Continued from last week. “Half the country, and by that I mean living north of the M25, were victims of Thatcher’s modernisation program. My Dad lost his job when I was 15 and never worked… [more]
Continued from last week. There’s a sense in which The Saviour helps establish the limits of deconstruction. For Millar stripped away so many of the genre’s traditions that it ceased to be much of a… [more]
Continued from last week. But even the most experienced and gifted of writers would struggle to make a success of The Saviour. It was far too ambitious and complex a project. In mixing so many genres,… [more]
Continued from last week. But despite its barnstorming high concept, The Saviour was, as Skidmore conceded, “hard to explain” (*1). Some of this was caused by the need to keep key plot-reversals under wraps. But… [more]
Continued from last week. It’s impossible to say how much the young Millar wrote or how often he sent off his work to publishers in the years before he landed the Trident Comics contract. His… [more]
Continued from last week. The Saviour #1-6 (December 1989 to January 1991) Trident #5 (April 1990) The Saviour TPB Volume 1, Trident, 1990 (reprints all of the above except issue 6, with a Neil Gaiman… [more]
Continued from last week. Shameless? will inevitably reference the way in which Mark Millar has discussed his own work. As such, it’s worth noting that his distinctive public persona turns out not to have been… [more]
Continued from last week. It would take Millar almost a decade to develop a style that was as controlled and effective as his ideas were consistently intriguing. The first substantial evidence of this would appear… [more]
Continued from last week. “Why are they so obsessed with continuity? A story is a story – nothing more, and yet people want to know which Earth Watchmen takes place on.” (*1) The adolescent Millar… [more]
Continued from last week. From the middle of the Eighties to the decade’s end, the teenage Millar’s preference appears to have been for the breed of super-hero comics associated with the label of deconstruction. The… [more]
Continued from last week. Only Mark Millar knows which twelve months of his life would most deserve the title of Annus horribilis. But from what he’s said in the press, the years of the late… [more]
It’s too good a story not to be treated with suspicion. Asked to recall his first comic by Lee Randall of The Scotsman in 2009, Mark Millar declared that he could remember the matter “exactly”.… [more]
May 4th was Avengers day here in the states, and I actually managed to see the film three times in the first 24 hours of its release.
A word of advice before going into this series: ignore the “Death of Spider-Man” banner at the top and you’ll be just fine.
With the release of each new issue of Ultimate Comics Avengers 3, I would call up my friend Caleb (fellow contributor to Keeping the World Strange: A Planetary Guide) and we would laugh about how far… [more]
Each day we get closer to having to admit that some of our heroes have views we disagree with. Some views we might even call nuts. Sure, we might love our heroes to be a… [more]
If Ultimate Comics Avengers was a departure from Millar’s previous Ultimates work, then its sequel goes completely off the rails.
After Ultimates 2, Millar stepped away from the Ultimate universe for a couple of years. During his absence, Jeph Loeb took over forUltimates 3 and while it was a more traditional super-hero story, it still had… [more]
After numerous issues of in-fighting and build up, all of the pieces are in place for Millar’s endgame and he takes the series to its only logical conclusion — America’s arms race backfires. It’s the… [more]
Volume 2 of The Ultimates (sometimes referred to as Season 2) is not only vastly superior to the first, but I would argue that it is the best work of Millar’s career. It’s a fascinating… [more]
After the first six issues of Millar’s The Ultimates had established the team as a group of celebrity soldiers with little ethical or moral backbone (except for Thor who is considered insane by the others),… [more]
With the ten-year anniversary of Mark Millar’s The Ultimates coming up next year, and with an all new line up of Ultimate books coming from Jonathan Hickman and Nick Spencer later this year, there’s no… [more]
The movie version of Kick-Ass received so much press attention that the comic can feel like a footnote. Because the movie was optioned and produced before the series was even complete, it’s easy to feel… [more]
Seeing opportunity in the wake of changes to the next Superman film, Mark Millar offered to write the character’s next cinematic installment… for free. Millar, a longstanding Superman fan, made the offer on Monday in… [more]
This is the fourth annual State of American Comics Address that I have given. The State of American Comics Address is intended to sum up, in retrospect and for the historical record, the American comics… [more]
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