Arkham Asylum: Living Hell #1 DC Comics – Dan Slott (w); Ryan Sook (a) This is about the exact opposite of what I was expecting from this book. Your typical Batman-related mini-series is generally entertaining… [more]
OK, kind of an apology to start this column off. I know I was slacking for quite a few weeks there, only turning on a review or two. And then lately, it looked like I… [more]
Over the weekend, I read some things that I’d been meaning to get to. Hence, some of the reviews following are not of “new” books. They are, however, fairly recent, so I trust you’ll forgive… [more]
Three Strikes #1 Oni Press – Nunzio DeFilippis, Christina Weir (w); Brian Hurtt (a) Wow. I’ve gotta say, I was sorely tempted to just leave the review at that. Frankly, I think it might have… [more]
The Silencers #1 Moonstone Books – Fred Van Lente (w); Steve Ellis (a) Moonstone Books is known primarily (at least to me) as a company that produces overpriced, but entertaining, black-and-white noir comics. Those same… [more]
I can’t recall the first comic I ever read. I’m sure they featured in my early childhood, as my family has tattered old Donald Duck and other Gladstone comics to prove it.
There has been some discussion, as of late, of the politics of recent Captain America storylines.
Human Torch #1 Marvel Comics – Karl Kesel (w); Skottie Young (p); Joe Seung, Pierre-Andre Dery (i) Last week, I thought Marvel’s fledgling Tsunami imprint hit a home run with the debut of Sean McKeever’s… [more]
Wolverine: X-Isle #1 Marvel Comics – Bruce Jones (w); Jorge Lucas (a) Well, another day, another Marvel mini-series by Bruce Jones. The last one was Captain America: What Price Glory? and from what I read,… [more]
First off, an apology to my readers: I’ve been a slackass lately. That’s all there is to it. Reviews have been less than prolific because, quite frankly, there just hasn’t been a lot to get… [more]
Batman: Child of Dreams DC Comics – Kia Asamiya (w/a); Max Allan Collins (trans.) The key to a good Batman story, in my opinion, lies in the use of imagery. The notion that criminals are… [more]
Captain America: What Price Glory? #1 Marvel Comics – Bruce Jones (w); Steve Rude (p); Mike Royer (i) There’s a method to Marvel’s madness when it comes to their choice of characters to give miniseries… [more]
Comics in the early ’90s were full of collectors, people who bought comics not to read them but to collect them. And comic book companies catered to this market, printing multiple covers, foil-enhanced covers, holographic… [more]
Thunderbolts #76 Marvel Comics – John Arcudi (w); Francisco Ruiz Velasco (a) Here’s the basic fact of this book, the way I see it: Thunderbolts is the new X-Force. Now, the real question is, what… [more]
In the Golden Age of the 1930s and 1940s, comics were mostly episodic tales in which characters barely changed.
The Courtyard #1 Avatar Press – Alan Moore, Antony Johnston (w); Jacen Burrows (a) When I pulled the stack of this book out of my store’s weekly shipment today, I had already resigned myself to… [more]
Rawhide Kid #1 Marvel Comics/MAX – Ron Zimmerman (w); John Severin (a) Well, it’s here. And since it is, people can finally stop saying “You can’t judge a book until it’s been released!” on message… [more]
The Truth: Red, White and Black #3 Marvel Comics – Robert Morales (w); Kyle Baker (a) Man, it is such a pain to review this book. Because of the world we live in, there’s a… [more]
Optic Verve makes its triumphant (or generally unnoticed, depending on your point of view) return to the Internet, having taken the holidays off due to lack of Internet connectivity and a general plague of viruses… [more]
Before I get started, a quick apology to the readers of these articles: this week was a really light week for me, as far as books are concerned. Even worse, next week looks to be… [more]
I’m currently snowed in, so badly so that I almost didn’t go to work on Wednesday to get new comics at all. However, the time cooped up in the house should allow for a) lots… [more]
The creation of derivative versions of super-heroes goes back to Captain Marvel’s derivatives, Mary Marvel and Captain Marvel, Jr. — which were introduced in the 1940s.