Sequart Content Tagged:
Christopher Nolan
Magazine content related to Christopher Nolan
Sequart Releases Why Do We Fall?: Examining Christopher Nolan’s The Dark Knight Trilogy
Sequart is proud to announce the publication of Why Do We Fall?: Examining Christopher Nolan’s The Dark Knight Trilogy, by David Hernando. The Dark Knight Trilogy, composed of Batman Begins (2005), The Dark Knight (2008) and The Dark Knight… [more]
Revisit The Dark Knight Rises With Kevin Smith and Ralph Garman
Kevin Smith is naturally a positive and forgiving personality, which makes his podcasts fun, but often prevents him from really getting into a serious critique of a film, especially when it’s a film close to… [more]
Don’t Send in the Clowns: Jared Leto Isn’t Cool Enough to Be Joker
Remember when The Joker was cool? Do you remember how gratifying it would always be to see him reimagined for a new video game or cartoon? Or better yet, to see him re-adapted for another… [more]
Julian Darius on Improving the Foundations
As part of its ongoing Patreon campaign, Sequart runs a Book / Movie of the Month Club. Patrons get a digital copy of a Sequart book or movie at the beginning of each month, and they’re invited… [more]
Interstellar and the Question of Sci-Fi Plausibility
Warning: Mild spoilers of Interstellar are discussed in this article. The spoilers do not give any description of what actually occurs, but if you want to avoid even the vaguest of descriptions, then avoid this… [more]
Interstellar Wows While Asking Big Questions
Probably no director in the world successfully combines intelligence and artistic ambition with commercial success the way Christopher Nolan does. His movies often orbit around exactly the kind of high concepts Hollywood hates because they can’t… [more]
The Politics of Batman, Part 5: Batman Returns, Enron, and the Buying of American Democracy
I first saw the film Batman Returns when it was released in 1992. I was young and didn’t understand it. I found the Penguin disgusting. I had a sense that the movie was condemning American… [more]
Overcoming the Status Quo: Wonder Woman, Superheroes, and the American Criminal Justice System (Part 3)
In this three-part series, I explore where superheroes fit into popular conceptions of criminal justice in the United States, and the potential for Wonder Woman to help improve those conceptions. In Part 1, I looked… [more]
Overcoming the Status Quo: Wonder Woman, Superheroes, and the American Criminal Justice System
In this three-part series, I explore where superheroes fit into popular conceptions of criminal justice in the United States, and the potential for Wonder Woman to help improve those conceptions. This week, I look at… [more]
The Politics of Batman, Part 1: Batman vs. Osama bin Laden
The following is an excerpt from the book War, Politics and Superheroes: When Frank Miller announced that he would be crafting a graphic novel in which Batman would confront real-world terrorist Osama bin Laden, journalists… [more]
What Batman vs. Superman Could Get Right (And Wrong)
Last year when Man of Steel came out, I was reminded of the line uttered by Chastity (Gabrielle Union) in 10 Things I Hate About You: “I know you can be overwhelmed… and you can… [more]
Thoughts on the Animated Batman: Gotham Knight
Since I’ve written about Batman Begins, I thought it might be nice to write about its follow-up. No, not The Dark Knight. Chronologically, Batman Begins is followed by Batman: Gotham Knight, a made-for-video collection of six… [more]
The Road to Christopher Nolan’s Batman Begins
We’ve previously examined the road to Christopher Nolan taking over the Batman film franchise, from Batman and Robin through Frank Miller’s “Year One” screenplay. This installment concludes the story, taking us up to Batman Begins.… [more]
Why The Dark Knight Rises Fails
Let me start by saying that I’m glad if you like The Dark Knight Rises. I wanted to. I wrote a book about Batman Begins. I love The Dark Knight, and its ending makes me… [more]
The Simple, Elegant Way to a DC Cinematic Universe
There’s a simple solution to DC’s motion-picture woes: stop following Marvel’s model. Marvel’s shared cinematic universe only proceeded the way it did due to accidents of history.