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Patrick Meaney at SDCCPatrick Meaney: The Sequart Interview

Patrick Meaney is the author of Our Sentence is Up, as well as essays in several Sequart anthologies and a contributor to Sequart.org. He’s also the director of Grant Morrison: Talking with Gods and Warren… [more]

2754563-robin_damian_wayneWhat Damian Wayne Says about Adult Comic Fans

A few days ago, one of my friends from work was telling me about a particularly attractive girl that he knew from his other job. I know, this isn’t a terribly interesting way to start… [more]

Picture2Humbled – A Building Stories Non-Review

Let me be frank – this is not a review of Building Stories (Published by Pantheon Books, 2012) by Chris Ware (Published by Mr. and Ms. Ware, 1967). Nor is this an attempt at analysis,… [more]

Photo by Seth KushnerNeil Gaiman: The Early Years, Black Orchid’s Passive and Impassive Universe Part 1

Neil Gaiman, like Alan Moore, is someone working in comics who seems to need no introduction. Their influence and impact is so pervasive that they’ve practically become a household name. But there’s a danger to… [more]

Spidey Doc Memories 01Superior Spider-Man Memories

The premise of one of Marvel Now’s flagship titles, The Superior Spider-Man, may initially come across as a classic sci-fi plot: two characters having their minds magically “switched” to create fish-out-of-water scenarios. But within the… [more]

Swamp Thing 43“Windfall”: Alan Moore’s Swamp Thing Issue #43

Swamp Thing #43 “Windfall” Cover date: December 1985. Writer: Alan Moore. Artists: Stan Woch & Ron Randall. Colorist: Tatjana Wood. Letters: John Costanza. Editor: Karen Berger This issue is aptly entitled ‘Windfall’, both for its… [more]

scan4“That Wicked Tongue Will Land You in Trouble Some Day”: Shameless? Part 6

Continued from last week. Shameless? will inevitably reference the way in which Mark Millar has discussed his own work. As such, it’s worth noting that his distinctive public persona turns out not to have been… [more]

Warren Ellis's SupergodOn Warren Ellis’s Super-Hero Work at Avatar

We’ve previously looked at Warren Ellis’s realistic worldview, at his much-celebrated 1999-2003 period, and at his work for Marvel from 2004-2010. One of the more interesting developments of Ellis’s career, especially given his professed distaste… [more]

Grant Morrison: The Early YearsOn Sequart’s Grant Morrison Library (Video)

In which I discuss Sequart’s three books on Grant Morrison’s work: Timothy Callahan’s Grant Morrison: The Early Years, Patrick Meaney’s Our Sentence is Up: Seeing Grant Morrison’s The Invisibles, and Tom Shapira’s just-released Curing the… [more]

comics_hellboy_in_hell_1_1[1]“Don’t Tell Me What to Do”: Looking at Hellboy Refusing Fate by Pushing Freewill

Hellboy is the intellectual demon child of comic book writer Mike Mignola. It’s been published by Dark Horse Comics off and on since 1993. Hellboy’s origin is simple, during WWII in 1944 an occultist by… [more]

ACTION_COMICS_2Humanity, Heroism, and Action: Grant Morrison’s Action Comics #2

In the supplemental material in the issue, Grant Morrison writes, “Superman is mankind at its best, and Lex Luthor is us at our worst . . . but they’re both us.” It’s a sentiment that… [more]

21aSandman #21-24: Expanding Cosmologies and Dream’s Spiritual Subjugation

In the forward to The Absolute Sandman, Volume One Paul Levitz quipped that Sandman was an unfolding dialectic that narrowed the lines between folk tale and myth. Since the beginning of this  narrative, Levitz speculated… [more]

61zsPGOh4AL._SS500_1986: Strikeforce: Morituri, Part 2: No Way Out

In Strikeforce: Morituri, the Marvel Comics series created by writer Peter B. Gillis and artist Brent Anderson, which debuted towards the end of 1986, the Earth of the late 21st century is under attack by… [more]

scan1The Adolescent High Conceptualist: Shameless? Part 5

Continued from last week. It would take Millar almost a decade to develop a style that was as controlled and effective as his ideas were consistently intriguing. The first substantial evidence of this would appear… [more]

Ultimate Galactus TrilogyWarren Ellis at Marvel, 2004-2010

We’ve previously looked at Warren Ellis’s overall realistic worldview and how this is reflected in the revisionism of his much-celebrated 1999-2003 period. We now turn to his work at Marvel from 2004-2010.

the_wolverine_movie_2013-wallpaper-800x600Maybe My Grandkids Will Get a Decent Wolverine Movie

How hard can it be to get a Wolverine movie right? I mean “right” as in a movie that understands what has made the character a fan favorite for the last two or three decades… [more]

The Devil is in the Details: Examining Matt Murdock and DaredevilOn Sequart’s New Daredevil Book (Video)

In which I discuss Sequart’s most recent publication, The Devil is in the Details: Examining Matt Murdock and Daredevil, edited by Ryan K. Lindsay, and my own essay in the volume (which is titled “What… [more]

Young_Justice_TV_seriesDC Nation: The Final Days of Great Programming

If there was ever a time more confusing in relation to comic books it was the ’90s. I was born in 1988 and grew up a child of the ’90s, a product of a pop… [more]

Action 1Humanity, Heroism, and Action: Grant Morrison’s Action Comics #1

On page 1, panel 1, the first dialogue in the comic goes to real estate developer Glen Glenmorgan says, “and it’s a done deal! How about a drink to celebrate this turning point?” to a… [more]

Saga5First World Problems: Imperialism and Noncombatant Casualty in Saga Volume One

Comics are analogues of reality, and paint in fantasy tales more compelling than the real world conflicts they are based on. Saga overwhelms the reader with a terrible level of detail, capturing conflicts ranging from… [more]

The Image Revolution title cardThe Image Revolution: The Full Trailer for the Documentary Film

Sequart has released a full trailer for its upcoming feature-length documentary, The Image Revolution.

Swamp Thing 42“Strange Fruit”: Alan Moore’s Swamp Thing Issue #42

Swamp Thing #42 “Strange Fruit” Cover Date: November 1985. Writer: Alan Moore. Artists: Stephen Bissette, John Totleben and Ron Randall. Colorist: Tatjana Wood. Letters: John Costanza. Editor: Karen Berger. This issue serves to conclude the… [more]

scan1Why are People so Frightened of Change?: Shameless? Part 4

Continued from last week. “Why are they so obsessed with continuity? A story is a story – nothing more, and yet people want to know which Earth Watchmen takes place on.” (*1) The adolescent Millar… [more]

Stormwatch imageWarren Ellis, Revisionism, and Reconstructionism

Last time, we discussed how Warren Ellis is a realist, and we contrasted this with the views of Grant Morrison. These two modes correlate strongly with two different modes of super-hero stories.  Revisionism, most frequently… [more]

mscsi2On My So-Called Secret Identity

My So-Called Secret Identity: not just principled, smart and promising, but repeatedly downright enjoyable. Every story contains any number of manifestos. The less a comic’s creators focus on a precise expression of their own beliefs,… [more]