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Sequart Releases Moving Panels: Translating Comics to Film
Sequart Organization is proud to announce the publication of Moving Panels: Translating Comics to Film, by Sequart site regular Logan Ludwig. Are comics just storyboards for films that would be too expensive to ever actually commit to… [more]
The Super-Heroics of Frank Miller and Alan Moore, Part 3
Early 90s Superhero work I have been alluding at various points the real-life history of my two subjects in my past articles, but context is vital in understanding the next period of superhero writing for… [more]
Thoughts on Frank Miller’s Creative Evolution
In the original Sin City, Marv is a tired old man. The events of the story turn him into an uncompromising hero, whom you could say is in the ultra-violent, Ayn Rand-inspired mold of some… [more]
In the Beginning… #2
It’s Miller Time In the last few years, Hollywood has been comic book crazy. You can’t visit your local multiplex without coming across a comic book flick or two, as well as posters and trailers… [more]
Comic Book Films and Visual Style
Abstract This extended essay investigates the visual nature of three popular, recent comic book films. It will determine whether efforts taken by filmmakers to represent the source material onscreen are successful and if they are… [more]
A Trip to Sin City
Frank Miller is the man generally credited for taking Batman and returning the character to his roots (through his groundbreaking works The Dark Knight Returns and Batman: Year One) as a take-no-prisoners hard-ass. For a… [more]
The Cult of the Writer
One of the major phenomena occurring in American comic books in the last two decades has been the cult of the writer, often in competition with the cult of the artist or illustrator. Various years… [more]