]

“The Yesterday Gambit,” Part 1

We began discussion of “The Yesterday Gambit” last time, having previously introduced Miracleman and discussed its first, second, and third chapters. We now turn to the story of Alan Moore’s “The Yesterday Gambit,” from Warrior #4.

“The Yesterday Gambit” (A Miracleman Interlude)

We’ve introduced Miracleman and discussed its first, second, and third chapters. We now turn to the famous “The Yesterday Gambit,” from Warrior #4.

Miracleman, Chapter 3 Concludes

We’ve introduced Miracleman and discussed its first and second chapters, plus most of the third (part one, part two). We now conclude our look at this third chapter of Alan Moore and Garry Leach’s Miracleman… [more]

Miracleman, Chapter 3: “When Johnny Comes Marching Home”

We’ve introduced Miracleman and discussed its first and second episodes, plus the first page of chapter three. We now continue our look at that third chapter of Alan Moore and Garry Leach’s Miracleman stories, which… [more]

Sex and the Super-Hero in Miracleman, Chapter 3

Having briefly introduced Miracleman and discussed its first and second episodes, let’s turn to the third of Alan Moore and Garry Leach’s Miracleman stories, which appeared in the legendary British magazine Warrior.

Miracleman, Chapter 2: “Legend”

Having briefly introduced Miracleman and discussed its first episode, let’s turn to the second of Alan Moore and Garry Leach’s earliest stories, which appeared in the legendary British magazine Warrior.

Miracleman, Chapter 1: “A Dream of Flying”

Having briefly introduced Miracleman, let’s begin looking at Alan Moore and Garry Leach’s earliest stories, which appeared in the legendary British magazine Warrior.

Why Miracleman Matters

Everybody talks about Miracleman, but few have read it. Far more people know of Miracleman’s importance than understand why it occupies such a crucial role in the history of super-hero comics.

Parody in Alan Moore’s The Stars My Degradation

Alan Moore’s early professional work (such as Maxwell the Magic Cat, Roscoe Moscow, and The Stars My Degradation) was firmly rooted in comedy, which may seem at odds with the more later dramatic work he became… [more]

Alan Moore’s The Stars My Degradation

The title of Moore’s second strip for Sounds Magazine, The Stars My Degradation, owes its inspiration to a famous science-fiction novel by Alfred Bester, The Stars My Destination (1956). In the novel, Gully Foyle is… [more]

Mark Millar’s The Ultimates, Part 8: The Grand Exit

A word of advice before going into this series: ignore the “Death of Spider-Man” banner at the top and you’ll be just fine.

Colin Smith on Comics Criticism

As a medium, comics are in a strange place. In many ways, we as comics scholars and advocates have achieved the respect we long sought.

Roundtable on Current Super-Hero Comics, the Problem of Nostalgia, and the Genre’s Future

Depending on whom you ask, current super-hero comics are either sub-competent exercises in nostalgia or exciting, dynamic explorations of heroism, adapted for contemporary times.

On the Anthology Format

Tim Callahan’s recent “When Worlds Collide” column has me thinking about anthologies.

Alan Moore’s Roscoe Moscow

The edition of Sounds magazine dated 31 March 1979 saw the publication of Alan Moore’s first instalment of Roscoe Moscow in “Who Killed Rock n’ Roll?” Unlike Maxwell the Magic Cat, which is largely composed of self-contained joke strips, Roscoe… [more]

In Defense of Lateness

There’s been a lot of commotion in recent years over late — sometimes very late — high-profile books.