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	<title>Sequart Organization &#187; Sin City</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Sequart Releases Moving Panels: Translating Comics to Film</title>
		<link>http://sequart.org/magazine/55335/sequart-releases-moving-panels-translating-comics-to-film/</link>
		<comments>http://sequart.org/magazine/55335/sequart-releases-moving-panels-translating-comics-to-film/#comments</comments>
		<pubDate>Mon, 23 Feb 2015 13:30:10 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Sequart News]]></category>
		<category><![CDATA[Jeffrey Vincent Stong]]></category>
		<category><![CDATA[Logan Ludwig]]></category>
		<category><![CDATA[Moving Panels]]></category>
		<category><![CDATA[Persepolis]]></category>
		<category><![CDATA[Scott Pilgrim Vs. the World]]></category>
		<category><![CDATA[Sin City]]></category>
		<category><![CDATA[Sin City movie]]></category>
		<category><![CDATA[Watchmen]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/28full200-150x150.png" alt="Sequart Releases &lt;i&gt;Moving Panels: Translating Comics to Film&lt;/i&gt;" title="Sequart Releases &lt;i&gt;Moving Panels: Translating Comics to Film&lt;/i&gt;" style="float:left;" />Sequart Organization is proud to announce the publication of Moving Panels: Translating Comics to Film, by Sequart site regular Logan Ludwig. Are comics just storyboards for films that would be too expensive to ever actually commit to&#8230; <a href="http://sequart.org/magazine/55335/sequart-releases-moving-panels-translating-comics-to-film/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Super-Heroics of Frank Miller and Alan Moore, Part 3</title>
		<link>http://sequart.org/magazine/52099/the-super-heroics-of-frank-miller-and-alan-moore-part-3/</link>
		<comments>http://sequart.org/magazine/52099/the-super-heroics-of-frank-miller-and-alan-moore-part-3/#comments</comments>
		<pubDate>Thu, 20 Nov 2014 12:00:51 +0000</pubDate>
		<dc:creator>James Kelly</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[RoboCop 2]]></category>
		<category><![CDATA[Sin City]]></category>
		<category><![CDATA[Spawn]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Violator-Cover1-150x150.jpg" alt="The Super-Heroics of Frank Miller and Alan Moore, Part 3" title="The Super-Heroics of Frank Miller and Alan Moore, Part 3" style="float:left;" />Early 90s Superhero work I have been alluding at various points the real-life history of my two subjects in my past articles, but context is vital in understanding the next period of superhero writing for&#8230; <a href="http://sequart.org/magazine/52099/the-super-heroics-of-frank-miller-and-alan-moore-part-3/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Thoughts on Frank Miller’s Creative Evolution</title>
		<link>http://sequart.org/magazine/43460/thoughts-on-frank-millers-creative-evolution/</link>
		<comments>http://sequart.org/magazine/43460/thoughts-on-frank-millers-creative-evolution/#comments</comments>
		<pubDate>Mon, 19 May 2014 17:00:08 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[300]]></category>
		<category><![CDATA[All Star Batman and Robin]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Holy Terror]]></category>
		<category><![CDATA[Sin City]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sin-City-Marv-torturing-150x150.jpg" alt="Thoughts on Frank Miller’s Creative Evolution" title="Thoughts on Frank Miller’s Creative Evolution" style="float:left;" />In the original Sin City, Marv is a tired old man. The events of the story turn him into an uncompromising hero, whom you could say is in the ultra-violent, Ayn Rand-inspired mold of some&#8230; <a href="http://sequart.org/magazine/43460/thoughts-on-frank-millers-creative-evolution/">[more]</a>]]></description>
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		<slash:comments>12</slash:comments>
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		<item>
		<title>In the Beginning&#8230; #2</title>
		<link>http://sequart.org/magazine/28329/in-the-beginning-2/</link>
		<comments>http://sequart.org/magazine/28329/in-the-beginning-2/#comments</comments>
		<pubDate>Mon, 10 Jul 2006 12:57:44 +0000</pubDate>
		<dc:creator>Chris Chopping</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Hellboy]]></category>
		<category><![CDATA[Hellboy (movie)]]></category>
		<category><![CDATA[Sin City]]></category>
		<category><![CDATA[Sin City movie]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=28329</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/hellboy-150x150.jpg" alt="In the Beginning&#8230; #2" title="In the Beginning&#8230; #2" style="float:left;" />It&#8217;s Miller Time In the last few years, Hollywood has been comic book crazy. You can&#8217;t visit your local multiplex without coming across a comic book flick or two, as well as posters and trailers&#8230; <a href="http://sequart.org/magazine/28329/in-the-beginning-2/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Comic Book Films and Visual Style</title>
		<link>http://sequart.org/magazine/19716/comic-book-films-and-visual-style/</link>
		<comments>http://sequart.org/magazine/19716/comic-book-films-and-visual-style/#comments</comments>
		<pubDate>Sun, 04 Jun 2006 19:45:42 +0000</pubDate>
		<dc:creator>Mike Swain</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Hellboy]]></category>
		<category><![CDATA[Sin City]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sin-City-150x150.jpg" alt="Comic Book Films and Visual Style" title="Comic Book Films and Visual Style" style="float:left;" />Abstract This extended essay investigates the visual nature of three popular, recent comic book films. It will determine whether efforts taken by filmmakers to represent the source material onscreen are successful and if they are&#8230; <a href="http://sequart.org/magazine/19716/comic-book-films-and-visual-style/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Trip to Sin City</title>
		<link>http://sequart.org/magazine/25909/a-trip-to-sin-city/</link>
		<comments>http://sequart.org/magazine/25909/a-trip-to-sin-city/#comments</comments>
		<pubDate>Sun, 22 Aug 2004 19:28:19 +0000</pubDate>
		<dc:creator>Matt Martin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Sin City]]></category>
		<category><![CDATA[Sin City: That Yellow Bastard]]></category>
		<category><![CDATA[Sin City: The Big Fat Kill]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=25909</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/35715-5397-39882-1-sin-city-the-big-fa-150x150.jpg" alt="A Trip to Sin City" title="A Trip to Sin City" style="float:left;" />Frank Miller is the man generally credited for taking Batman and returning the character to his roots (through his groundbreaking works The Dark Knight Returns and Batman: Year One) as a take-no-prisoners hard-ass. For a&#8230; <a href="http://sequart.org/magazine/25909/a-trip-to-sin-city/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>The Cult of the Writer</title>
		<link>http://sequart.org/magazine/3404/the-cult-of-the-writer/</link>
		<comments>http://sequart.org/magazine/3404/the-cult-of-the-writer/#comments</comments>
		<pubDate>Sun, 25 Aug 2002 11:00:33 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[comics mechanics]]></category>
		<category><![CDATA[Denny O'Neil]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Garth Ennis]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[Sandman (Neil Gaiman series)]]></category>
		<category><![CDATA[Sin City]]></category>
		<category><![CDATA[Stan Lee]]></category>
		<category><![CDATA[Warren Ellis]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=3404</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Alan-Moore-e1312251694901-150x150.jpg" alt="The Cult of the Writer" title="The Cult of the Writer" style="float:left;" />One of the major phenomena occurring in American comic books in the last two decades has been the cult of the writer, often in competition with the cult of the artist or illustrator. Various years&#8230; <a href="http://sequart.org/magazine/3404/the-cult-of-the-writer/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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